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Issue Details: First known date: 2010... vol. 25 no. 4 November 2010 of Australian Literary Studies est. 1963 Australian Literary Studies
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Notes

  • Editor's note: Contributions to this issue honour the scholarship of Penny van Toorn. (q.v.)
  • Contents indexed selectively.

Contents

* Contents derived from the 2010 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Establishing an Australian/Caribbean Alliance : Stories Passed on by Penny van Toorn and Olive Senior, Anne Collett , single work criticism (p. 55-69)
What Falls from View? On Re-Reading Alexis Wright's Plains of Promise, Alison Ravenscroft , single work criticism
'Reading is a visual practice. It always involves a scene. What scenes do white readers of Plains of Promise gaze upon as they hold its pages in their hands? If the visual field is always structured by desire - in the words of Parveen Adams, 'I enjoy what I see and I see what I enjoy' (111) - then a question insists: what scenes can white readers see when we read an Indigenous-signed text such as this one? What scene will our desires produce, and what might fall from view.' (Introduction, p. 70)
(p. 70-84)
Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright's Carpentaria, Anne Brewster , single work criticism (p. 85-100)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 19 Sep 2011 10:51:40
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