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form y separately published work icon Puberty Blues single work   film/TV  
Adaptation of Puberty Blues Kathy Lette , Gabrielle Carey , 1979 single work novel
Issue Details: First known date: 1981... 1981 Puberty Blues
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Units Teaching this Work

Text Unit Name Institution Year
form y separately published work icon Puberty Blues Margaret Kelly , ( dir. Bruce Beresford ) Sydney : Limelight Productions , 1981 Z826184 1981 single work film/TV (taught in 3 units)

Debbie and Sue are accepted into Greenhill Beach's gang, an elite group of teenagers occupying a particular stretch of Cronulla beachfront. As surfie groupies, Debbie and Sue find out that they are expected to submit to male whims and play out 'strange' rituals, such as not eating or going to the bathroom when a boy is around. The girls' life mainly consists of doing what everyone else does: watching the boys surf, having sex with them (in the back seat of cars and at home-alone parties), and getting drunk. The narrative maintains a humorously ironic distance from the awfulness of the scene, particularly through the use of narration. The boys, though portrayed as collectively dominant, are individually consigned to the margins, while Debbie and Sue ultimately break out of the confines of male-imposed rules.

Australian Film and Literature University of South Australia 2011 (Semester 2)
form y separately published work icon Puberty Blues Margaret Kelly , ( dir. Bruce Beresford ) Sydney : Limelight Productions , 1981 Z826184 1981 single work film/TV (taught in 3 units)

Debbie and Sue are accepted into Greenhill Beach's gang, an elite group of teenagers occupying a particular stretch of Cronulla beachfront. As surfie groupies, Debbie and Sue find out that they are expected to submit to male whims and play out 'strange' rituals, such as not eating or going to the bathroom when a boy is around. The girls' life mainly consists of doing what everyone else does: watching the boys surf, having sex with them (in the back seat of cars and at home-alone parties), and getting drunk. The narrative maintains a humorously ironic distance from the awfulness of the scene, particularly through the use of narration. The boys, though portrayed as collectively dominant, are individually consigned to the margins, while Debbie and Sue ultimately break out of the confines of male-imposed rules.

Australia Imagined: Identity and Diversity in Australian Film and Literature University of South Australia 2012 (Semester 2)
form y separately published work icon Puberty Blues Margaret Kelly , ( dir. Bruce Beresford ) Sydney : Limelight Productions , 1981 Z826184 1981 single work film/TV (taught in 3 units)

Debbie and Sue are accepted into Greenhill Beach's gang, an elite group of teenagers occupying a particular stretch of Cronulla beachfront. As surfie groupies, Debbie and Sue find out that they are expected to submit to male whims and play out 'strange' rituals, such as not eating or going to the bathroom when a boy is around. The girls' life mainly consists of doing what everyone else does: watching the boys surf, having sex with them (in the back seat of cars and at home-alone parties), and getting drunk. The narrative maintains a humorously ironic distance from the awfulness of the scene, particularly through the use of narration. The boys, though portrayed as collectively dominant, are individually consigned to the margins, while Debbie and Sue ultimately break out of the confines of male-imposed rules.

Australian Texts And Traditions University of Tasmania 2010 (Semester 2)
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