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form y separately published work icon The Hans Felburg File single work   film/TV   crime   thriller  
Note: The author for this episode has not yet been traced; the script held in the Crawford Collection is missing its cover page.
Issue Details: First known date: 1967... 1967 The Hans Felburg File
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AbstractHistoryArchive Description

The script held in the Crawford Collection has neither synopsis nor character notes.

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship: see The Writer in Australian Television History.

Publication Details of Only Known VersionEarliest 2 Known Versions of

      1967 .
      Extent: 65p.
      (Manuscript) assertion
      Note/s:
      • The script is printed on pink paper. The copy held in this file lacks a cover page. The pages are dated on the top right-hand side of each page: the dates run from 11.10.67 (on page one) through to 19.10.67 (on the final page). The exception is the amended pages (see below).
      • The script includes neither character notes nor crew information.
      • The script is annotated throughout in black felt pen and black ink. The annotations include alterations to the staging (one page one, for example, 'NIGHT' has been crossed out and replaced with 'DAWN'), what seem to be staging annotations (for example, on page 3, the note, '1'08'' / B.D.'), indications of additional amendments not preserved in the file (on pages 28, 30, 49, 52, and 53, the note 'SEE MEMO' is written in the top right-hand corner of the page), and deletions of scenes (see, for example, pages 52-53).
      • The script is also annotated in blue ink. This single instance of annotation is a deletion: on page 49, a character has been struck from a scene, including a lengthy stage direction about her position on set and her one line.
      • Pages 2–3, 6–8, 19–21, 31, 33–40, 46–48, 55, and 57–61 have a typed note at the top of the page marking them as amended pages. All of the amended pages are dated 13.11.67.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC HUN : 26
    • Melbourne, Victoria,: Crawford Productions ; Nine Network , 1968 .
      Extent: 50 min.p.
      Series: form y separately published work icon Hunter Ian Jones , Terry Stapleton , Douglas Tainsh , Howard Griffiths , Glyn Davies , David William Boutland , Melbourne : Crawford Productions Nine Network , 1967 Z1814649 1967 series - publisher film/TV thriller

      Australia's first spy show, made at a time when overseas television networks were investing heavily in counter-espionage programs.

      The titular character was John Hunter, a secret agent with SCU3 (Special Clandestine Unit 3), a division of COSMIC (Commonwealth Offices for Security and Military Intelligence Co-ordination). Operating under the front of Independent Surveys, COSMIC was headed by Charles Blake. Hunter was assisted by female agent Eve Halliday.

      The enemy organisation, CUCW (Council for Unification of the Communist World) was headed in Australia by Mr Smith, whose chief agent was the complicated idealist Kragg. Kragg ultimately defected to the West (and to COSMIC) after a period of disillusionment with CUCW.

      Late in the show's run, John Hunter met an untimely death in front of a firing squad in an Iron Curtain country. He was replaced by a new agent, Gil Martin, but the show only continued for another eight episodes, as Ian Jones preferred to concentrate on his new vehicle for Gerard Kennedy, Division 4.

      According to Moran, in his Guide to Australian TV Series, 'Coming as it did towards the end of the Cold War and indeed the whole breakdown of the hegemony of Australian society, Hunter was an uneasy combination of boys'-own spy adventures, owing something to the popularity of James Bond novels, and the more cynical and seedy variation of the genre associated with writers such as Len Deighton and John Le Carre'. Don Storey, however, writes on Classic Australian Television that it was 'a bold, sophisticated and ambitious venture into slick, professional local drama', the sophistication no doubt aided by the per-episode budget of $20,000 (compared to Homicide's per-episode budget of $7000).

      Number in series: 26
Last amended 30 May 2013 15:54:43
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