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Tim Clark explores the way some Australian filmmakers try to avoid emotionally unsatisfying endings to films, because they are wary of alienating audiences. Two films are discussed here: Robert Connolly's cinematic adaptation of Elliot Perlman's novel Three Dollars and Fred Schepisi's adaptation of John Guare's Broardway play, Six Degrees of Separation.
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Last amended 11 Oct 2005 11:10:22
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