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y separately published work icon Brotherband series - author   children's fiction   children's   adventure  
Issue Details: First known date: 2011... 2011 Brotherband
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Includes

1
y separately published work icon The Outcasts John Flanagan , North Sydney : Random House Australia , 2011 Z1829251 2011 single work children's fiction children's adventure In Skandia, there is only one way to become a warrior. Boys are chosen for teams called brotherbands and must endure three months of gruelling training in seamanship, weapons and battle tactics. It's brotherband against brotherband, fighting it out in a series of challenges. There can be only one winner. When Hal Mikkelson finds himself the unwilling leader of a brotherband made up of outcasts, he must step up to the challenge. The Heron brotherband might not have the strength and numbers of the other two teams, but with inventiveness, ingenuity and courage on their side, they might just surprise everyone. (Publisher website).
2
y separately published work icon The Invaders John Flanagan , North Sydney : Random House , 2012 Z1912648 2012 single work children's fiction children's historical fiction

'Hal and the Heron brotherband are on the trail of Zavac and his precious cargo. Will they be able to find the pirates when the weather clears? And when they do, how can they possibly beat the mighty Raven and its crew of vicious cut-throats and killers?

'A chance discovery will lead them to their prey, but the pirates have a well-fortified position. The Herons must drive out the invaders - and to succeed, Hal will need to devise a foolproof plan. In the icy waters of the Stormwhite, the smallest mistake could prove fatal.' (Publisher's blurb)

3
y separately published work icon The Hunters John Flanagan , North Sydney : Random House Australia , 2012 Z1903060 2012 single work children's fiction children's historical fiction With Zavac and his ship, the Raven, well ahead of the Heron, Hal has a huge task ahead of him in finding the pirate - and retrieving the precious artefact Zavac stole from the Skandians. The Heron brotherband must undertake a long and dangerous river journey to hunt their prey. But even if they survive the journey, are they ready to confront Zavac in his lair? (Libraries Australia)
4
y separately published work icon Slaves of Socorro John Flanagan , North Sydney : Random House , 2014 6865384 2014 single work children's fiction children's fantasy

'Hal and his fellow Herons have returned home to Skandia after defeating the pirate captain Zavac and reclaiming Skandia's most prized artifact, the Andomal. With their honor restored, the Herons turn to a new mission: tracking down an old rival turned bitter enemy. Tursgud—leader of the Shark Brotherband and Hal's constant opponent—has turned from a bullying youth into a pirate and slave trader. After Tursgud captures twelve Araluen villagers to sell as slaves, the Heron crew sails into action . . . with the help of one of Araluen's finest Rangers!

'In this fourth book in the Brotherband Chronicles, a new battle unfolds as old rivalries are renewed, peace treaties are put to the test, and the action builds to a pulse-pounding finale. Perfect for fans of J.R.R. Tolkien’s Lord of the Rings, T.H. White’s The Sword in the Stone, Christopher Paolini’s Eragon series, and George R. R. Martin’s Game of Thrones / A Song of Ice and Fire series.' (Publisher's blurb)

5
y separately published work icon Scorpion Mountain John Flanagan , North Sydney : Random House Australia , 2014 7598804 2014 single work children's fiction children's adventure

'When the worlds of Ranger's Apprentice and Brotherband cross over, action and adventure are guaranteed!

'King Duncan of Araluen has an urgent mission for Hal and the Heron Brotherband. One assassination attempt on Princess Cassandra was foiled. But the killers won't be satisfied until they have fulfilled their honour-bound duty.

'The Herons, along with Ranger Gilan, set off for Arrida. There they must track the cult of killers across the desert, and infiltrate the cult's mountain lair to find their leader – and stop him.

'But the giant assassin isn't the only threat they will face. There is a seaside battle looming, and the Herons are called upon to help an old friend of Araluen in his fight.

'Trapped in an unfamiliar land, their forces split between searing hot land and treacherous seas, can the Herons complete their mission – before the killers find their royal target?' (Publication summary)

6
y separately published work icon The Ghostfaces John Flanagan , North Sydney : Random House Australia , 2016 9105822 2016 single work children's fiction children's adventure

'When the Herons are caught in a massive storm at sea, they're blown far off course – so far that they wash up on the shores of a land to the west that Hal can't recognise from his maps. They sense they're being watched but don't encounter the locals until they have to rescue two children from a marauding bear.

'This action earns them the gratitude of the Mawagansett tribe and the two groups finally meet. But the peace is short-lived. The ruthless, warmongering Ghostfaces are heading their way, and the Herons will have to help their new friends repel an invasion.

'Among the heart-stopping action and nail-biting battles, one Heron will find love, the twins finally receive payback for their identity swapping, and a homesick Skandian will discover that home is where the heart is.' (Publication summary)

7
y separately published work icon The Caldera John Flanagan , North Sydney : Random House Australia , 2017 12239105 2017 single work children's fiction fantasy adventure

'Stig is contesting the annual Maktig competition to decide Skandia’s greatest warrior. But an unexpected visitor arrives with a request Stig, Hal and the brotherband can’t refuse: a rescue mission of epic proportions.

'Pirates have kidnapped the son of the Empress of Byzantos, a city-state far to the south. The brotherband sets sail to recover the boy, only to find that the pirates’ fortress seems impenetrable, sitting atop towering cliffs above the deep lagoon – the caldera – of a volcanic crater.

'Culminating in a battle for survival on the high seas, The Caldera sees the Herons take on one of their most difficult missions yet as the fate of an empire rests on their shoulders.' (Publication Summary)

8
y separately published work icon Return of the Temujai John Flanagan , North Sydney : Random House Australia , 2019 17117522 2019 single work children's fiction children's historical fiction adventure

'In a battle of Skandians vs Temujai, the brotherband are facing their most formidable enemy yet.

'The Heron brotherband are home in Skandia – but their usually peaceful country is in danger. The Temujai have never given up on their ambition to claim Skandia for their own. The ruthless warriors from the Eastern Steppes waited a number of years after the Skandians thwarted them last time - with the help of the legendary Rangers of Araluen - but now they're on the move.

'The Skandians are concentrating their defences on the one pass through the mountains, and they're ready for battle – but what if the Temujai can find another way down to the coast? Erak sends Hal and his crew to investigate.

'And stop the Temujai – whatever it takes.'

Source: Publisher's blurb.

Publication Details of Only Known VersionEarliest 2 Known Versions of

First known date: 2011

Works about this Work

An Intricate Web : Unweaving Strands of Convention in Children’s Fantasy Series by Australians Caylee Tierney , 2020 single work criticism
— Appears in: Australian Humanities Review , May no. 66 2020;

'Writing in 2012, Edward James comments that ‘one of the most unexpected developments of the last decade has been the domination of the popular fantasy genre by Australian women (and some Australian men)’ (76; see Wilkins 265). This trend has continued in the years since, with authors such as Emily Rodda, Kate Forsyth, Isobelle Carmody, Jessica Townsend, Garth Nix, John Flanagan, Michael Pryor and Jay Kristoff finding success in Australia and internationally. There is, however, very little distinctively ‘Australian’ about fantasy series by these writers, which largely conform to conventions of the genre that prevail internationally. Unlike Australian literary fiction, which values ‘complex’, original books that celebrate distinctive Australian features (Wilkins 267-9), genres such as fantasy value familiarity and commercial viability (Gelder 13-17, 26-7, 41). James argues that many Australian writers ‘have only been a success because they have been able to market their books to publishers in the UK and USA’ (76). Often, the global outlook of Australian genre fiction writers means publishers do not emphasise the Australian identity of these writers, and their books do not include extrinsically Australian features. In the highly commercial genre fiction industry, failure to adhere to the strict, if evolving, conventions that govern book production in a narrative and professional sense can mean that a writer does not get published, or at the least, does not achieve success in the global market.' (Introduction)

Band Leader Jane Cornwell , 2012 single work column
— Appears in: Good Weekend , 16 June 2012; (p. 9)
Jane Cornwell reports on John Flanagan's author tour to the Netherlands and the reception he received from his readers.
Band Leader Jane Cornwell , 2012 single work column
— Appears in: Good Weekend , 16 June 2012; (p. 9)
Jane Cornwell reports on John Flanagan's author tour to the Netherlands and the reception he received from his readers.
An Intricate Web : Unweaving Strands of Convention in Children’s Fantasy Series by Australians Caylee Tierney , 2020 single work criticism
— Appears in: Australian Humanities Review , May no. 66 2020;

'Writing in 2012, Edward James comments that ‘one of the most unexpected developments of the last decade has been the domination of the popular fantasy genre by Australian women (and some Australian men)’ (76; see Wilkins 265). This trend has continued in the years since, with authors such as Emily Rodda, Kate Forsyth, Isobelle Carmody, Jessica Townsend, Garth Nix, John Flanagan, Michael Pryor and Jay Kristoff finding success in Australia and internationally. There is, however, very little distinctively ‘Australian’ about fantasy series by these writers, which largely conform to conventions of the genre that prevail internationally. Unlike Australian literary fiction, which values ‘complex’, original books that celebrate distinctive Australian features (Wilkins 267-9), genres such as fantasy value familiarity and commercial viability (Gelder 13-17, 26-7, 41). James argues that many Australian writers ‘have only been a success because they have been able to market their books to publishers in the UK and USA’ (76). Often, the global outlook of Australian genre fiction writers means publishers do not emphasise the Australian identity of these writers, and their books do not include extrinsically Australian features. In the highly commercial genre fiction industry, failure to adhere to the strict, if evolving, conventions that govern book production in a narrative and professional sense can mean that a writer does not get published, or at the least, does not achieve success in the global market.' (Introduction)

Last amended 24 Jan 2013 13:09:44
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