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'This paper examines the intersubjectivity of Noongar and the white settlers in That Deadman Dance. It borrows from social contract theory to develop the idea of a cross-racial contract and discusses whiteness and indigenous sovereignty in this context.' Source: Anne Brewster.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 22 Sep 2011 14:59:34
60-71
http://www.ub.edu/dpfilsa/jeasa22brewster7.pdf
Whiteness and Indigenous Sovereignty in Kim Scott’s 'That Deadman Dance'
Journal of the European Association for Studies on Australia
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