AustLit

'Eighteen-year-old Liobhan is a powerful singer and an expert whistle player. Her brother has a voice to melt the hardest heart, and is a rare talent on the harp. They are both training for the elite warrior band on Swan Island when they are asked to join a mission that requires posing as travelling minstrels.

'Their task is to find and retrieve a precious harp, an ancient symbol of kingship, which has mysteriously vanished. If the instrument is not played at the upcoming coronation, the candidate will not be accepted. Faced with plotting courtiers, secretive druids, an insightful storyteller and a boorish Crown Prince, Liobhan soon realises an Otherworld power may be meddling in the affairs of the kingdom. When ambition clashes with conscience, Liobhan must make a bold decision and a heartbreaking choice ...'

Source: Publisher's blurb.

'Kyla's memory has been erased, her personality wiped blank, her memories lost forever.

'She's been Slated.

'The government claims she was a terrorist, and that they are giving her a second chance - as long as she plays by their rules. But echoes of the past whisper in Kyla's mind. Someone is lying to her, and nothing is as it seems. Who can she trust in her search for the truth?'

Source: Publisher's blurb.

'Cat is desperate to find a way to stop Cartaxus and the plague in this gripping finale to a series New York Times bestselling author Amie Kaufman says "redefines 'unputdownable!'"

'Cat's hacking skills weren't enough to keep her from losing everything--her identity, her past, and now her freedom. She's trapped and alone, but she's survived this long, and she's not giving up without a fight.

'Though the outbreak has been contained, a new threat has emerged--one that's taken the world to the brink of a devastating war. With genetic technology that promises not just a cure for the plague, but a way to prevent death itself, both sides will stop at nothing to seize control of humanity's future.

'Facing her smartest, most devastating enemy yet, Cat must race against the clock to protect her friends and save the lives of millions on the planet's surface. No matter the outcome, humanity will never be the same.

'And this time, Cat can't afford to let anything, or anyone, stand in her way.'

Source: Publisher's blurb.

'AFTER The Childhood of Jesus and The Schooldays of Jesus, J. M. Coetzee completes his trilogy with a new masterwork, The Death of Jesus.

'David loves to kick a soccer ball with his friends in Estrella. His father, Simón, and Bolívar the dog usually watch. His mother, Inés, works in a fashion boutique.

'David still asks lots of questions. In dancing class, he dances as he chooses. He refuses to do sums and the only book he will read is Don Quixote.

'One day, Julio Fabricante, the director of a nearby orphanage, invites David and his friends to form a proper soccer team. David decides to leave Simón and Inés and live with Julio. Before long he succumbs to a mysterious illness. Will he have time to deliver his ‘message’?

'In The Death of Jesus, J. M. Coetzee continues to explore the meaning of a world brimming with questions.'

Source: Publisher's blurb.

'Someone once told me that you have two families in your life - the one you are born into and the one you choose. Yes, you may get to choose your partner, but you don't choose your mother-in-law. The cackling mercenaries of fate determine it all.

'From the moment Lucy met Diana, she was kept at arm's length. Diana is exquisitely polite, but Lucy knows, even after marrying Oliver, that they'll never have the closeness she'd been hoping for.

'But who could fault Diana? She was a pillar of the community, an advocate for social justice, the matriarch of a loving family. Lucy had wanted so much to please her new mother-in-law.

'That was ten years ago. Now, Diana has been found dead, leaving a suicide note. But the autopsy reveals evidence of suffocation. And everyone in the family is hiding something...'

Source: Publisher's blurb.

'Do you ever really know your neighbours?

'The safest suburbs often hold the deepest secrets. Such is the case for Essie, a mother of two. In a moment of maternal despair she once made a terrible mistake, one she will always regret. Essie has since recovered, but she fears what may still lurk inside her.

'Her neighbours in Pleasant Court have their own issues. Driven and organised, Ange appears to have everything under control, except perhaps her husband. Practical, intellectual Fran can't stop running. For exercise, or something else?

'One day in February, during an unprecedented Melbourne heatwave, someone new arrives. Isabelle is single and childless, when everyone else is married with kids. She is renting, when everyone else owns. Her job is mysteriously vague. Strangest of all, Isabelle is very curious about her neighbours. Too curious, some might say.

'It soon becomes clear that Isabelle's choice of neighbourhood was no accident. And her presence might bring even more secrets to light...' (Publication summary)

In Elizabeth Costello: Eight Lessons, the eponymous protagonist is a retired author of international literary acclaim, who now spends her time giving guest lectures and interviews at scholarly events around the world. Old age has loosened, rather than reified, her ethical and literary convictions, and swelled her emotional reserves; rather than provide the staid academic wisdom expected of her, Costello offers provocative, unsettling opinions on issues such as animal rights, literary censorship, and the nature of belief - opinions she may or may not believe in herself. Profoundly aware of itself, Coetzee's novel is about human morality and mortality, but above all, about literature itself and the ethical responsibilities of writers and readers.

'Wilbrook in Western Australia is a sleepy, remote town that sits on the edge of miles and miles of unexplored wilderness. It is home to Police Sergeant Chandler Jenkins, who is proud to run the town’s small police station, a place used to dealing with domestic disputes and noise complaints.
'All that changes on a scorching day when an injured man stumbles into Chandler’s station. He’s covered in dried blood. His name is Gabriel. He tells Chandler what he remembers.
'He was drugged and driven to a cabin in the mountains and tied up in iron chains. The man who took him was called Heath. Heath told Gabriel he was going to be number 55. His 55th victim. 
'Heath is a serial killer.
'As a manhunt is launched, a man who says he is Heath walks into the same station. He tells Chandler he was taken by a man named Gabriel. Gabriel told Heath he was going to be victim 55.
'Gabriel is the serial killer.'  (Publication summary)
 

'Nothing's been the same for Beth Teller since she died. Her dad, a detective, is the only one who can see and hear her—and he's drowning in grief. But now they have a mystery to solve together. As it unravels, Beth finds a shocking story lurking beneath the surface of a small town, and a friendship that lasts beyond one life and into another. Told in two unforgettable voices, this gripping novel weaves together themes of grief, colonial history, violence, love and family.'

Source: Publisher's blurb.

'The nightmare of the outbreak is finally over, but Cat’s fight has only just begun.

'Exhausted, wounded, and reeling from revelations that have shaken her to her core, Cat is at a breaking point. Camped in the woods with Cole and Leoben, she’s working day and night, desperate to find a way to stop Lachlan’s plan to reprogram humanity. But she’s failing—Cat can’t even control her newly regrown panel, and try as she might to ignore them, she keeps seeing glitching visions from her past everywhere she turns.

'When news arrives that the Hydra virus might not be as dead as they’d thought, the group is pushed into an uneasy alliance with Cartaxus to hunt down Lachlan and fix the vaccine. Their search takes them to Entropia, a city of genehackers hidden deep in the desert that could also hold the answers about Cat’s past that she’s been searching for.

'But when confronted with lies and betrayals, Cat is forced to question everything she knows and everyone she trusts. And while Lachlan is always two steps ahead, the biggest threat to Cat may be the secrets buried in her own mind.'

Source: Publisher's blurb.

'Catarina Agatta is a hacker. She can cripple mainframes and crash through firewalls, but that’s not what makes her special. In Cat’s world, people are implanted with technology to recode their DNA, allowing them to change their bodies in any way they want. And Cat happens to be a gene-hacking genius.

'That’s no surprise, since Cat’s father is Dr. Lachlan Agatta, a legendary geneticist who may be the last hope for defeating a plague that has brought humanity to the brink of extinction. But during the outbreak, Lachlan was kidnapped by a shadowy organization called Cartaxus, leaving Cat to survive the last two years on her own.

'When a Cartaxus soldier, Cole, arrives with news that her father has been killed, Cat’s instincts tell her it’s just another Cartaxus lie. But Cole also brings a message: before Lachlan died, he managed to create a vaccine, and Cole needs Cat’s help to release it and save the human race.

'Now Cat must decide who she can trust: The soldier with secrets of his own? The father who made her promise to hide from Cartaxus at all costs? In a world where nature itself can be rewritten, how much can she even trust herself?'

Source: Publisher's blurb.

'First Person, Flanagan’s first novel since winning the Man Booker Prize in 2014, is inspired by Flanagan’s real-life experience ghost-writing the memoir of Australian conman Johann Friedrich Hohenberger.

'The novel is written in the first person by reality TV producer Kif Kehlman and details how Kif, as a younger, penniless writer unable to finish his first novel, agrees to ghost write the memoir of a notorious con man, Ziggy Heidl, who has defrauded the banks of $700 million.

'As work gets underway, Kif begins to fear that he is being corrupted by the con man and grows ever more uncertain as to whether he is ghost writing a memoir, or if Ziggy Heidl is rewriting him.

'At the novel’s heart is a question: what is the truth?' (Publication summary)

'An abandoned house…

'After a particularly troubling case, Sadie Sparrow is sent on an enforced break from her job with the Metropolitan Police and retreats to her beloved grandfather’s cottage in Cornwall. There she finds herself at a loose end, until one day she stumbles upon an abandoned house surrounded by overgrown gardens and dense woods, and learns the story of a baby boy who disappeared without a trace.

'A missing child…

'June 1933, and the Edevane family’s country house, Loeanneth, is polished and gleaming, ready for the much-anticipated Midsummer Eve party. For Eleanor, the annual party has always been one of her treasured traditions, but her middle daughter, Alice, sixteen years old and with literary ambitions, is especially excited. Not only has Alice worked out the perfect twist for her novel, she’s also fallen helplessly in love with someone she shouldn’t. But by the time midnight strikes and fireworks light up the night sky, the Edevane family will have suffered a loss so great they leave Loeanneth and never return.

'An unsolved mystery…

'Seventy years later, in the attic writing room of her elegant Hampstead home, the formidable Alice Edevane, leads a life as neatly plotted as the bestselling detective novels she writes. Until a young police detective starts asking questions about her family’s past and seeking to resurrect the complex tangle of secrets Alice has spent her life trying to escape…'

Source: Publisher's blurb.

'It is 1839. A young Aboriginal girl, Mathinna, is running through the long wet grass of an island at the end of the world to get help for her dying father, an Aboriginal chieftain. Twenty years later, on an island at the centre of the world, the most famous novelist of the day, Charles Dickens, realises he is about to abandon his wife, risk his name, and forever after be altered because of his inability any longer to control his intense passion.

'Connecting the two events are the most celebrated explorer of the age, Sir John Franklin - then governor of Van Diemen's Land - and his wife, Lady Jane, who adopt Mathinna, seen as one of the last of a dying race, as an experiment. Lady Jane believes the distance between savagery and civilisation is the learned capacity to control wanting. The experiment fails, the Franklins throw the child onto the streets and into a life of prostitution and alcoholism. A few years later Mathinna is found dead in a puddle. She is nineteen years old. By then Sir John too is dead, lost in the blue ice of the Arctic seeking the North West Passage. A decade later evidence emerges that in its final agony, Franklin's expedition resorted to the level and practice of savages: cannibalism. Lady Jane enlists Dickens's aid to put an end to such scandalous suggestions.

'Dickens becomes ever more entranced in the story of men entombed in ice, recognising in its terrible image his own frozen inner life. He produces and stars in a play inspired by Franklin's fate to give story to his central belief: that discipline and will can conquer desire. And yet the play will bring him to the point where he is finally no longer able to control his own wanting and the consequences it brings.

'Based on historic events, Wanting is a novel about art, love, and the way in which life is finally determined never by reason, but only ever by wanting.' (Provided by publisher.)

'A humble soldier, known only as 'Jones', wakes in hospital with no recollection of his past. The few fleeting fragments of memory he glimpses are horrifying moments from the battlefield at Ypres. His very identity becomes a puzzle he must solve.

'Then Eden Valentine comes gliding into his world, a stunning tailoress who has a dream of her own business in high fashion but whose duty to her family may never permit her to fulfil. Her fiancé resents the intrusion of the disarming Jones who is in desperate need of her help to unravel his past.

'Surrounding the mystery is Alex Wynter, the influential heir to an industrial empire and country manor Larksfell Hall. With his aristocratic family still reeling from a recent tragedy, he brings news that will further rock the foundations of their privileged lives.

'When their three very different worlds collide, the pieces of the past finally fall into place and lead them into wildly unexpected futures. What they discover will bring shattering consequences that threaten to tear apart far more than just the heart of the tailor's girl.

'From the bustling streets of post-Great War London to the idyllic 1920s Sussex countryside, this is a breathtaking story of passion and persistence from a phenomenal Australian storyteller about how true love can overcome incredible odds, even in the most extraordinary circumstances. ' (Publisher's blurb)

'“‘Oh! How adorable! I didn’t know you had a cat!’ she exclaimed. I am always surprised how many people make this observation. Why should His Holiness not have a cat? ‘If only she could speak,’ continued the actress. ‘I’m sure she’d have such wisdom to share.’ And so the seed was planted . . .

'I began to think that perhaps the time had come for me to write a book of my own—a book that would convey some of the wisdom I’ve learned sitting not at the feet of the Dalai Lama but even closer, on his lap. A book that would tell my own tale . . . how I was rescued from a fate too grisly to contemplate to become the constant companion of a man who is not only one of the world’s greatest spiritual leaders and a Nobel Peace Prize Laureate but also a dab hand with a can opener.”

'Starving and pitiful, a mud-smeared kitten is rescued from the slums of New Delhi and transported to a life she could have never imagined. In a beautiful sanctuary overlooking the snow-capped Himalayas, she begins her new life as the Dalai Lama’s cat. Warmhearted, irreverent, and wise, this cat of many names opens a window to the inner sanctum of life in Dharamsala. A tiny spy observing the constant flow of private meetings between His Holiness and everyone from Hollywood celebrities to philanthropists to self-help authors, the Dalai Lama’s cat provides us with insights on how to find happiness and meaning in a busy, materialistic world. Her story will put a smile on the face of anyone who has been blessed by the kneading paws and bountiful purring of a cat.'

Source : publisher's blurb

'A legendary ruin. An ancient mystery. Will unveiling the past transform the future.

'San Francisco, 2007. Madeline Moretti is grieving for her fiance. Nothing brings her joy any more, and Maddie's grandmother, a fiery Italian, sends her to Tuscany to heal. Here, Maddie is immersed in the mystery of a ruined villa. Destroyed centuries ago in a legendary storm on the Eve of St Agnes, it has been known ever since as the Casa al Vento - the House of the Wind.

'Tuscany, 1347. Mia hasn't spoken since her mother's death, and lives in silence with her beloved aunt. One dark night, a couple seek refuge in their villa. Used to welcoming passing pilgrims, Mia is entranced by the young bride's radiance and compassion, but mystified by her reluctance to reveal even her name. Where has she come from, and why must her presence be a secret? Centuries apart, each searching for a way to step into her future, Mia and Maddie will be haunted by the myth of the woman who walked unscathed from the ruins of the House of the Wind.' (Publication summary)