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AbstractHistoryArchive Description
'Rites of passage autobiography of the Adelaide artist and author, who comes of age while studying at the London School of Art during the swinging sixties. '
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Also sound recording.
Works about this Work
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'The Sex Thing Is Strange' : The Queerness of Barbara Hanrahan’s Fiction
2017
single work
criticism
— Appears in: Claiming Space for Australian Women's Writing 2017; (p. 227-241)'This chapter explores Barbara Hanrahan’s notion that sexuality “can manifest itself in all sorts of ways” disrupts the naturalised binary logic that governs cultural intelligibility about what constitutes “real” sex and what remains unimaginable and unspeakable. It also highlights a preoccupation in her writing with non-normative sexual desires and identities that is akin to the critical concerns of queer epistemologies. The chapter takes Hanrahan’s contestation of normative thinking about sexuality as a starting point to critically examine the queerness of her “fantastic novels”. By reading Hanrahan’s fiction queerly we are offered a valuable critique that challenges the normalising power of heterosexuality and its claims to be the only intelligible and “natural” way to organise desire.'
Source: Abstract.
-
[Review] Michael and Me and the Sun
1993
single work
review
— Appears in: Westerly , Winter vol. 38 no. 2 1993; (p. 86-87)
— Review of Michael and Me and the Sun 1992 single work autobiography -
Rewarding Insight into Author's Life
1993
single work
review
— Appears in: The Newcastle Herald , 6 February 1993; (p. 44)
— Review of Michael and Me and the Sun 1992 single work autobiography -
The Brightest Under the Sun
1993
single work
review
— Appears in: The Weekend Australian , 30-31 January 1993; (p. rev 7)
— Review of Knitting Emily Bridget 1992 selected work short story ; Michael and Me and the Sun 1992 single work autobiography ; Looking for Unicorns 1992 single work novel -
Steaming Open Women's Lives
1992
single work
review
— Appears in: The Sydney Morning Herald , 26 December 1992; (p. 31)
— Review of Michael and Me and the Sun 1992 single work autobiography
-
The Brightest Under the Sun
1993
single work
review
— Appears in: The Weekend Australian , 30-31 January 1993; (p. rev 7)
— Review of Knitting Emily Bridget 1992 selected work short story ; Michael and Me and the Sun 1992 single work autobiography ; Looking for Unicorns 1992 single work novel -
Forecasts
1992
single work
review
— Appears in: Australian Bookseller & Publisher , September vol. 72 no. 1030 1992; (p. 31)
— Review of Michael and Me and the Sun 1992 single work autobiography -
Barbara and Men and Sex
1992
single work
review
— Appears in: Australian Book Review , November no. 146 1992; (p. 6-7)
— Review of Michael and Me and the Sun 1992 single work autobiography -
Fun Times Portraying London of the '60s
1992
single work
review
— Appears in: The Advertiser Magazine , 14 November 1992; (p. 5)
— Review of Michael and Me and the Sun 1992 single work autobiography -
Steaming Open Women's Lives
1992
single work
review
— Appears in: The Sydney Morning Herald , 26 December 1992; (p. 31)
— Review of Michael and Me and the Sun 1992 single work autobiography -
Editorial
1992
single work
criticism
— Appears in: Australian Book Review , November no. 146 1992; (p. 2) -
'The Sex Thing Is Strange' : The Queerness of Barbara Hanrahan’s Fiction
2017
single work
criticism
— Appears in: Claiming Space for Australian Women's Writing 2017; (p. 227-241)'This chapter explores Barbara Hanrahan’s notion that sexuality “can manifest itself in all sorts of ways” disrupts the naturalised binary logic that governs cultural intelligibility about what constitutes “real” sex and what remains unimaginable and unspeakable. It also highlights a preoccupation in her writing with non-normative sexual desires and identities that is akin to the critical concerns of queer epistemologies. The chapter takes Hanrahan’s contestation of normative thinking about sexuality as a starting point to critically examine the queerness of her “fantastic novels”. By reading Hanrahan’s fiction queerly we are offered a valuable critique that challenges the normalising power of heterosexuality and its claims to be the only intelligible and “natural” way to organise desire.'
Source: Abstract.
-
London,
cEngland,ccUnited Kingdom (UK),cWestern Europe, Europe,
- 1960s