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person or book cover
Script cover page (Crawford Collection at the AFI Research Collection)
form y separately published work icon The Jackpot File single work   film/TV   crime   thriller  
Note: Griffiths is attributed authorship of this episode on the strength of the initials 'H.G.' next to the episode title on the cover page.
Issue Details: First known date: 1967... 1967 The Jackpot File
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AbstractHistoryArchive Description

The script held in the Crawford Collection has neither synopsis nor character notes.

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship: see The Writer in Australian Television History.

Publication Details of Only Known VersionEarliest 2 Known Versions of

      1967 .
      person or book cover
      Script cover page (Crawford Collection at the AFI Research Collection)
      Extent: 64p.
      (Manuscript) assertion
      Note/s:
      • The script is printed on pink paper, and labelled 'Episode A3' on the cover page. A notation in blue ink in the top right-hand corner of the cover page indicates that this is copy number 13, and a notation below that (in the same ink and apparently the same hand) indicates that this copy of the script was designated for Ian Jones.
      • A notation in a different blue ink/different hand along the very top of the cover page notes that the script has been 'timed & checked by [illegible] / 22/12/67'.
      • The script contains neither character notes nor crew information.
      • The script is annotated throughout in blue ink. As with the script for episode 26, the annotations seem to be directorial/adjustments to timing (see, for example, page 5).
      • There is a single annotation in black ink, adjusting the dialogue on page 20: the line 'It has a padlock on it' has been crossed out and replaced with 'It’s kept locked.'

      Holdings

      Held at: AFI Research Collection
      Local Id: SC HUN : 28
    • Melbourne, Victoria,: Crawford Productions ; Nine Network , 1968 .
      Extent: 60 min.p.
      Series: form y separately published work icon Hunter Ian Jones , Terry Stapleton , Douglas Tainsh , Howard Griffiths , Glyn Davies , David William Boutland , Melbourne : Crawford Productions Nine Network , 1967 Z1814649 1967 series - publisher film/TV thriller

      Australia's first spy show, made at a time when overseas television networks were investing heavily in counter-espionage programs.

      The titular character was John Hunter, a secret agent with SCU3 (Special Clandestine Unit 3), a division of COSMIC (Commonwealth Offices for Security and Military Intelligence Co-ordination). Operating under the front of Independent Surveys, COSMIC was headed by Charles Blake. Hunter was assisted by female agent Eve Halliday.

      The enemy organisation, CUCW (Council for Unification of the Communist World) was headed in Australia by Mr Smith, whose chief agent was the complicated idealist Kragg. Kragg ultimately defected to the West (and to COSMIC) after a period of disillusionment with CUCW.

      Late in the show's run, John Hunter met an untimely death in front of a firing squad in an Iron Curtain country. He was replaced by a new agent, Gil Martin, but the show only continued for another eight episodes, as Ian Jones preferred to concentrate on his new vehicle for Gerard Kennedy, Division 4.

      According to Moran, in his Guide to Australian TV Series, 'Coming as it did towards the end of the Cold War and indeed the whole breakdown of the hegemony of Australian society, Hunter was an uneasy combination of boys'-own spy adventures, owing something to the popularity of James Bond novels, and the more cynical and seedy variation of the genre associated with writers such as Len Deighton and John Le Carre'. Don Storey, however, writes on Classic Australian Television that it was 'a bold, sophisticated and ambitious venture into slick, professional local drama', the sophistication no doubt aided by the per-episode budget of $20,000 (compared to Homicide's per-episode budget of $7000).

      Number in series: 28
Last amended 30 May 2013 15:56:47
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