AustLit logo

AustLit

Issue Details: First known date: 2011... 2011 Women’s Emotional Experiences of Chick Lit and Chick Flicks : An Ambivalent Audience
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Throughout the first decade of the tri-millennium women have continued to read chick lit and watch chick flicks, a genre of fiction and film first emerging in the mid-1990s. In this article we explore whether the genre's sustained reading is consistent with the main contention in chick lit and chick flick scholarship that its appeal is in the way it reflects messy but accurate aspects of women's contemporary everyday experiences, including sexual experiences. We contribute to this body of knowledge by reporting on an empirical study which forefronts the missing voices of women who may or may not be resolute fans. Following Raymond Williams' (1977, 1979) work on 'structures of feeling', and drawing from a body of knowledge known as the sociology of emotions, we explore the affective space of women's experiences of the chick genre and its feminine sexual representations. The data from an anonymous on-line survey of forty-one women living in Australia reveal that many of them have contradictory emotional experiences. This ambivalence is theorised.' (Editor's abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 6 Feb 2012 13:03:40
http://nla.gov.au/nla.arc-13927-20120113-1011-www.outskirts.arts.uwa.edu.au/volumes/volume-24/rowntree.html Women’s Emotional Experiences of Chick Lit and Chick Flicks : An Ambivalent Audiencesmall AustLit logo Outskirts : Feminisms along the Edge
X