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Works about this Work
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Negotiating the Colonial Australian Popular Fiction Archive
2011
single work
criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-12) 'There is an identifiable 'archive' of colonial Australian popular fiction consisting of romance, adventure fiction, Gothic fiction, crime fiction, Lemurian fantasy and a significant number of related subgenres (bushranger fiction, convict romance, Pacific or 'South Sea' adventure, tropical romance, 'lost explorer' stories, and so on). Looking at this archive soon reveals both its sheer size and range, and the fact that so little of it is remembered today. Rachael Weaver, Ailie Smith and I have begun to build a digital archive of colonial Australian popular fiction with the primary aim of making this material available to an interested reading public, as well as to scholars specialising in colonial Australian (and transnational) literary studies. At the time of writing we are really only about 20% complete with around 500 authors represented on the site, although many with only a fraction of their work uploaded and with only the bare bones of a scholarly apparatus around them: a few short biographical notes, a bibliography, and the texts themselves: first editions in most cases.' (Author's introduction, p. 1)
-
Negotiating the Colonial Australian Popular Fiction Archive
2011
single work
criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-12) 'There is an identifiable 'archive' of colonial Australian popular fiction consisting of romance, adventure fiction, Gothic fiction, crime fiction, Lemurian fantasy and a significant number of related subgenres (bushranger fiction, convict romance, Pacific or 'South Sea' adventure, tropical romance, 'lost explorer' stories, and so on). Looking at this archive soon reveals both its sheer size and range, and the fact that so little of it is remembered today. Rachael Weaver, Ailie Smith and I have begun to build a digital archive of colonial Australian popular fiction with the primary aim of making this material available to an interested reading public, as well as to scholars specialising in colonial Australian (and transnational) literary studies. At the time of writing we are really only about 20% complete with around 500 authors represented on the site, although many with only a fraction of their work uploaded and with only the bare bones of a scholarly apparatus around them: a few short biographical notes, a bibliography, and the texts themselves: first editions in most cases.' (Author's introduction, p. 1)
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