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AbstractHistoryArchive Description
'Featuring a team of emerging Japanese and Australian actors, "Once Upon A Midnight" taps into a global youth culture of fantasy, horror and adventure. Join Kelsey Clarke and her brother Ryan as they unwittingly enter a bilingual, parallel underworld, where werewolves, vampires, vultures, tengu and ningyo make suitable travelling companions, but fairies show no mercy! Will Kelsey Clarke conquer the night? Or will she die of fright?' Source: www.adelaidefestivalcentre.com.au/ (Sighted 09/01/2009).
"Combines the imagination of anime with dry and subversive Australian humour this [...] rock musical will take you on a journey to the dark side." (AusStage)
Notes
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A bilingual, cross cultural rock musical.
Affiliation Notes
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This work is affiliated with the AustLit subset Asian-Australian Children's Literature and Publishing because it has references to Japan.
Production Details
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Premiered a the Kijimuna Festival in Okinawa, Japan in July 2008. Australian premier presented by Adelaide Festival Centre's OzAsia Festival, Kijimuna Festival & Flinders University Drama Centre at the Dunstan Playhouse, Space Theare, 23 - 25 September, 2008. Director: Catherine Fitzgerald.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Dramaturgy of Mobility : Towards Crossover and Fusion in Out of the Ordinary
2017
single work
criticism
— Appears in: Australasian Drama Studies , April no. 70 2017; (p. 159-186) 'This article examines the implications that the new cultural competencies and literacies associated with participatory and popular cultures might hold for dramaturgy in terms of characterisation, creating a sense of space-time, and the artist's role in society. Our analysis focuses on Alex Vickery-Howe's new Australian play Out of the Ordinary (2016), situating it in the context of his earlier explorations of alternative dramaturgies, Once Upon a Midnight (2008) and Molly's Shoes (2011). Drawing structurally on the ways crossover and fusion have developed new cultural expression and reached new audiences in music and film, we investigate the creative potential that comics, manga, anime and related fan cultures might hold for dramaturgy. Our goal is to explore the thinking that underlies crossover and fusion as artistic practices requiring a kind of creative bilingualism - in our case, a mastery of the cultural competencies and literacies associated with cross- and multi-modal creative expression. We suggest that such creative bilingualism has been a continuing element in culture since the rise of melodrama, reminding us that expressive turns towards mystery, magic, intense spiritual experiences, etc, could, in fact, underscore social engagement. (Publication abstract) -
Untitled
2008
single work
review
— Appears in: Lowdown , December vol. 30 no. 6 2008; (p. 42)
— Review of Once Upon a Midnight 2008 single work musical theatre -
Once Upon a Midnight
2008
single work
review
— Appears in: Lowdown , October vol. 30 no. 5 2008; (p. 6-7)
— Review of Once Upon a Midnight 2008 single work musical theatre -
Mythology of Two Cultures
2008
single work
review
— Appears in: The Advertsier , 13 September 2008; (p. 8)
— Review of Once Upon a Midnight 2008 single work musical theatre -
On the Edge of Fear
2008
single work
review
— Appears in: The Advertiser , 26 September 2008; (p. 80)
— Review of Once Upon a Midnight 2008 single work musical theatre
-
On the Edge of Fear
2008
single work
review
— Appears in: The Advertiser , 26 September 2008; (p. 80)
— Review of Once Upon a Midnight 2008 single work musical theatre -
Mythology of Two Cultures
2008
single work
review
— Appears in: The Advertsier , 13 September 2008; (p. 8)
— Review of Once Upon a Midnight 2008 single work musical theatre -
Once Upon a Midnight
2008
single work
review
— Appears in: Lowdown , October vol. 30 no. 5 2008; (p. 6-7)
— Review of Once Upon a Midnight 2008 single work musical theatre -
Untitled
2008
single work
review
— Appears in: Lowdown , December vol. 30 no. 6 2008; (p. 42)
— Review of Once Upon a Midnight 2008 single work musical theatre -
Dramaturgy of Mobility : Towards Crossover and Fusion in Out of the Ordinary
2017
single work
criticism
— Appears in: Australasian Drama Studies , April no. 70 2017; (p. 159-186) 'This article examines the implications that the new cultural competencies and literacies associated with participatory and popular cultures might hold for dramaturgy in terms of characterisation, creating a sense of space-time, and the artist's role in society. Our analysis focuses on Alex Vickery-Howe's new Australian play Out of the Ordinary (2016), situating it in the context of his earlier explorations of alternative dramaturgies, Once Upon a Midnight (2008) and Molly's Shoes (2011). Drawing structurally on the ways crossover and fusion have developed new cultural expression and reached new audiences in music and film, we investigate the creative potential that comics, manga, anime and related fan cultures might hold for dramaturgy. Our goal is to explore the thinking that underlies crossover and fusion as artistic practices requiring a kind of creative bilingualism - in our case, a mastery of the cultural competencies and literacies associated with cross- and multi-modal creative expression. We suggest that such creative bilingualism has been a continuing element in culture since the rise of melodrama, reminding us that expressive turns towards mystery, magic, intense spiritual experiences, etc, could, in fact, underscore social engagement. (Publication abstract)
Last amended 3 Sep 2013 14:45:50
Subjects:
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cJapan,cEast Asia, South and East Asia, Asia,
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