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Latest Issues
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Operatic Narratives: Textual Transformations in Gwen Harwood and Larry Sitsky's Golem and Lenz
2006
single work
criticism
— Appears in: JASAL , no. 5 2006; (p. 179-191) Wood seeks to 'map textual transformation in Harwood's and Sitsky's operas, examining the hybrid elements that give rise to formal exaggeration'. She 'explore[s] the interrelationship of three critical elements: words/music, the visuality of performance and collaborative practice. This mapping aims to illuminate how such interrelationships produce formal exaggeration and, ultimately, the textual transformations observed.' -
Gwen Harwood: Words and Music
2006
single work
essay
— Appears in: Reflected Light : La Trobe Essays 2006; (p. 285-301) 'This essay is concerned mainly with what [Gwen Harwood] claimed to be her most satisfying work, the writing of librettos, words to be set to music.' -
Larry Sitsky's 'The Golem' : The Esoteric Opera
2004
single work
criticism
— Appears in: Australasian Drama Studies , October no. 45 2004; (p. 30-42) -
Seeking Pearls in a Magpie's Nest: The Larry Sitsky Papers
1995
single work
criticism
— Appears in: Voices , Autumn vol. 5 no. 1 1995; (p. 47-60) Discusses composer Larry Sitsky's papers in the National Library collection, paricularly as they relate to the creation of the opera Golem in collaboration with librettist Gwen Harwood, . -
Jewish Parsifal?
1993
single work
review
— Appears in: The Sydney Review , November no. 59 1993; (p. 18)
— Review of The Golem : Grand Opera in Three Acts 1993 single work musical theatre
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Mud, Blood and Anger
1993
single work
review
— Appears in: The Bulletin , 2 November vol. 115 no. 5894 1993; (p. 82)
— Review of The Golem : Grand Opera in Three Acts 1993 single work musical theatre -
Golem Founders as Fable Fails the Opera Stage
1993
single work
review
— Appears in: The Mercury , 2 November 1993; (p. 32)
— Review of The Golem : Grand Opera in Three Acts 1993 single work musical theatre -
Jewish Parsifal?
1993
single work
review
— Appears in: The Sydney Review , November no. 59 1993; (p. 18)
— Review of The Golem : Grand Opera in Three Acts 1993 single work musical theatre -
Larry Sitsky's 'The Golem' : The Esoteric Opera
2004
single work
criticism
— Appears in: Australasian Drama Studies , October no. 45 2004; (p. 30-42) -
Gwen Harwood: Words and Music
2006
single work
essay
— Appears in: Reflected Light : La Trobe Essays 2006; (p. 285-301) 'This essay is concerned mainly with what [Gwen Harwood] claimed to be her most satisfying work, the writing of librettos, words to be set to music.' -
Operatic Narratives: Textual Transformations in Gwen Harwood and Larry Sitsky's Golem and Lenz
2006
single work
criticism
— Appears in: JASAL , no. 5 2006; (p. 179-191) Wood seeks to 'map textual transformation in Harwood's and Sitsky's operas, examining the hybrid elements that give rise to formal exaggeration'. She 'explore[s] the interrelationship of three critical elements: words/music, the visuality of performance and collaborative practice. This mapping aims to illuminate how such interrelationships produce formal exaggeration and, ultimately, the textual transformations observed.' -
Seeking Pearls in a Magpie's Nest: The Larry Sitsky Papers
1995
single work
criticism
— Appears in: Voices , Autumn vol. 5 no. 1 1995; (p. 47-60) Discusses composer Larry Sitsky's papers in the National Library collection, paricularly as they relate to the creation of the opera Golem in collaboration with librettist Gwen Harwood, .
Last amended 8 Jul 2015 18:48:15
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Prague,
cCzech Republic,cEastern Europe, Europe,
- 1500-1599
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