AustLit
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Contents
- Dransfield and Whiteley: Visionary Impresssionism, single work criticism (p. 7-30)
- Poets in Winter: New Impulses, single work criticism (p. 31-61)
- The Generation of '68: Poetry Now, single work criticism (p. 62-92)
- The Generation of '68: Three Types of Subjectivity (I), single work criticism (p. 93-131)
- The Generation of '68: Three Types of Subjectivity (II), single work criticism (p. 132-162)
- Adamson: The Metamorphoses of the Subject, single work criticism (p. 163-200)
- The Battle of the Books: Poetics of Praxis vs the Reflective Mode, single work criticism (p. 201-230)
- The Generation of '68: Centrifugal and Mediating Poetry Kinetics, single work criticism (p. 231-285)
- The Generation of '68: Centripetal Poetry Kinetics, single work criticism (p. 286-320)
- The Obvious Victim: Dransfield, Slessor and the Analytic Logic of an Aesthetic Impressionism, single work criticism (p. 336-378)
- Eyelid Saints: Dransfield and the Synthetic Logic of a Visionary Impressionsism, single work criticism (p. 379-429)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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The University of Queensland Press : Poetry and Material Culture
2011
single work
criticism
— Appears in: Fryer Folios , June vol. 6 no. 1 2011; (p. 14-17) Deborah Jordan discusses the role of University of Queensland Press as a significant publisher of Australian poetry in the 1960s -
Identity as Radical Alterity : Critiques of Eurocentrism, Coloniality, and Subjectivity in Contemporary Australian and Latin American Poetry
2010
single work
criticism
— Appears in: Antipodes , December vol. 24 no. 2 2010; (p. 189-197)'How to 'abandon Europe'? The oxymoronic quest to semantically or ideologically discard the signs of that which signifies modern thought and historical rationality in Europe's colonies is dismissed by Rama as futile. However, when the postcolonial relations of 'peripheries' to the European 'center' are examined the engagements between t he colonies and Europe are not characterized by straightforwardness either. While complete abandonment may not be possible, neither is complete affiliation. As such, postcoloniality can still be seen as a luminal state in its ambivalent positioning between what might be seen as originary Europe and a derivative periphery.
This article takes the periphery as a transnational, multilingual space, and it takes postcoloniality beyond the Anglosphere. It tests the hypothesis that there are postcolonial legacies shared across the Global South. Of central importance here is how postcoloniality is understood in Australia and Latin America, and how this is communicated in contemporary poetry pensamiento latinoamericano ['Latin American thought'].' (p. 189)
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Criticism Outweighs its Subject Matter...
1991
single work
review
— Appears in: Antipodes , June vol. 5 no. 1 1991; (p. 72)
— Review of Parnassus Mad Ward: Michael Dransfield and the New Australian Poetry 1990 selected work criticism -
Dransfield and the Myth of Logical Priority
1991
single work
review
— Appears in: Scripsi , vol. 7 no. 1 1991; (p. 293-300)
— Review of Parnassus Mad Ward: Michael Dransfield and the New Australian Poetry 1990 selected work criticism -
Untitled
1991
single work
review
— Appears in: Westerly , June vol. 36 no. 2 1991; (p. 93-94)
— Review of Parnassus Mad Ward: Michael Dransfield and the New Australian Poetry 1990 selected work criticism
-
Nature Versus Culture
1991
single work
review
— Appears in: Social Alternatives , April vol. 10 no. 1 1991; (p. 67-68)
— Review of Poppy 1990 single work novel ; The Bluebird Cafe 1990 single work novel ; Found Objects 1988 selected work poetry ; Parnassus Mad Ward: Michael Dransfield and the New Australian Poetry 1990 selected work criticism ; Fire-Stick Farming : Selected Poems 1972-90 1990 selected work poetry -
What is the Critic Trying to Say
1990
single work
review
— Appears in: Blast , Spring no. 13/14 1990; (p. 24-25)
— Review of Parnassus Mad Ward: Michael Dransfield and the New Australian Poetry 1990 selected work criticism -
With Friends Like this, Who Needs Critics?
1991
single work
review
— Appears in: The Weekend Australian , 19-20 January 1991; (p. rev 6)
— Review of Parnassus Mad Ward: Michael Dransfield and the New Australian Poetry 1990 selected work criticism -
Untitled
1991
single work
review
— Appears in: Australian Literary Studies , May vol. 15 no. 1 1991; (p. 94-96)
— Review of Parnassus Mad Ward: Michael Dransfield and the New Australian Poetry 1990 selected work criticism -
Untitled
1991
single work
review
— Appears in: Westerly , June vol. 36 no. 2 1991; (p. 93-94)
— Review of Parnassus Mad Ward: Michael Dransfield and the New Australian Poetry 1990 selected work criticism -
Identity as Radical Alterity : Critiques of Eurocentrism, Coloniality, and Subjectivity in Contemporary Australian and Latin American Poetry
2010
single work
criticism
— Appears in: Antipodes , December vol. 24 no. 2 2010; (p. 189-197)'How to 'abandon Europe'? The oxymoronic quest to semantically or ideologically discard the signs of that which signifies modern thought and historical rationality in Europe's colonies is dismissed by Rama as futile. However, when the postcolonial relations of 'peripheries' to the European 'center' are examined the engagements between t he colonies and Europe are not characterized by straightforwardness either. While complete abandonment may not be possible, neither is complete affiliation. As such, postcoloniality can still be seen as a luminal state in its ambivalent positioning between what might be seen as originary Europe and a derivative periphery.
This article takes the periphery as a transnational, multilingual space, and it takes postcoloniality beyond the Anglosphere. It tests the hypothesis that there are postcolonial legacies shared across the Global South. Of central importance here is how postcoloniality is understood in Australia and Latin America, and how this is communicated in contemporary poetry pensamiento latinoamericano ['Latin American thought'].' (p. 189)
-
The University of Queensland Press : Poetry and Material Culture
2011
single work
criticism
— Appears in: Fryer Folios , June vol. 6 no. 1 2011; (p. 14-17) Deborah Jordan discusses the role of University of Queensland Press as a significant publisher of Australian poetry in the 1960s