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Gregory Kratzmann Gregory Kratzmann i(A20521 works by) (a.k.a. Greg Kratzmann)
Born: Established: 1949 Toowoomba, Toowoomba area, Darling Downs, Queensland, ;
Gender: Male
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Works By

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1 Unswept Stone Gregory Kratzmann , 2012 single work review
— Appears in: Australian Book Review , May no. 341 2012; (p. 67)

— Review of Old Songs in the Timeless Land : Medievalism in Australian Literature 1840-1910 Louise D'Arcens , 2011 selected work criticism
1 The Stately Deep: A Remarkable Anthology from the Poet–Novelist Gregory Kratzmann , 2011 single work review
— Appears in: Australian Book Review , February no. 328 2011; (p. 27-28)

— Review of The Penguin Book of the Ocean 2010 anthology extract non-fiction poetry short story
1 'Good Heavens Not Ronald' Gregory Kratzmann , 2010 single work review
— Appears in: Australian Book Review , April no. 320 2010; (p. 45-46)

— Review of Out of the Box : Contemporary Australian Gay and Lesbian Poets 2009 anthology poetry
1 Tongues of Fire: Refreshing Perspectives on Cultural Formation Gregory Kratzmann , 2010 single work review
— Appears in: Australian Book Review , February no. 318 2010; (p. 7-8)

— Review of The Cambridge History of Australian Literature 2009 reference
1 The Power of the Incoming Tide Gregory Kratzmann , 2009 single work review
— Appears in: Australian Book Review , December 2009 - January 2010 no. 317 2009; (p. 28-29)

— Review of The Best Australian Poems 2009 2009 anthology poetry criticism
1 Emerald Veins Gregory Kratzmann , 2009 single work review
— Appears in: Australian Book Review , November no. 316 2009; (p. 35-36)

— Review of Harbour City Poems : Sydney in Verse, 1788-2008 2009 anthology poetry
1 Mapping Harwood Gregory Kratzmann , 2009 single work correspondence
— Appears in: Australian Book Review , November no. 316 2009; (p. 4)
1 4 y separately published work icon Mappings of the Plane : New Selected Poems Gwen Harwood , Gregory Kratzmann (editor), Chris Wallace-Crabbe (editor), Manchester : Fyfield Books , 2009 Z1635144 2009 selected work poetry

'Gwen Harwood (1920-1995) is one of the best loved Australian poets of the twentieth century - and a fierce prankster, who published poems under half-a-dozen names and identities. By turns poignant, sensuous and mischievous, passionately musical, her poetry is marked by sure intelligence and a quicksilver, anti-authoritarian wit.

'This new selection of her poetry from 1943 to her death makes the full range of the work accessible for the first time to poetry-lovers in the northern hemisphere. With an introduction by the leading Harwood critic Gregory Kratzmann and the Australian poet Chris Wallace-Crabbe, who corresponded with Harwood, the selection includes hitherto little-known work along with poems which have become part of the central canon of Australian poetry.' (From the publisher's website.)

1 The Skull beneath the Skin Gregory Kratzmann , 2009 single work review
— Appears in: Australian Book Review , July-August no. 313 2009; (p. 17-19)

— Review of Vincent Buckley : Collected Poems Vincent Buckley , 2009 selected work poetry ; Journey Without Arrival : The Life and Writing of Vincent Buckley John McLaren , 2009 single work biography
1 'On the Side of Life' Gregory Kratzmann , 2008 single work review
— Appears in: Australian Book Review , December no. 307 2008; (p. 62)

— Review of Telling a Hawk from a Handsaw Chris Wallace-Crabbe , 2008 selected work poetry
1 'Highly Expressive and Resonant and Open Hearted' Gregory Kratzmann , 2007-2008 single work review
— Appears in: Australian Book Review , December-January no. 297 2007-2008; (p. 48-50)

— Review of The Best Australian Poems 2007 2007 anthology poetry ; The Best Australian Poetry 2007 2007 anthology poetry
1 Cancer Country Gregory Kratzmann , 2007 single work review
— Appears in: Australian Book Review , November no. 296 2007; (p. 48)

— Review of Bad Hair Days Pamela Bone , 2007 single work autobiography
1 Hadgraft's Legacy Gregory Kratzmann , 2007 single work review
— Appears in: Australian Book Review , September no. 294 2007; (p. 52-53)

— Review of By the Book : A Literary History of Queensland 2007 anthology criticism
1 'A Leaf from the Trees' Gregory Kratzmann , 2007 single work review
— Appears in: Australian Book Review , June no. 292 2007; (p. 55)

— Review of Westering Peter Kirkpatrick , 2006 selected work poetry
1 Clarity and Mastery Gregory Kratzmann , 2006-2007 single work review
— Appears in: Australian Book Review , December-January no. 287 2006-2007; (p. 54-55)

— Review of Other Summers Stephen Edgar , 2006 selected work poetry
1 Gwen Harwood: Words and Music Gregory Kratzmann , 2006 single work essay
— Appears in: Reflected Light : La Trobe Essays 2006; (p. 285-301)
'This essay is concerned mainly with what [Gwen Harwood] claimed to be her most satisfying work, the writing of librettos, words to be set to music.'
1 'But That the Stone Is Fresh' Gregory Kratzmann , 2006 single work review
— Appears in: Australian Book Review , June-July no. 282 2006; (p. 16-17)

— Review of Medievalism and the Gothic in Australian Culture 2005 anthology criticism
1 An Intensified Bag of Tricks Gregory Kratzmann , 2006 single work review
— Appears in: Australian Book Review , February no. 278 2006; (p. 9-10)

— Review of The Universe Looks Down Chris Wallace-Crabbe , 2005 single work poetry
1 Who Was Alan Carvosso? Gregory Kratzmann , 2004 single work criticism
— Appears in: Meanjin , vol. 63 no. 1 2004; (p. 177-184)
Kratzmann discusses his research and findings following the discovery of the poetry of Alan Carvosso, a Gwen Harwood pseudonym
1 11 y separately published work icon Gwen Harwood : Collected Poems 1943-1995 Gwen Harwood , Alison Hoddinott (editor), Gregory Kratzmann (editor), St Lucia : University of Queensland Press , 2003 Z1008048 2003 collected work poetry (taught in 1 units) 'This collection represents the full body of Gwen Harwood's poetry: all six published volumes, as well as most of her uncollected poems ... with an editorial introduction, and extensive notes providing background to particular poems or obscure references ... The poet's own biographical notes on the pseudonymous selves she adopted in her poems of the 1960s and 1970s add further value.' (Cover)
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