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person or book cover
Script cover page (Crawford Collection at the AFI Research Collection)
form y separately published work icon It's Worth the Risk single work   film/TV   crime  
Issue Details: First known date: 1976... 1976 It's Worth the Risk
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AbstractHistoryArchive Description

'Detective Gary Lawson's excitement at working undercover on a difficult case is quickly dampened when he finds his co-undercover man is a woman - and a rather domineering one at that. Bluey discovers even the best made plans can go wrong and that, for once, it looks like the crims have more cards up their sleeves than Department B.

'Three armoured trucks have been hijacked in various parts of the country. The only lead Bluey comes up with is the possibility that the men involved may be in need of an "oxy" man.

'So Tracey, the female undercover cop, is set up as bait. In settling down together as part of their cover, Gary is surprised to find Tracey has many facets to her character that are most appealing.

'But Gary is in danger of letting his personal feelings interfere with police work.'

Source: Synopsis held in the Crawford Collection in the AFI Research Collection (RMIT).


The script held in the Crawford Collection in the AFI Research Collection contains the following character notes (excluding regular characters):

'TRACEY ALEXANDER: 26 years old. Tracey's an undercover policewoman. Very attractive, except when she's in uniform, even that is a cover for Tracey. She is a Chameleon type [sic] character, slipping easily in and out of each character she is asked, or forced, to play. At all times she is on top of the given situation.

'MIKE SCOTT: 26 years old. A handsome well built man. There's still a touch of the soldier about his bearing. Mike was in Vietnam, but he was under investigation, along with four others, for possible graft involving selling arms to the enemy. Mike and the other four devise a way of disappearing from the army. They're successful. Mike has nerves of steel. He relies a lot on his own intuition, usually he's right. Then he meets Tracey, Truscott and Gary. Mike must drive well.

'ED BAIN: 26 years old. Attractive well built man. Nervous eyes, looking everywhere, but at the person he's talking to. Ed doesn't really trust anyone. He has a nasty temper when irritated. He enjoys killing. He is one of the four men who were with Mike in 'Nam.

'PETE ESSEX: 25 years old. Short and stocky, but well muscled. Cold eyes. More easily led than Ed. Pete was in the army from the age of 16, so he is used to responding without question to orders, especially from Mike. He also has a lot of courage, if needs be he could stand up to Ed, but rarely ever does. He also was with Mike in 'Nam.

'MARCIA FRANKS: 25 years old. Very pretty with a touch of the wanton about her. A happy go lucky girl who very early on in her life realised that all she'd got to offer to the world was her body. So she used it, first at school then in the big outside world. She is a very successful massage parlour and home girl. Marcia's big trouble is, she's nosey and just a little too greedy, but there's no real harm in her.

'SERGEANT JACK HALL: 35 years old. Stolid family-type man.

'MACK: 25 years old. Works in the maintenance department - police headquarters, Sydney.

'P.C. DRIVER: 30 years old. He's got as far as he'll ever go.

'WAITER:

'CUSTOMERS (4):

'POLICEMEN (2)'.

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship.

Publication Details of Only Known VersionEarliest 2 Known Versions of

      1976 .
      person or book cover
      Script cover page (Crawford Collection at the AFI Research Collection)
      Extent: 83p.
      (Manuscript) assertion
      Note/s:
      • The script is labelled on the cover page 'Code 11530' and 'Episode No. 27', although it aired as episode 25. Unlike most Bluey scripts in the collection, this is not an original script: it is a copy printed on yellow paper.
      • There is no indication on the cover page of to whom this copy of the script was designated.
      • There are no signs of annotation on this copy of the script.
      • The file includes a cast list for this episode, access to which is restricted.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC BLU : 25
    • Melbourne, Victoria,: Crawford Productions , 1977 .
      Extent: 48 min. 20 secs (according to the script)p.
      Series: form y separately published work icon Bluey Robert Caswell , Vince Moran , Everett de Roche , James Wulf Simmonds , Tom Hegarty , Gwenda Marsh , Colin Eggleston , David Stevens , Peter A. Kinloch , Keith Thompson , Gregory Scott , Peter Schreck , Denise Morgan , Monte Miller , Ian Jones , John Drew , David William Boutland , Jock Blair , Melbourne : Crawford Productions Seven Network , 1976 Z1815063 1976 series - publisher film/TV crime detective

      According to Moran, in his Guide to Australian Television Series, Bluey (and its Sydney-based rival, King's Men) 'constituted an attempt to revive the police genre after the cancellations of Homicide, Division 4 and Matlock Police'.

      Don Storey, in his Classic Australian Television, summarises the program as follows:

      Bluey is a maverick cop who breaks every stereotype image. He drinks, smokes and eats to excess, and therefore is rather large, but it is his unusual investigative methods that set him apart. He has bent or broken every rule in the book at some stage, to the point where no-one else wants to work with him. But he gets results, and is therefore too valuable to lose, so the powers-that-be banish him to the basement of Russell Street Police Headquarters where he is set up in his own department, a strategem that keeps him out of the way of other cops.

      Moran adds that 'Grills, Diedrich and Nicholson turned in solid performances in the series and the different episodes were generally well paced, providing engaging and satisfying entertainment.'

      The program sold well overseas, especially in the United Kingdom. But though it rated well domestically, it was not the success that the Seven Network had hoped for, and was cancelled after 39 episodes.

      Bluey had an unexpected revival in the early 1990s when selections from the video footage (over-dubbed with a new vocal track) were presented during the second series of the ABC comedy The Late Show as the fictional police procedural Bargearse. (The Late Show had given ABC gold-rush drama Rush the same treatment in series one.)

      Number in series: 25
Last amended 4 Apr 2013 15:43:11
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