AustLit
y
The Historical Relations Between Theatre and Film: 'The Summer of the Seventeenth Doll'
single work
Issue Details:
First known date:
1987...
1987
The Historical Relations Between Theatre and Film: 'The Summer of the Seventeenth Doll'
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
AbstractHistoryArchive Description
Using the theatrical and film productions of Summer of the Seventeenth Doll as an example, Tom O'Regan explores the failure of film studies to create the kind of productive relationship with theatre/performance studies that it had had for more than a decade with literary theory. He argues that 'nowhere is this more evident than in the separation of the study of Australian theatre and filmmaking in critical discourse. This is despite the fact that the theatre has constituted a reference point for film producers from pre-sound cinema days to the present in terms of film properties, script-writers, acting talent, and directors; and there has always been a significant crossing over of personnel from one medium to the other right up to David Williamson in the present.'
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 23 Sep 2009 12:35:48
n. pag.
The Historical Relations Between Theatre and Film: 'The Summer of the Seventeenth Doll'
Continuum : Journal of Media and Cultural Studies
Subjects:
- Summer of the Seventeenth Doll 1955 single work drama
- Summer of the Seventeenth Doll 1959 single work film/TV
-
cAustralia,c
- 1955-1959
Export this record