AustLit logo

AustLit

Chapman and Hall (International) assertion Chapman and Hall i(A55355 works by) (Organisation) assertion (a.k.a. Chapman; Chapman & Hall)
This international organisation is included in AustLit to identify a relationship with Australian literature.
Born: Established: 1830 London,
c
England,
c
c
United Kingdom (UK),
c
Western Europe, Europe, ;
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 6 y separately published work icon The Joys of Possession Ray Mathew , London : Chapman and Hall , 1967 Z519479 1967 single work novel
1 y separately published work icon Breakthrough John Iggulden , London : Chapman and Hall , 1960 Z1050454 1960 single work novel thriller science fiction
1 2 y separately published work icon The Storms of Summer John Iggulden , London : Chapman and Hall , 1960 Z541323 1960 single work novel Set on fishing grounds of eastern Australia, the novel explores the conflict between migrant and Australian fishermen.
1 4 y separately published work icon A Long Way South Geoffrey Dutton , London : Chapman and Hall , 1953 Z404092 1953 single work prose biography travel
1 3 y separately published work icon The Mortal and the Marble Geoffrey Dutton , London : Chapman and Hall , 1950 Z404200 1950 single work novel
5 y separately published work icon Botany Bay Charles Nordhoff , James Norman Hall , Boston : Little, Brown , 1941 Z126884 1941 single work novel
1 y separately published work icon You'll Never Fail Me Rosemary Rees , London : Chapman and Hall , 1939 Z1409105 1939 single work novel romance
1 1 y separately published work icon Sing a Song of Sydney : A Novel Rosemary Rees , London : Chapman and Hall , 1938 Z285886 1938 single work novel
1 y separately published work icon Turn the Hour Rosemary Rees , London : Chapman and Hall , 1937 Z1379085 1937 single work novel
1 y separately published work icon Miss Tiverton's Shipwreck Rosemary Rees , London : Chapman and Hall , 1936 Z1379072 1936 single work novel
1 y separately published work icon Shadow and Flame Richard Preston , London : Chapman and Hall , 1936 Z1206717 1936 single work novel
1 y separately published work icon Home's Where the Heart Is Rosemary Rees , London : Chapman and Hall , 1935 Z1379042 1935 single work novel romance
1 2 y separately published work icon Then and Now: The Story of a Queenslander Alexander Francis , London : Chapman and Hall , 1935 Z1312769 1935 single work autobiography
1 y separately published work icon Local Colour Rosemary Rees , London : Chapman and Hall , 1933 Z1379032 1933 single work novel
1 y separately published work icon Concealed Turning Rosemary Rees , London : Chapman and Hall , 1932 Z1379029 1932 single work novel romance
1 y separately published work icon Sane Jane Rosemary Rees , London : Chapman and Hall , 1931 Z1379026 1931 single work novel romance
1 y separately published work icon The Coloured Countries Alec Waugh , London : Chapman and Hall , 1930 Z1784258 1930 single work autobiography travel
2 y separately published work icon Giving the Bride Away 'Margot Neville' , New York (City) : R. M. McBride & Company , 1930 Z1100333 1930 single work novel romance
1 1 y separately published work icon A Man for Empire A Man for England Winifred James , London : Chapman and Hall , 1930 Z1059826 1930 selected work essay
1 y separately published work icon London Is My Lute Winifred James , London : Chapman and Hall , 1930 Z1059552 1930 selected work essay 'The separate pieces of London Is My Lute ... ostensibly written from sundry places in the old and the new, originally appeared in the London Daily Chronicle and the Yorkshire Post. Here Winifred James writes affectionately of the amenities of London homes and ways, casual callers and shopping. She garners facets of things and incidents that charm the heart of the devotee, but are usually missed by the mere sight-see. She ends on a note of patriotism.' (Morris Miller, Australian Literature (1940) Vol.2, p. 514)
X