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Kieran Finnane Kieran Finnane i(A8680 works by)
Gender: Female
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Works By

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1 Reading in the Dark : Australia and the 'Forever War' Kieran Finnane , 2019 single work criticism
— Appears in: Griffith Review , 30 April no. 64 2019; (p. 143-150)

'I was with friends, high up on a range looking west and down through a long and beautiful valley just south of Alice Springs, mountains in the far distance gauzy in the late light. A few cars came and went, windows lit up in scattered houses. It was warm but we made a small fire for company. We'd brought food and wine, music and reading. The best of times, yet as the sun sank, I felt a deep melancholy. It can come at that hour, quietly, but that evening, in that place, it rushed in like a wave. I wondered why, and as I did my mind's eye lifted like a bird over the range, across a narrow valley and into the next, to the military base known as Pine Gap. You can see its white domes against the red earth, like a cluster of giant golf balls or spider eggs, when you fly into Alice Springs. From elsewhere, it is out of sight - and out of mind for most of us most of the time, here in Alice as in the rest of the country. But it has moved to the forefront for me, ever since I followed the 2017 Supreme Court trials of six peace activists who dared to trespass into this prohibited domain.' (Publication abstract)

1 A Picnic of Promise : An Introduction Kieran Finnane , 2018 single work criticism
— Appears in: PAN , no. 13 2018;

'It is as though a mouth in the rockface has been prised open and stomach contents disgorged, teeth too. This is the deepest of the scars left by the quarrying of stone from the range rising along the southern side of Ilparpa Valley. The disgorgement settles on a flattened turnaround for trucks and machinery, high above the valley; a second smaller turnaround has been carved out below. The road leading up to it has eroded into a deep gully; just a goat track at the side holds on, buttressed by buffel grass and rock. Up this track we go, for a picnic of promise.' (Introduction)

1 Centre of Controversy : Contours of Cultural Recognition in a Desert Town Kieran Finnane , 2018 single work essay
— Appears in: Griffith Review , no. 60 2018; (p. 198-206)

'Alice Springs Town centre is surrounded by three prominent hills, each of them sacred to Central Arrernte people, the traditional owners of the area known as Mparntwe. All three hills have a place in this story. If you have visited Alice Springs, you have likely climbed or driven to the top of Atnelkentyarliweke (alternatively Untyeyetwelye) – known in English as Anzac Hill for its war memorial. From there you can see in every direction, across the rooftops of the town to the valleys and ranges beyond. The view is especially beautiful to the west, into the broad Larapinta Valley and up to the ranges that rise towards a peak known as Alhekulyele (Mount Gillen in English). It too is sacred, embodying the ancestral wild dog. It too has a place in this story about cultural recognition, aspired to but frequently foundering on ignorance and short-sightedness.' (Introduction)

1 Review : Position Doubtful Kieran Finnane , 2016 single work review
— Appears in: The Monthly , October no. 127 2016; (p. 64)

— Review of Position Doubtful : Mapping Landscapes and Memories Kim Mahood , 2016 single work autobiography
1 What I’m Reading Kieran Finnane , 2014 single work column
— Appears in: Meanjin Online 2014;
1 Warlpiri Versus the Queen Kieran Finnane , 2013 single work biography
— Appears in: Griffith Review , 1 June no. 41 2013; (p. 178-199)

'In Alice Springs, the trials of young Warlpiri men reveal the threads of anarchic Warlpiri resistance to Australian law...'

1 Vale Pamela Lofts 1949-2012 Kieran Finnane , 2012 single work obituary (for Pamela Lofts )
— Appears in: Viewpoint : On Books for Young Adults , Spring vol. 20 no. 3 2012; (p. 44)
1 Rethinking a Place in the Sun : The Desert in the Art of Pamela Lofts Kieran Finnane , 2012 single work column
— Appears in: Artlink , vol. 32 no. 3 2012; (p. 72-74)
1 Secure i "If you took away", Kieran Finnane , 2008 single work poetry
— Appears in: The Weekend Australian , 12-13 July 2008; (p. 11)
1 For Future Use i "Can I hoard this,", Kieran Finnane , 2006 single work poetry
— Appears in: Northern Territory Literary Awards 2006 2006; (p. 184-185)
1 The Burnt House Kieran Finnane , 2006 single work short story
— Appears in: The Milk in the Sky : Writing from the Centre 2006; (p. 107-116)
Megan reflects on her life with Gerd and the house they had lived in before it burned down.
1 Last Fight i "On the driveway's thick dust", Kieran Finnane , 2006 single work poetry
— Appears in: The Milk in the Sky : Writing from the Centre 2006; (p. 78)
1 Father i "What he said", Kieran Finnane , 2006 single work poetry
— Appears in: The Weekend Australian , 16-17 September 2006; (p. 15)
1 Regional Report Kieran Finnane , 2006 single work column
— Appears in: Five Bells , Autumn vol. 13 no. 2 2006; (p. 44-45)
1 Village Walk i "She is all golden --", Kieran Finnane , 2005 single work poetry
— Appears in: The Weekend Australian , 13-14 August 2005; (p. 14)
1 Ilparpa i "Because", Kieran Finnane , 2003 single work poetry
— Appears in: Living Room : Poems from the Centre 2003; (p. 57-59)
1 Third Summer i "The buoyancy suit holds", Kieran Finnane , 2003 single work poetry
— Appears in: Living Room : Poems from the Centre 2003; (p. 56)
1 Two Men on a Bridge i "Outside the old port town", Kieran Finnane , 2003 single work poetry
— Appears in: Living Room : Poems from the Centre 2003; (p. 55)
1 Reading the Possibilities i "Sleepless, he walked", Kieran Finnane , 2003 single work poetry
— Appears in: Living Room : Poems from the Centre 2003; (p. 52-53)
1 Shrine i "As the foundations are laid", Kieran Finnane , 2003 single work poetry
— Appears in: Living Room : Poems from the Centre 2003; (p. 8-9)
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