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form y separately published work icon The Bob Kitchen File single work   film/TV   crime   thriller  
Note: Griffiths is attributed authorship of this episode on the strength of the initials 'H.G.' next to the episode title on the cover page.
Issue Details: First known date: 1967... 1967 The Bob Kitchen File
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AbstractHistoryArchive Description

The script held in the Crawford Collection has neither synopsis nor character notes.

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship: see The Writer in Australian Television History.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Melbourne, Victoria,: Crawford Productions ; Nine Network , 1967 .
      Extent: 60 min.p.
      Note/s:
      • Storey suggests that Gregory was credited as director and Lee as film director.
      Series: form y separately published work icon Hunter Ian Jones , Terry Stapleton , Douglas Tainsh , Howard Griffiths , Glyn Davies , David William Boutland , Melbourne : Crawford Productions Nine Network , 1967 Z1814649 1967 series - publisher film/TV thriller

      Australia's first spy show, made at a time when overseas television networks were investing heavily in counter-espionage programs.

      The titular character was John Hunter, a secret agent with SCU3 (Special Clandestine Unit 3), a division of COSMIC (Commonwealth Offices for Security and Military Intelligence Co-ordination). Operating under the front of Independent Surveys, COSMIC was headed by Charles Blake. Hunter was assisted by female agent Eve Halliday.

      The enemy organisation, CUCW (Council for Unification of the Communist World) was headed in Australia by Mr Smith, whose chief agent was the complicated idealist Kragg. Kragg ultimately defected to the West (and to COSMIC) after a period of disillusionment with CUCW.

      Late in the show's run, John Hunter met an untimely death in front of a firing squad in an Iron Curtain country. He was replaced by a new agent, Gil Martin, but the show only continued for another eight episodes, as Ian Jones preferred to concentrate on his new vehicle for Gerard Kennedy, Division 4.

      According to Moran, in his Guide to Australian TV Series, 'Coming as it did towards the end of the Cold War and indeed the whole breakdown of the hegemony of Australian society, Hunter was an uneasy combination of boys'-own spy adventures, owing something to the popularity of James Bond novels, and the more cynical and seedy variation of the genre associated with writers such as Len Deighton and John Le Carre'. Don Storey, however, writes on Classic Australian Television that it was 'a bold, sophisticated and ambitious venture into slick, professional local drama', the sophistication no doubt aided by the per-episode budget of $20,000 (compared to Homicide's per-episode budget of $7000).

      Number in series: 18
      1967 .
      person or book cover
      Script cover page (Crawford Collection at the AFI Research Collection)
      Extent: 65p.
      (Manuscript) assertion
      Note/s:
      • The script is printed on pink paper and includes neither character list nor crew information. The script is dated '31.7.67' on the cover page.
      • A notation in blue ink in the top right-hand corner of the cover page indicates that this is copy number 13, but there is no indication of to whom this copy of the script was designated. Three additional annotations appear on the front cover: 'eps(18)' in black ink, 'The Bob Kitchen File' in lead pencil, and an unintelligable signature in blue ink in the bottom left-hand corner.
      • The script is annotated in red felt pen. These annotations are limited to alterations to nomenclature: on pages 10, 16, 41, 43, and 58 - 60, the annotations change the name of a character originally called 'Mazzini' to 'Sangster' in the stage directions. On pages 19 and 21, the annotations change the call sign 'Q.5' to 'Alpha 6'.
      • The script is also annotated in blue ink. These are a combination of changes to dialogue and alterations to nomenclature. On page 2, for example, the stage direction/line '(READING) "Mathematics for Electrical Circuit Analysis"' has been changed to '(READING) "Radio & Television Engineers Reference Book".' On pages 5, 6 and 10-12, the annotations change 'Mazzini' to 'Sangster'. The last of these (on page 12) shows the shift in ink: 'Mazzini' has been crossed out in blue ink but 'Sang.' written in above it in red felt pen.
      • On page 22, an annotation in a different type of blue ink changes the line 'On your right as you come out of the lift. All ready for you' to the line 'First corridor on your left when you get out of the lift. All ready for you' and the stage direction 'HANDS KEY TO PHELPS' added in the margin.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC HUN : 18
Last amended 30 May 2013 15:47:01
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