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AbstractHistoryArchive Description
'If you've ever dreamed of writing a romance novel, then this is the insider's guide for you. Valerie Parv, author of the authoritative and bestselling The Art of Romance Writing, has drawn together a 'dream team' of romance writers who each share their secrets to writing successful romance fiction.
Valerie and her co-contributors, Jennie Adams, Helen Bianchin, Daphne Clair, Lilian Darcy, Robyn Donald, Kelly Ethan, Alexis Fleming, Elizabeth Rolls and Meredith Webber - all successful romance writers whose books have appeared on international bestseller lists - answer the questions most often asked of published authors: how do I make my characters live; my dialogue feels flat - how can I fix it; how did you begin writing romance novels; how do I make sure my book hits the right emotional heights; I don't have to edit my own work, do I; can I do anything to market my manuscript, and many more.
Aimed at both new and experienced writers studying the craft, this fascinating guide will give you everything you need to know about writing romance and getting published.' (Publisher's blurb)
Notes
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Includes 'Welcome to Our World' (vii-xii) by Valerie Parv.
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Only material by Australian authors individually indexed. Other material in this issue includes:
- 'Changing with the Times' by New Zealand author, Robyn Donald
- 'Secret Pleasures: The Heart of the Genre' by New Zealand author, Daphne Clair.
Contents
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Latin Lovers and Others,
single work
criticism
There's something about a foreign hero...that dark, faintly brooding quality, with a touch of arrogance. A little bit ruthless, but possessed of integrity. Tall - he should be tall! Good athletic build. Preferably dark-haired, with dark eyes, and sculptured facial features. Wealthy, with all the assets wealth can provide...the mansion, luxury car/s, a sizeable sea cruiser, designer clothes. And he knows women!
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Packing an Emotional Punch,
single work
criticism
What do editors mean when they say your writing lacks emotional depth, or needs more emotional punch? Isn't your heroine falling to the ground bewailing the loss of the home she loves? Isn't your hero gritting his teeth as he fights for truth and justice?
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Crossing the Lines and Getting it Right,
single work
criticism
'When most readers go into a bookstore, they don't take a lot of notice of who publishes the book they're browsing through or looking for, they just want to buy the darn thing. They take even less notice of what imprint the book is published under. One thing that regular readers of series romance are much more aware of, however, is lines. They may not use this word. They're more likely to say, 'the ones with the purple covers', 'the Silhouette Special Edition', or 'the medical romances'. But they know that when they pick up any book with a particular look - the purple cover, the word 'sexy' emblazoned on the front - they're being promised certain ingredients.
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Tons of Romance in the Regency,
single work
criticism
This chapter is my take on why research is fun and how to make it not only relevant, but vital to your story. This is about concepts and ideas, not detail. Although I use Regency examples, the principles can be applied to any period.
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Two Worlds : Weaving Romance with Fantasy,
single work
criticism
Like any good story, a fantasy romance has to have a strong plot. Given most fantasy romances,in particular epic fantasies, tend to be of a much longer word count than traditional romances, usually in the 100 000-word range, the plot must be strong enough to carry the story right to the end. It might be sparked by a magazine article about nanotechnology or DNA. Or something I see on television. Some little thing that ignites my imagination and gets me excited.
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Keeping Readers in Suspense,
single work
criticism
Long before romance novels branched out into sub-genres containing suspense, intrigue and real-life conflicts, I enjoyed writing these elements into my books. In my first romance novel, Love's Greatest Gamble, the heroine's late husband, a Vietnam War serviceman, was a victim of what's now called post-traumatic stress syndrome. The term may have existed then but wasn't in common use.
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The Big 'O' : Opportunities in Erotic Romance,
single work
criticism
When I started writing, I had no doubt that I would write romance. Whether set in this world or a fantasy world I created, romance was it. I read across all the sub-genres within the romance spectrum, but fantasy romance was my first love. I never actually set out to write erotic romance. Little did I know!
- A Foolproof Editing System, single work criticism (p. 214-235)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Untitled
2009
single work
review
— Appears in: Bookseller + Publisher Magazine , July vol. 88 no. 9 2009; (p. 39)
— Review of Heart and Craft : Bestselling Romance Writers Share Their Secrets with You 2009 anthology criticism
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Untitled
2009
single work
review
— Appears in: Bookseller + Publisher Magazine , July vol. 88 no. 9 2009; (p. 39)
— Review of Heart and Craft : Bestselling Romance Writers Share Their Secrets with You 2009 anthology criticism