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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
y
Re-Visiting Historical Fiction for Young Readers : The Past through Modern Eyes
New York (City)
:
Routledge Taylor & Francis Group
,
2011
Z1886683
2011
single work
criticism
'This study is concerned with how readers are positioned to interpret the past in historical fiction for children and young adults. Looking at literature published within the last thirty to forty years, Wilson identifies and explores a prevalent trend for re-visioning and rewriting the past according to modern social and political ideological assumptions. Fiction within this genre, while concerned with the past at the level of content, is additionally concerned with present views of that historical past because of the future to which it is moving. Specific areas of discussion include the identification of a new sub-genre: Living history fiction, stories of Joan of Arc, historical fiction featuring agentic females, the very popular Scholastic Press historical journal series, fictions of war, and historical fiction featuring multicultural discourses.
Wilson observes specific traits in historical fiction written for children — most notably how the notion of positive progress into the future is nuanced differently in this literature in which the concept of progress from the past is inextricably linked to the protagonist's potential for agency and the realization of subjectivity. The genre consistently manifests a concern with identity construction that in turn informs and influences how a metanarrative of positive progress is played out. This book engages in a discussion of the functionality of the past within the genre and offers an interpretative frame for the sifting out of the present from the past in historical fiction for young readers.' (Publisher's blurb)
-
Untitled
2005
single work
review
— Appears in: Viewpoint : On Books for Young Adults , Autumn vol. 13 no. 1 2005; (p. 44)
— Review of Dangerous Places 2004 single work novel -
Untitled
2004
single work
review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 18 no. 3 2004; (p. 26)
— Review of Dangerous Places 2004 single work novel -
Untitled
2004
single work
review
— Appears in: Reading Time : The Journal of the Children's Book Council of Australia , May vol. 48 no. 2 2004; (p. 21)
— Review of Dangerous Places 2004 single work novel -
Untitled
2004
single work
review
— Appears in: Magpies : Talking About Books for Children , May vol. 19 no. 2 2004; (p. 40-41)
— Review of Dangerous Places 2004 single work novel
-
In Short : Fiction
2004
single work
review
— Appears in: The Sydney Morning Herald , 9-11 April 2004; (p. 15)
— Review of Inheriting Jack 2004 single work novel ; Dangerous Places 2004 single work novel -
Untitled
2004
single work
review
— Appears in: Magpies : Talking About Books for Children , May vol. 19 no. 2 2004; (p. 40-41)
— Review of Dangerous Places 2004 single work novel -
Untitled
2005
single work
review
— Appears in: Viewpoint : On Books for Young Adults , Autumn vol. 13 no. 1 2005; (p. 44)
— Review of Dangerous Places 2004 single work novel -
Untitled
2004
single work
review
— Appears in: Reading Time : The Journal of the Children's Book Council of Australia , May vol. 48 no. 2 2004; (p. 21)
— Review of Dangerous Places 2004 single work novel -
Untitled
2004
single work
review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 18 no. 3 2004; (p. 26)
— Review of Dangerous Places 2004 single work novel -
y
Re-Visiting Historical Fiction for Young Readers : The Past through Modern Eyes
New York (City)
:
Routledge Taylor & Francis Group
,
2011
Z1886683
2011
single work
criticism
'This study is concerned with how readers are positioned to interpret the past in historical fiction for children and young adults. Looking at literature published within the last thirty to forty years, Wilson identifies and explores a prevalent trend for re-visioning and rewriting the past according to modern social and political ideological assumptions. Fiction within this genre, while concerned with the past at the level of content, is additionally concerned with present views of that historical past because of the future to which it is moving. Specific areas of discussion include the identification of a new sub-genre: Living history fiction, stories of Joan of Arc, historical fiction featuring agentic females, the very popular Scholastic Press historical journal series, fictions of war, and historical fiction featuring multicultural discourses.
Wilson observes specific traits in historical fiction written for children — most notably how the notion of positive progress into the future is nuanced differently in this literature in which the concept of progress from the past is inextricably linked to the protagonist's potential for agency and the realization of subjectivity. The genre consistently manifests a concern with identity construction that in turn informs and influences how a metanarrative of positive progress is played out. This book engages in a discussion of the functionality of the past within the genre and offers an interpretative frame for the sifting out of the present from the past in historical fiction for young readers.' (Publisher's blurb)
Last amended 13 Oct 2004 11:53:41
Settings:
-
London,
cEngland,ccUnited Kingdom (UK),cWestern Europe, Europe,
- Ballarat, Ballarat area, Ballarat - Bendigo area, Victoria,
- 1850s
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