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Confessions of a Camelier single work   non-fiction   war literature   humour  
Issue Details: First known date: 1918... 1918 Confessions of a Camelier
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Kia-Ora Coo-ee vol. 1 no. 4 15 June 1918 Z1853826 1918 periodical issue 1918 pg. 19

Works about this Work

“The Symbol of Our Nation” : The Slouch Hat, the First World War, and Australian Identity Steve Marti , 2018 single work criticism
— Appears in: Journal of Australian Studies , vol. 42 no. 1 2018; (p. 3-18)

'Australian scholars are now familiar with the tropes of the Anzac legend. This narrative describes the realisation of an Australian masculine identity, whose characteristics were forged on the Australian frontier and validated through the ordeal of battle. Though many writers contributed to this narrative, C.E.W. Bean, the official historian of the Australian Imperial Force during the First World War, is most closely associated with the popularisation of this myth, which fused frontier and martial masculinity into a national archetype.

'This article will examine the role of the slouch hat as a material and visual device that helped communicate the Anzac legend. While most of the scholarship that examines the construction of this narrative focuses on its articulation in prose, this narrative was also popularised through other media. Artists drew symbols of the frontier into their paintings while museum directors arranged their artefacts to support this narrative. This article will argue that the slouch hat provided an essential visual device to connect the narratives of frontier and martial masculinity through the image of the Australian soldier.'  (Publication abstract)

“The Symbol of Our Nation” : The Slouch Hat, the First World War, and Australian Identity Steve Marti , 2018 single work criticism
— Appears in: Journal of Australian Studies , vol. 42 no. 1 2018; (p. 3-18)

'Australian scholars are now familiar with the tropes of the Anzac legend. This narrative describes the realisation of an Australian masculine identity, whose characteristics were forged on the Australian frontier and validated through the ordeal of battle. Though many writers contributed to this narrative, C.E.W. Bean, the official historian of the Australian Imperial Force during the First World War, is most closely associated with the popularisation of this myth, which fused frontier and martial masculinity into a national archetype.

'This article will examine the role of the slouch hat as a material and visual device that helped communicate the Anzac legend. While most of the scholarship that examines the construction of this narrative focuses on its articulation in prose, this narrative was also popularised through other media. Artists drew symbols of the frontier into their paintings while museum directors arranged their artefacts to support this narrative. This article will argue that the slouch hat provided an essential visual device to connect the narratives of frontier and martial masculinity through the image of the Australian soldier.'  (Publication abstract)

Last amended 8 Jul 2014 17:21:51
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