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Lesley Hawkes Lesley Hawkes i(A36066 works by) (a.k.a. Lesley Kathryn Hawkes)
Gender: Female
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Works By

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1 Double Trouble : The Teacher/Satirist Duality in Thea Astley’s Critical Writings Kate Cantrell , Lesley Hawkes , 2019 single work criticism
— Appears in: Queensland Review , December vol. 26 no. 2 2019; (p. 218-231)

'Over a fifty-year period, from 1944 to 1994, Thea Astley published a number of critical writings, including essays, newspaper articles and reviews, and short reflections and meditations on her craft. Despite a renewed interest in Astley’s work, however, most critical interrogations of her oeuvre focus on her novels, and more recently her poetry. As a result, Astley’s critical writing has not been afforded the same breadth and depth of investigation as her fiction. This lacuna is troubling, since Astley’s critical works are important not only for their insight, but for what they reveal about Astley’s self-representation, and in particular the dual identity that she embodied as both a teacher and a satirist. This article argues that these dual roles emerge clearly in Astley’s essays and in fact are inextricable from many of her works. Further, the tensions between these two personae — Astley as teacher and Astley as satirist — reveal natural overlaps with her imaginative writing, and reflect her changing ideas about fiction writing, literature, and education.' (Publication abstract)

1 Baz Luhrmann’s The Great Gatsby : Telling a National Iconic Story Through a Transnational Lens Lesley Hawkes , 2018 single work criticism
— Appears in: American–Australian Cinema : Transnational Connections 2018; (p. 295-313)
Examines Baz Luhrmann as a 'transnational' film-maker, with a particular focus on The Great Gatsby.
1 Lesley Hawkes, of Amanda Curtin, Elemental Lesley Hawkes , 2015 single work review
— Appears in: Southerly , vol. 75 no. 1 2015; (p. 228-230)

— Review of Elemental Amanda Curtin , 2013 single work novel
1 Magnolian Mornings i "Every morning at 7:30am the", Lesley Hawkes , 2011 single work poetry
— Appears in: Rex : The Journal of New Writing , vol. 3 no. 2 2011; (p. 34-35)
1 Fear, Voice, and the Environment in Sonya Hartnett's Forest and The Midnight Zoo Lesley Hawkes , 2011 single work criticism
— Appears in: Papers : Explorations Into Children's Literature , vol. 21 no. 1 2011; (p. 67-76)
'Subtle is not a word that is normally associated with Sonya Hartnett's style. Rather, she is known for her stark, bold approach. However, when it comes to the Australian environment, Hartnett is indeed subtle in her approach. Hartnett has set in play a new, almost posthumanist style of writing about the nonhuman. The Australian landscape and environment has always figured prominently in Australian literature for both adults and children but Hartnett has taken this writing in a totally different direction. This article looks at two of Hartnett's novels, Forest and The Midnight Zoo, and examines how Hartnett offers new and exciting avenues of thought regarding the place of humans in that environment.' (Author's abstract)
1 Flower Girl i "“You caused this”", Lesley Hawkes , 2011 single work poetry
— Appears in: Journal of Post-Colonial Cultures and Societies , vol. 2 no. 4 2011;
1 Spaces of Hybridity : Creating a Sense of Belonging through Spatial Awareness Lesley Hawkes , 2010 single work criticism
— Appears in: Postcolonial Issues in Australian Literature 2010; (p. 93-107)
1 Surveys i "Whose family in this class", Lesley Hawkes , 2000 single work poetry
— Appears in: Imago : New Writing , vol. 12 no. 2 2000; (p. 60-62)
1 Lady Fingers i "And I want one kilo of", Lesley Hawkes , 1999 single work poetry
— Appears in: Hecate , vol. 25 no. 2 1999; (p. 182-184) Hibiscus and Ti-Tree : Women in Queensland 2009; (p. 268-269)
1 A Famous Artist i "It must be a great place", Lesley Hawkes , 1999 single work poetry
— Appears in: Imago : New Writing , vol. 11 no. 3 1999; (p. 48-50)
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