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In a passionate personal/political statement, Australia's most celebrated festival director and cabaret artist accuses Australia and its political leaders of selling out its arts to populism. 'A prejudice against the intellectual, a preference for pure entertainment, the adherence to 'in or out', 'black or white' -- these are some of the consequences of falling for the myth of the mainstream.' Archer urges her readers to be curious, to question and debate. 'If the myth goes unchallenged, the spirit of art will continue to be marginalised. Those who believe we can afford that loss in the morass of mistakes and short-term thinking that make life on this earth increasingly pleasurable for the few and tortured for the many, those people need the power of art far more than they know.'
(Source: Currency House website, http://www.currencyhouse.org.au/pages/pp_issue_04.html)
Notes
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Also includes responses to Julian Meyrick's Trapped by the Past: Why our Theatre is Facing Paralysis.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Archer on Target
2005
single work
essay
— Appears in: Meanjin , vol. 64 no. 3 2005; (p. 199-207) -
Hear Them Roar
2005
single work
review
— Appears in: Australian Book Review , June-July no. 272 2005; (p. 22-23)
— Review of The Myth of the Mainstream : Politics and Performing Arts in Australia Today 2005 single work criticism ; The Woman I Am : A Memoir 2005 single work autobiography
-
Hear Them Roar
2005
single work
review
— Appears in: Australian Book Review , June-July no. 272 2005; (p. 22-23)
— Review of The Myth of the Mainstream : Politics and Performing Arts in Australia Today 2005 single work criticism ; The Woman I Am : A Memoir 2005 single work autobiography -
Archer on Target
2005
single work
essay
— Appears in: Meanjin , vol. 64 no. 3 2005; (p. 199-207)