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The script held in the Crawford Collection in the AFI Research Collection contains the following character notes (excluding regular characters):
'CHRIS GARDNER Youngish businessman - quite prosperous with a seemingly assured future. A pleasant personality, but nothing at all extraordinary about him. Just an average bloke of his particular type. His whole world is changed in the instant when he's involved in a fatal accident.
'KAY GARDNER The ideal wife for Chris Gardner (see above). Prior to the accident, she was a happy woman - living in complete security.
'JOHN DAVIS A solicitor with a lucrative practice - mainly concentrates on handling of real estate transactions and investments. In outlook, he is a conventional adherent of the establishment, but he is not fusty in manner. Can be unrestrained and volatile in arguments with his wife. A strong personality. Drives car.
'THERESA DAVIS Wife of John. Loves him, but is often angered by aspects of his conservatism. An activist - living in comfort, but drawn to people at the other end of the social scale. Most of the time, she is humourless - direct, saying whatever comes into her mind.
'CHARLES HAMMOND (50) A businessman - very moderate education. Has acquired a degree of "smoothness", but lapses sometimes. A competent hypocrite. Persecuted his wife until she left him. He has no conscience about this.
'RUTH HAMMOND (50) Charles Hammond's wife. A pathetic derelict. One scene.
'STELLA JOHNSON (In forties) A woman who has been brow-beaten and physically battered until she has no initiative whatever. Completely crushed.
[Note: The notes '(2 scenes)' has been struck out after this character note, and a note made in the margin that the character will appear in film scenes, and not just, as originally planned, in live scenes.]
'CLIFF JOHNSON (45 or so) A factory foreman. Strong. He is another of those characters who make a point of being pleasant to everyone but their wives. When he torments Stella, there is no gloating sadism. It is straight-out brutality.'
Notes
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This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship.