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y separately published work icon My Life Story single work   autobiography  
Issue Details: First known date: 1924... 1924 My Life Story
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Publication Details of Only Known VersionEarliest 2 Known Versions of

      London,
      c
      England,
      c
      c
      United Kingdom (UK),
      c
      Western Europe, Europe,
      :
      1924 .
      Extent: 319p, [1] leaf of platesp.
      Description: illus., port.

Works about this Work

Life-Writing and Diaspora II : The Autobiographical Writings of the Irish in Britain and Australia Patrick Buckridge , Liam Harte , 2018 single work criticism
— Appears in: A History of Irish Autobiography 2018; (p. 331-347)

'There is no more common Irish journey than that made by generations of people ‘across the water’ to Great Britain. A complex set of factors, from the countries’ geographical proximity to the colonial nature of their historical relationship, combine to ensure that Irish migration to Britain ‘comprises a very large, very special case’.  Australia, too, has claims to exceptionalism as a receptor of Irish migrants. Oliver MacDonagh proposes three respects in which the Irish-Australian diaspora differs from its counterparts in Britain and North America: its historically high percentage of the total population of the new country, its very even demographic distribution and the somewhat special status of the Irish as a ‘founding people’, arriving in Australia – mainly as convicts and soldiers – at the beginning of its European colonization, thereby exercising a potentially stronger influence over the shape and destiny of the new nation than the other Irish emigrations could hope to achieve. Although points of commonality co-exist with these markers of difference – particularly for Catholic Irish migrants, who have a shared historical experience of being a denigrated out-group in both countries – any joint examination of the autobiographical writings of the Irish in Britain and Australia must expect the contrasts to eclipse the correspondences. Yet, as this chapter will show, despite being shaped by highly distinctive diasporic histories and sociocultural conditions, these respective literary corpuses reveal certain narrative preoccupations that illuminate the shifting meanings of home and belonging for those whose identities are forged across boundaries and heritages.' (Introduction)

Australian National Identity and Self-Identity : Four Post-Colonial Autobiographies Joy W. Hooton , 1994 single work essay
— Appears in: Identifying Australia in Postmodern Times 1994; (p. 70-85)
This essay attacks Russel Ward's construction of male Australian identity in that locus classicus of debate, the turn of the century. Joy Hooton spotlights three authors of biographies, self-confessed Australian products of the 1890's who reproduce themselves through the medium of the text - My Life Story, Arthur Lynch (London, 1924); Comedy of Life, Lionel Lindsay (Sydney, 1961) and Naught to Thirty-Three, Randolph Bedford (Sydney 1944). Hooton explores the myth in this highly specific context, uncovering male anxieties and the suppression of issues of land, gender and race. Hooton adds George McIvers', A Drover's Odyssey, which is an exception to the myth, so further complicating an already problematised field. -- Livio Dobrez - introduction (edited)
A Curve is a Line and a Line is a Curve Philip Jones , 1989 single work criticism
— Appears in: The Sydney Review , July no. 14 1989; (p. 8) The Adelaide Review , July no. 65 1989; (p. 10-11)
Life's Rebel T. B. C. , 1925 single work review
— Appears in: The Bulletin , 12 February vol. 46 no. 2348 1925; (p. 2)

— Review of My Life Story Arthur Lynch , 1924 single work autobiography
Life's Rebel T. B. C. , 1925 single work review
— Appears in: The Bulletin , 12 February vol. 46 no. 2348 1925; (p. 2)

— Review of My Life Story Arthur Lynch , 1924 single work autobiography
Australian National Identity and Self-Identity : Four Post-Colonial Autobiographies Joy W. Hooton , 1994 single work essay
— Appears in: Identifying Australia in Postmodern Times 1994; (p. 70-85)
This essay attacks Russel Ward's construction of male Australian identity in that locus classicus of debate, the turn of the century. Joy Hooton spotlights three authors of biographies, self-confessed Australian products of the 1890's who reproduce themselves through the medium of the text - My Life Story, Arthur Lynch (London, 1924); Comedy of Life, Lionel Lindsay (Sydney, 1961) and Naught to Thirty-Three, Randolph Bedford (Sydney 1944). Hooton explores the myth in this highly specific context, uncovering male anxieties and the suppression of issues of land, gender and race. Hooton adds George McIvers', A Drover's Odyssey, which is an exception to the myth, so further complicating an already problematised field. -- Livio Dobrez - introduction (edited)
A Curve is a Line and a Line is a Curve Philip Jones , 1989 single work criticism
— Appears in: The Sydney Review , July no. 14 1989; (p. 8) The Adelaide Review , July no. 65 1989; (p. 10-11)
Life-Writing and Diaspora II : The Autobiographical Writings of the Irish in Britain and Australia Patrick Buckridge , Liam Harte , 2018 single work criticism
— Appears in: A History of Irish Autobiography 2018; (p. 331-347)

'There is no more common Irish journey than that made by generations of people ‘across the water’ to Great Britain. A complex set of factors, from the countries’ geographical proximity to the colonial nature of their historical relationship, combine to ensure that Irish migration to Britain ‘comprises a very large, very special case’.  Australia, too, has claims to exceptionalism as a receptor of Irish migrants. Oliver MacDonagh proposes three respects in which the Irish-Australian diaspora differs from its counterparts in Britain and North America: its historically high percentage of the total population of the new country, its very even demographic distribution and the somewhat special status of the Irish as a ‘founding people’, arriving in Australia – mainly as convicts and soldiers – at the beginning of its European colonization, thereby exercising a potentially stronger influence over the shape and destiny of the new nation than the other Irish emigrations could hope to achieve. Although points of commonality co-exist with these markers of difference – particularly for Catholic Irish migrants, who have a shared historical experience of being a denigrated out-group in both countries – any joint examination of the autobiographical writings of the Irish in Britain and Australia must expect the contrasts to eclipse the correspondences. Yet, as this chapter will show, despite being shaped by highly distinctive diasporic histories and sociocultural conditions, these respective literary corpuses reveal certain narrative preoccupations that illuminate the shifting meanings of home and belonging for those whose identities are forged across boundaries and heritages.' (Introduction)

Last amended 11 May 2006 11:02:28
Subjects:
  • c
    Australia,
    c
  • c
    Ireland,
    c
    Western Europe, Europe,
  • c
    England,
    c
    c
    United Kingdom (UK),
    c
    Western Europe, Europe,
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