AustLit

'What I love in Helen Garner’s writing is a particular kind of closeness to self, the good, greedy, mistaken, emotional, fierce, sceptical, changing and disrupting self. Garner makes so much from what seems to be just her individual sense, individual observation – rather than anything made by and for the group. But I also love the beautiful strong contradiction in her work: she’s always fighting to come back enough, as well, to find enough that can stop the self; enough of a good order, a rule, a law, a family, a home.

'In a brilliantly argued and very personal essay, Sean O’Beirne looks at the whole of Helen Garner’s writing life so far – from Monkey Grip to the recently published Diaries – while trying to come to terms with the demands, and the rewards, of Garner’s extraordinary, radical individualism and honesty.

'In the Writers on Writers series, leading authors reflect on an Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work.

'Published by Black Inc. in association with the University of Melbourne and State Library Victoria.'

Source : publisher's blurb

'By investigating the worlds of single mother protagonists in Helen Garner’s Monkey Grip (1977) and Other People’s Children (from Honour and Other People’s Children, 1980) this essay reflects on how Australian single mothers and their lived experiences were fictionally depicted in the decade the Supporting Mothers’ Benefit was introduced by the Whitlam Labor Government (1973).¹ Much has been written about Garner’s variously-constructed collective households and the young, inner-city types who inhabited them. This essay focusses on how Garner’s single mothers negotiate the private and the political while negotiating maternal and erotic desire in the aftermath of the gains made by second-wave feminism. Contemporarily, despite these gains and the rise in and acceptability of SMC (single mothers by choice), ‘the family’ as an ideological construct, together with the predominance of phallogocentric logic continues to inhibit single mothers’ rights, equality and agency. This is one of the great contradictions of single motherhood: that while patriarchy enforces gendered and repressive values upon single mothers and their opportunities for transcendence, as a liminal, ‘in-between’ space, single motherhood presents a site for resistance and re-imagination, as well as an escape from domestic violence. I contend that in these early works Garner teases out this contradiction of constraint and freedom, similarly to how she famously examines the fault lines that exist in the ‘gap between theory and practice’ (OPC 53).'  (Publication abstract)

'Helen Garner talks with Chloe Hooper about her early career and the impact of Monkey Grip and The Children’s Bach on her writing life. This is a live recording from our event.' (Production summary) 

'Text’s new edition of Helen Garner’s 1977 novel Monkey Grip is an opportunity to revisit the book’s influence on Melbourne. In addition to being widely considered a classic of Australian fiction, Monkey Grip is frequently referred to as an iconic ‘Melbourne’ novel. Certainly, it is a novel absolutely grounded in and shaped by place. Monkey Grip exhibits an intimacy with place that is built through local knowledge and the regular, routine movement through the spaces of one’s life. The city is much more than a backdrop to action. For Nora, the narrator and protagonist, it is the locus of the social encounter and emotional intensity on which the book’s narrative depends...'  (Introduction)