AustLit

'The literary event of 2015. Steve Toltz follows his extraordinary debut, the Booker-shortlisted A Fraction of the Whole, with a novel that's just as edgy, hilarious and compelling: Quicksand, at once unmistakeably Toltzean and unlike anything that's come before.

'Aldo has been so relentlessly unlucky – in business, in love, in life – that the universe seems to have taken against him personally. Even Liam, his best friend, describes him as 'a well-known parasite and failure'. Aldo has always faced the future with optimism and despair in equal measure, but this last twist of fate may finally have brought him undone.

'There's hope, but not for Aldo.

'Liam hasn't been doing much better himself: a failed writer with a rocky marriage and a dangerous job he never wanted. But something good may come out of Aldo's lowest point. Liam may finally have found his inspiration. Together, maybe they can turn bad luck into an art form.

'What begins as a document of Aldo's disasters develops into a profound story of love lost, found and betrayed; of freedom and incarceration; of suffering and transcendence; of fate, faith and friendship; of taking risks – in art, work, love and life – and finding inspiration in all the wrong places.

'Quicksand is a fearlessly funny, outrageously inventive dark comedy that looks contemporary life unblinkingly in the eye. It confirms Steve Toltz as one of our most original and insightful novelists.' (Publication summary)

'The debut of a major Australian writer, The Night Guest is a mesmerising novel about trust, love, dependence, and the fear that the things you think you know may become the things you're least sure about.

One morning an elderly widow called Ruth wakes thinking a tiger has been in her seaside house. Later that day a formidable woman called Frida arrives, looking as if she's blown in from the sea, but who has in fact come to care for Ruth.

Frida and the tiger: both are here to stay, and neither is what they seem. How far can Ruth trust them? And as memories of childhood in Fiji press upon her with increasing urgency, how far can she trust herself?

The Night Guest, Fiona McFarlane's hypnotic first novel, is no simple tale of a crime committed and a mystery solved. This is a tale that soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, power and perception; about how the past can colonise the present, and about things (and people) in places they shouldn't be. Above all, it's a brilliantly involving story about two very particular women.' (Publisher's blurb)

'It is 1919. The Great War has ended, but the Spanish flu epidemic is raging across Australia. Schools are closed, state borders are guarded by armed men, and train travel is severely restricted. There are rumours it is the end of the world.

In the NSW town of Flint, Quinn Walker returns to the home he fled ten years earlier when he was accused of an unspeakable crime. Aware that his father and uncle would surely hang him, Quinn hides in the hills surrounding Flint. There, he meets the orphan Sadie Fox - a mysterious young girl who seems to know more about the crime than she should.

A searing gothic novel of love, longing and justice, Bereft is about the suffering endured by those who go to war and those who are forever left behind.' (From the publisher's website.)

It's a simple family story ... From the New South Wales bush to bohemian Paris, from sports fields to strip clubs, from the jungles of Thailand to a leaky boat in the Pacific, A Fraction of the Whole follows the Deans on their freewheeling, scathingly funny and deeply moving quest to leave their mark on the world.

'After an injury which cut short a golden sporting career, Jasper's uncle became Australia's most beloved murderer. After a lifetime of impossible ideas and a brief stint as the country's saviour, Jasper's father became Australia's most loathed philosopher. This is Jasper's attempt to make sense of it all. (Back cover and Libraries Australia)

'At once humorous and dramatic, Three Dollars is about Eddie, an honest, compassionate man who finds himself, at the age of 38, with a wife, a child and three dollars. How did he get that way? And who is Amanda? He cared about people; he was, Amanda notwithstanding, a good husband, father and son. At any other time the world would have smiled on him. But this was the nineties and the world valued other things. Three Dollars chronicles the present breach of the social contract and its effect on a home near you. It is a brilliantly deft portrait of a man attempting to retain his humanity, his family and his sense of humour in grim and pitiless times: times of downsizing, outsourcing and privatising. It is about the legacy of Thatcherism and its effects on people and their relationships.' (Synopsis)

'At once a psychological thriller and a social critique, Seven Types of Ambiguity is a novel of obsessive love in an age of obsessive materialism.

'Following years of unrequited love, an out-of-work schoolteacher decides to take matters into his own hands, triggering a chain of events no one could have anticipated.

'This is a story of impulse and paralysis, of empty marriages, lovers and a small boy, gambling and the market, of adult children and their parents, of poetry and prostitution, psychiatry and the law.'

Source: Publisher's blurb (Faber ed.).

'Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children.

'Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own.'

Source: Publisher's blurb (MUP).

Dick Marston narrates the events of his and his brother Jim's association with notorious bushranger Captain Starlight.