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Janie Conway-Herron Janie Conway-Herron i(A72101 works by)
Gender: Female
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1 y separately published work icon Another Song About Love Janie Conway-Herron , New South Wales : Borders Edge Publishing , 2020 21400282 2020 single work novel 'At the age of 16, Lillie Bloom falls in love with the sound of the guitar and her life changes. Another Song About Love describes a journey of urban discovery that explores Lillie’s artistic life from being the ‘littlest dancer in the world’ as her grandfather calls her, to becoming a 1980s punk musician. There are many obstacles along the way for Lillie and her youthful search for perfection is tinged with uncertainty. But this uncertainty is ultimately a gift of wisdom. In the long run it is not success, but love of life itself that enables this becoming woman to come of age.

'The novel begins in the burgeoning music scene of Melbourne in the 1980s, when Lillie and her two close friends Wendy and Anna form a rock band, playing gigs around the inner city. It’s a time when roles for women are undergoing great change and ideals of romantic love and the nuclear family are being challenged. As the band becomes increasingly popular Lillie struggles to juggle her music career and her personal life alongside being a single mother to her son Jesse. Lillie is determined to find success as a singer songwriter and guitarist but ultimately ends up singing about love more than experiencing it; at least that’s how she feels. The novel explores the roots of those feelings as well as the reasons why Lillie is so compelled to make a success of her life as a musician.

'With the sexism of the global entertainment industry being questioned once again and the #MeToo movement gaining international traction, Lillie Bloom's grit and determination is a timely testament to the strength and resilience women have needed in order to succeed in their chosen careers.' (Publication summary)
 
1 On Becoming Lillie Bloom Janie Conway-Herron , 2018 single work prose
— Appears in: Long Paddock , vol. 77 no. 2 2018;

'There’s a story I’ve often told over the years, about a cross roads I came to at a difficult point in my life many years ago. In this story I describe how, as a young single mother of a fourteen-year-old boy, I made some important changes in my life. I’d tell this story during orientation week at Southern Cross University (SCU) where I have taught creative writing for more than two decades. As part of a pitch to expectant groups of new students I’d describe how, after a being a musician in a rock band, I needed to get a proper job and how I’d applied to come to university so as to do just that. My juxtaposition of rock musician and proper job was designed to make the students laugh, and to put them at ease. Then I’d tell them about my second career, – the trajectory from undergraduate student to teacher of creative writing – hoping that I might inspire some of the new students to take up a writing life of one sort or other. Over the last two decades, I’ve taught creative writing to thousands of students. Not all have become published writers, but the majority, I would hope, have learnt a set of writing skills, from the team of teachers in the writing department at SCU, that have assisted them greatly in articulating their chosen worlds through the written word.' (Introduction)

1 A Glitch in the Script : Fantasy, Realism and the Australian Imagination Janie Conway-Herron , 2016 single work criticism
— Appears in: Coolabah , no. 18 2016; (p. 85-99)
'The Glitch is a six-part television series first aired on the Australian public broadcast network, the ABC, in July 2015. My interest is in ways that the series reflects certain aspects of Australian culture and history and, in particular, how inclusive the series has been in representing Indigenous Australian ways of seeing this history. The Glitch — set in a fictional Australian outback town where a number of residents who have lived and died there return from the dead — holds great potential for critiquing the cultural and perceptual frameworks that have created what popular culture often describes as ‘quintessential Australianness.’ Narrative genres that have a particular relevance in framing Australian identity within a postcolonial context are also important to my examination. They provide a way to explore the aesthetics of identity in the play between reality and unreality where an Australian Gothic sense of the uncanny is contrasted with the subversive way Magic Realism places the extraordinary within the same realm of the possible as the ordinary everyday event. This aligns with contemporary analyses of Australian Indigenous narratives where Indigenous perceptions of reality question a Western hegemonic view of what is magic and what is real and highlights the cultural origins of both. It is the mix of the mysterious and the mundane and the play between reality and fantasy that has enormous potential in The Glitch. However, as I also discovered, maintaining the magic and the real in such a delicate and continuous balance is no easy task.
1 Mapping Our Heartlands : In Memory of Doctor Pam Dahl-Helm Johnston Janie Conway-Herron , 2014 single work obituary (for Pamela Dahl-Helm Johnston )
— Appears in: Coolabah , no. 14 2014; (p. 5-19)
1 In Your Dreams : Travelling the Road to Mandalay Janie Conway-Herron , 2013 single work criticism
— Appears in: Coolabah , no. 11 2013; (p. 118-113)
'Since 2007, I have been travelling regularly to the Thai /Burma border to run creative writing workshops with Burmese women refugees. The stories that eventuate from the workshops are published and distributed internationally. I have never been inside Burma so my knowledge of the country has come to me via other peoples' stories. Recent changes that have taken place in Burma give glimpses of hope for a democratic future and yet I remain on the edges of this country I feel I know intimately.

In his memoir From the Land of Green Ghosts (2004) Pascal Khoo Thwe writes about the layers of distinctly different cultures that make up the country of Burma. After attending university in Mandalay Pascal was forced to flee after the arrest of his activist girlfriend. He joined the guerilla forces on the border and then through a chance encounter with academic, John Casey, finally made his way across the border into Thailand then on to England. This extraordinary story is more common than many people realize. When one considers the more than half a million refugees who have fled across the Burmese borders into neighboring Thailand over the last decade it is easy to see the tremendous ramifications that the political situation has had on the people of Burma.

This paper is a meditation on the Burma of my imagination and the many permutations of country, culture and landscape that I have come to know through the people of Burma and their relationship to the lands of their birth. As a facilitator of other people's stories I reflect on the ways in which the personal stories of lives lived inside Burma and on the borders of the country as refugees have helped me understand the situation there. The paper also explores the way narrative and advocacy, storytelling and capacity building have played a part in the democratic changes that are now taking place after more than sixty years of civil war inside Burma.' (Author's abstract)
1 Untitled i "In your dreams, the words slip out", Janie Conway-Herron , 2013 single work poetry
— Appears in: Coolabah , no. 11 2013; (p. 119-120)
1 1 Remembering Ruby Janie Conway-Herron , Pam Johnston , 2012 single work criticism
— Appears in: Coolabah , no. 8 2012;
'Remembering Ruby' is a tribute to Doctor Ruby Langford Ginibi, a remarkable woman and an important Australian writer. Winner of numerous awards for her contribution to literature, as well as to Australian culture, Ruby was an Aboriginal Elder of the Bundjalung nation and a tireless campaigner for the rights of her people.

Ruby's writing is passionate, sincere and heart-felt, as well as extraordinarily funny and articulate. She knew that getting people to listen to her story would be fundamental to naming the hidden history of Indigenous Australia and to changing cultural perceptions in a broader context. As an elder she took on the complex and demanding role of 'edumacation', as she called it, and her representations of life and culture continue to provide important reflections, from an Indigenous perspective, on the effects of ignorance, racism and colonisation in an Australian context. As Aboriginal mother, aunty, teacher and scholar her writing represents a particular Australian experience for a readership of people interested in human rights and equality the world over.

This monograph, in honouring Ruby Langford Ginibi, is the written expression of an ongoing dialogue between the two authors about their experiences living in Australia and the way that Ruby has interconnected with us and influenced our experiences of growing up in an Australian cultural context. It also brings into focus the many ways that Ruby Langford Ginibi's writing has been central to challenging and changing prevailing perspectives on the lives of Indigenous people over the last twenty-five years. An excellent communicator with a wicked sense of humour, Ruby's tireless telling of the truth about the impacts of invasion on Indigenous people makes her an important cultural ambassador for all Australians. Ruby's totem, the Willy Wagtail, is connected to being a messenger for her people and in writing 'Remembering Ruby' we aim to contribute to keeping her message of hope and resilience alive and, on the anniversary of her passing, to continue to honour her inimitable and eternal spirit.
1 2 y separately published work icon Beneath the Grace of Clouds Janie Conway-Herron , Federal : Cockatoo Books , 2010 Z1789843 2010 single work novel historical fiction 'Beneath the Grace of Clouds tells a history of Australia through the eyes of three extraordinary women. Their stories unfold in an intriguing fact-fiction tapestry that begins with the First Fleet and reaches its resolution at the dawn of the new millennium. It is the story of Elizabeth, who at 12 years of age is convicted of theft and transported to Australia on the Lady Penrhyn. It is the story of Booron, a resourceful young girl from the Eora nation, whose life was changed forever by the arrival of the British. And it is the personal journey of Janie...uncovering long-held family secrets in a search for identity, superimposed over life's loves, disappointments and triumphs, including brushes with stardom and celebrity.' (Publisher's abstract)
1 2 y separately published work icon Re-Placement : A National Anthology of Creative Writing from Universities across Australia Moya Costello , Victor Marsh , Janie Conway-Herron (editor), Lismore : Southern Cross University Press , 2008 Z1553325 2008 anthology poetry prose short story (taught in 3 units) 'Re-Placement is an anthology from writers enrolled in creative writing courses at universities across Australia. It is the fourth such anthology of work from members of the Australian Association of Writing Programs and the first to be hosted by Southern Cross University.' (Provided by publisher.)
1 This Whispering in My Heart Janie Conway-Herron , 2008 single work essay
— Appears in: Landscapes of Exile: Once Perilous, Now Safe 2008; (p. 211-220)
1 Walking Manhattan: Mapping the Heart Janie Conway-Herron , 2003 single work essay
— Appears in: Australian Humanities Review , May-June no. 29 2003;
1 Wordgames: Writing Theory, Finding Creativity Janie Conway-Herron , 2002 single work criticism
— Appears in: LiNQ , October vol. 29 no. 2 2002; (p. 83-86)
Examines the collapse of distinctions between theory and creativity, and argues for the legitimacy of the space occupied by fictocritical writings.
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