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person or book cover
Script cover page (Crawford Collection at the AFI Research Collection)
form y separately published work icon A Reason for Dying single work   film/TV   thriller   crime  
Note: Stapleton is attributed authorship of this episode on the strength of the initials 'T.S.' next to the episode title on the cover page.
Issue Details: First known date: 1967... 1967 A Reason for Dying
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AbstractHistoryArchive Description

This episode is the last in the arc that began with episode 29 ('The Jan Lestrovic File'/'Doves in the East'), though it had been signalled in earlier episodes: Hunter's nemesis Kragg, disillusioned with the Council, especially after they order the murder of his mentor (and Council founder) Lestrovic, ultimately defects to COSMIC. He is aided by Council spy Georgie Savage. In this episode, Georgie is brutally murdered for assisting Kragg. Stapleton went to great lengths to ensure a specific mood and tone to the scene in which Hunter finds the dying Georgie, adding the following detailed stage directions:

'SPECIAL NOTE:

'THE OBJECT OF THIS SEQUENCE HAS CERTAINLY NOTHING TO DO WITH EITHER SEX OR SENSATIONALISM.

'IT SHOULD SHOCK, AND IT SHOULD HAVE GREAT IMPACT. BUT THE INTENDED EFFECT IS ONE OF TRAGEDY.

'THE IMAGE WE RETAIN OF GEORGIE'S DEATH MUST BE POWERFUL BECAUSE, WHEN HUNTER DESCRIBES IT TO KRAGG, IN A LATER SCENE, WE MUST BELIEVE THIS MAKES SUCH AN IMPACT AS TO GIVE KRAGG ONCE MORE A REASON FOR LIVING, I.E., REVENGE.

ALSO, IN ONE OR TWO LATER EPISODES, THIS IMAGE WILL SUSTAIN HUNTER AND KRAGG IN THEIR SEARCH FOR GEORGIE'S KILLER.

'FILM DIRECTOR:

IT MAY BE NECESSARY TO MAKE SPECIAL ARRANGEMENTS REGARDING THE SIMULATION OF CUTS AND BRUISES ON GEORGIE'S FACE AND BODY. IT IS IMPORTANT THAT THESE BE UTTERLY CONVINCING AND TRAGIC.

'ALSO, WE SHOULD BELIEVE THAT GEORGIE IS NAKED. WE SEE HER BARE BACK, THEN GO TO HEAD AND SHOULDERS WHEN HUNTER TURNS HER OVER.

'WHEN FIRST SEEN, SHE SHOULD BE COVERED BY AN OLD, STAINED, RAGGED TARPAULIN OR CANVAS. THE WHOLE EFFECT SHOULD BE SQUALID, PATHETICALLY TRAGIC.'

The script held in the Crawford Collection has neither synopsis nor character notes.

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship: see The Writer in Australian Television History.

Publication Details of Only Known VersionEarliest 2 Known Versions of

      1967 .
      person or book cover
      Script cover page (Crawford Collection at the AFI Research Collection)
      Extent: 52p.
      (Manuscript) assertion
      Note/s:
      • The script is printed on pink paper, with neither character notes nor information on cast and crew members. Unlike most Hunter scripts, it ends on a stage direction and not a commercial break, suggesting that it might be an incomplete script. However, the storyline does appear to come to a coherent close.
      • The cover page is labelled "Episode A7".
      • A notation in blue ink in the top right-hand corner of the cover page indicates that this script is numbered "27", and that this copy was designated for Sonia Borg.
      • Apart from the notations on the cover page, there are no signs of annotations on this copy of the script.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC HUN : 31
    • Melbourne, Victoria,: Crawford Productions ; Nine Network , 1968 .
      Extent: 60min.p.
      Series: form y separately published work icon Hunter Ian Jones , Terry Stapleton , Douglas Tainsh , Howard Griffiths , Glyn Davies , David William Boutland , Melbourne : Crawford Productions Nine Network , 1967 Z1814649 1967 series - publisher film/TV thriller

      Australia's first spy show, made at a time when overseas television networks were investing heavily in counter-espionage programs.

      The titular character was John Hunter, a secret agent with SCU3 (Special Clandestine Unit 3), a division of COSMIC (Commonwealth Offices for Security and Military Intelligence Co-ordination). Operating under the front of Independent Surveys, COSMIC was headed by Charles Blake. Hunter was assisted by female agent Eve Halliday.

      The enemy organisation, CUCW (Council for Unification of the Communist World) was headed in Australia by Mr Smith, whose chief agent was the complicated idealist Kragg. Kragg ultimately defected to the West (and to COSMIC) after a period of disillusionment with CUCW.

      Late in the show's run, John Hunter met an untimely death in front of a firing squad in an Iron Curtain country. He was replaced by a new agent, Gil Martin, but the show only continued for another eight episodes, as Ian Jones preferred to concentrate on his new vehicle for Gerard Kennedy, Division 4.

      According to Moran, in his Guide to Australian TV Series, 'Coming as it did towards the end of the Cold War and indeed the whole breakdown of the hegemony of Australian society, Hunter was an uneasy combination of boys'-own spy adventures, owing something to the popularity of James Bond novels, and the more cynical and seedy variation of the genre associated with writers such as Len Deighton and John Le Carre'. Don Storey, however, writes on Classic Australian Television that it was 'a bold, sophisticated and ambitious venture into slick, professional local drama', the sophistication no doubt aided by the per-episode budget of $20,000 (compared to Homicide's per-episode budget of $7000).

      Number in series: 31
Last amended 30 May 2013 16:00:11
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