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Hilary Glow Hilary Glow i(A29296 works by)
Gender: Female
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Works By

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1 2 y separately published work icon 'Your Genre is Black': Indigenous Performing Arts and Policy Hilary Glow , Katya Anne-Madsen Johanson , Strawberry Hills : Currency Press , 2009 Z1558136 2009 single work criticism 'Indigenous performing arts have developed enormously since the early movement in 1970 and now face a dilemma between fulfilling community responsibilities, which have largely motivated and supported this growth, and the new generation of professionally-trained artists achieving the artistic autonomy which are now demanding. Government funding for Indigenous work has to date been couched in terms of its contribution to employment, health and social good. Artists are now calling for an end to sympathetic indulgence of less-than-the-best in favour of a challenge of a place in the national and international arena. The authors examine these tensions and outline the hurdles yet to be overcome before a new cultural policy will be established that not only recognizes talent but promotes it.' (Publisher's blurb)
1 11 y separately published work icon Power Plays : Australian Theatre and the Public Agenda Hilary Glow , Strawberry Hills : Currency Press , 2007 Z1422192 2007 single work criticism

'The prominence and vehemence of public debate about Hannie Rayson's Two Brothers has renewed the public interest in the power of contemporary Australian theatre. Not since the 1970s has there been such mainstream media attention on the work and role of Australian playwrights.

'Power Plays capitalises on this moment of renewed and heightened interest by investigating the why and the how of eight contemporary Australian playwrights: Andrew Bovell, Patricia Cornelius, Reg Cribb, Ben Ellis, Wesley Enoch, Hannie Rayson, Stephen Sewell and Katherine Thomson. These writers are passionate about the theatre as a forum for public discussion and they interrogate current issues in their work. Their plays reflect the passing show of cultural, political and economic life in Australia, telling audiences something critical about what is going on: this is the state of play, this is what we are. The author has conducted extensive interviews with these writers and offers an extended analysis of some of their recent plays.' (Publisher's blurb)

1 Class Action Hilary Glow (interviewer), 2005 single work interview
— Appears in: Meanjin , vol. 64 no. 1-2 2005; (p. 326-335) The AustLit Anthology of Criticism 2010; (p. 50)
Editor's note: Dramaturg Hilary Glow talks to playwright Hannie Rayson about class, racism and political apathy in contemporary Australian society and how the stage can represent and tackle such issues.
1 Speaking Truth to Power : Hannie Rayson's 'Inheritance' Hilary Glow , 2003 single work criticism
— Appears in: Inheritance 2003; (p. ix-xvi)
1 Untitled Hilary Glow , 1988 single work review
— Appears in: New Theatre Australia , July-August 1988;

— Review of Dead Set Straight Andrea Lemon , 1988 single work drama
1 Women's Theatre and the APG Clare Dobbin , Hilary Glow , 1984 single work interview
— Appears in: Meanjin , Autumn vol. 43 no. 1 1984; (p. 129-138)
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