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Charlotte Clutterbuck Charlotte Clutterbuck i(A15971 works by)
Born: Established: 1950
c
England,
c
c
United Kingdom (UK),
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Western Europe, Europe, ;
Gender: Female
Arrived in Australia: ca. 1957
Heritage: English
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Works By

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1 Where Are You Roger Bannister i "when I run with my potato farmer's shuffle,", Charlotte Clutterbuck , single work poetry
1 Extended , Family i "I've known four generations,", Charlotte Clutterbuck , 2018 single work poetry
— Appears in: Empathy : Poems from the 2018 ACU Prize for Poetry 2018; (p. 10-12)
1 Sharing the Transport i "Such fragile brevity - surprised by it, Wordsworth turned", Charlotte Clutterbuck , 2017 single work poetry
— Appears in: Joy : Poems from the 2017 ACU Prize for Poetry 2017; (p. 6-7)
1 y separately published work icon Shift Control Charlotte Clutterbuck , Port Adelaide : Picaro Press , 2017 11322386 2017 selected work poetry
1 Who Is Merciful? Charlotte Clutterbuck , 2017 single work essay
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 21 no. 1 2017; 'A chapbook of fifteen poems, Kevin Brophy’s Misericordia is part of a multi-form artistic response to the Jubilee of Mercy proclaimed by Pope Francis in 2016. The accompanying DVD records a performance of music, text, Brophy’s poems, and The Faces of Mercy, a tryptych by painter Niké Arrighi Borghese. Michael Campbell’s performance text provides a context for Brophy’s poems by selecting phrases from the Psalms and Pope Francis, the whole set to music by composer George Palmer, and performed by St Mary’s Cathedral Choir, Sydney. The performance is divided into three segments: Despair, Desolation; Pardon, Hope; Mercy, Love.' (Introduction)
1 Counterpoint i "Now, for me, the cycle", Charlotte Clutterbuck , 2017 single work poetry
— Appears in: Cordite Poetry Review , 1 March vol. 57 no. 1 2017;
1 Dissolute Drama : Linda Weste's Nothing Sacred Charlotte Clutterbuck , 2016 single work review
— Appears in: Australian Poetry Journal , vol. 6 no. 1 2016; (p. 107-108)
— Review of Nothing Sacred : A Novel in Verse Linda Weste , 2015 single work novel
1 Visitation i "After a welcome round the bonfire", Charlotte Clutterbuck , 2016 single work poetry
— Appears in: Loving Kindness : 2016 ACU Prize for Poetry 2016; (p. 53-54)
1 Stopped Watch i "Not blind - vanished like the profession.", Charlotte Clutterbuck , 2015 single work poetry
— Appears in: Australian Poetry Journal , vol. 5 no. 2 2015; (p. 114-115)
1 Soul Jigsaw i "Soul lends time for keeps", Charlotte Clutterbuck , 2015 single work poetry
— Appears in: Australian Poetry Anthology 2015; (p. 102)
1 Unconditional Charlotte Clutterbuck , 2014 single work poetry
— Appears in: The Grapple Annual No. 1 2014;
1 Post-Modern i "The sculptures say", Charlotte Clutterbuck , 2014 single work poetry
— Appears in: Australian Poetry Journal , vol. 4 no. 1 2014; (p. 72-73)
1 Absence i "It's not so much I miss you", Charlotte Clutterbuck , 2013 single work poetry
— Appears in: Australian Love Poems 2013 2013; (p. 238)
1 Effervescence i "One Wednesday morning", Charlotte Clutterbuck , 2013 single work poetry
— Appears in: Women's Work : A Collection of Contemporary Women's Poetry 2013; (p. 88-89)
1 y separately published work icon Brink Charlotte Clutterbuck , Cardiff : Picaro Press , 2012 Z1911938 2012 selected work poetry
1 Infidelities i "it's hopelessly out of date and uneducated", Charlotte Clutterbuck , 2011 single work poetry
— Appears in: Poetrix , November no. 37 2011; (p. 27)
1 A Spring List i "October frost, boats", Charlotte Clutterbuck , 2011 single work poetry
— Appears in: The Canberra Times , 29 October 2011; (p. 31)
1 To Speak of the Good That Is in Marriage i "Someone to carry my skis when there was no snow", Charlotte Clutterbuck , 2011 single work poetry
— Appears in: The Canberra Times , 5 February 2011; (p. 25)
1 Flat Earth i "I’ve stepped off the edge of my life", Charlotte Clutterbuck , 2010 single work poetry
— Appears in: Mascara Literary Review , October no. 8 2010;
1 Building i "this first year", Charlotte Clutterbuck , 2010 single work poetry
— Appears in: Mascara Literary Review , October no. 8 2010;
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