AustLit logo

AustLit

person or book cover
Script cover page (Crawford Collection at the AFI Research Collection)
form y separately published work icon Hole in the Net single work   film/TV   crime   thriller  
Issue Details: First known date: 1968... 1968 Hole in the Net
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

The script held in the Crawford Collection has neither character notes nor synopsis.

Notes

  • This entry has been compiled from archival research in the Crawford Collection (AFI Research Collection), undertaken by Dr Catriona Mills under the auspices of the 2012 AFI Research Collection (AFIRC) Research Fellowship: see The Writer in Australian Television History.

Publication Details of Only Known VersionEarliest 2 Known Versions of

      1968 .
      person or book cover
      Script cover page (Crawford Collection at the AFI Research Collection)
      Extent: 19p.
      (Manuscript) assertion
      Note/s:
      • This is not a full copy of the script, but a collection of suggested amendments and copies of amended pages, printed on white paper but with a pink cover page. The cover page is labelled 'Episode E6': '61' has been written beside this is black ink. The cover page has been initialled in green ink next to the copyright information.
      • A four-page document (labelled Page A to Page D) covers small amendments, such as changes to a single line of dialogue, alterations to stage directions, and corrections of errors in the script (the first amendment, for example, reads, 'A lapel camera was not used').
      • Fifteen amended pages follow: pages 5 and 6, pages 11–15, pages 18 and 19, pages 29 – 32, page 34, and page 57.

      Holdings

      Held at: AFI Research Collection
      Local Id: SC HUN : 61
    • Melbourne, Victoria,: Crawford Productions ; Nine Network , 1969 .
      Extent: 50min.p.
      Series: form y separately published work icon Hunter Ian Jones , Terry Stapleton , Douglas Tainsh , Howard Griffiths , Glyn Davies , David William Boutland , Melbourne : Crawford Productions Nine Network , 1967 Z1814649 1967 series - publisher film/TV thriller

      Australia's first spy show, made at a time when overseas television networks were investing heavily in counter-espionage programs.

      The titular character was John Hunter, a secret agent with SCU3 (Special Clandestine Unit 3), a division of COSMIC (Commonwealth Offices for Security and Military Intelligence Co-ordination). Operating under the front of Independent Surveys, COSMIC was headed by Charles Blake. Hunter was assisted by female agent Eve Halliday.

      The enemy organisation, CUCW (Council for Unification of the Communist World) was headed in Australia by Mr Smith, whose chief agent was the complicated idealist Kragg. Kragg ultimately defected to the West (and to COSMIC) after a period of disillusionment with CUCW.

      Late in the show's run, John Hunter met an untimely death in front of a firing squad in an Iron Curtain country. He was replaced by a new agent, Gil Martin, but the show only continued for another eight episodes, as Ian Jones preferred to concentrate on his new vehicle for Gerard Kennedy, Division 4.

      According to Moran, in his Guide to Australian TV Series, 'Coming as it did towards the end of the Cold War and indeed the whole breakdown of the hegemony of Australian society, Hunter was an uneasy combination of boys'-own spy adventures, owing something to the popularity of James Bond novels, and the more cynical and seedy variation of the genre associated with writers such as Len Deighton and John Le Carre'. Don Storey, however, writes on Classic Australian Television that it was 'a bold, sophisticated and ambitious venture into slick, professional local drama', the sophistication no doubt aided by the per-episode budget of $20,000 (compared to Homicide's per-episode budget of $7000).

      Number in series: 61
Last amended 30 May 2013 16:16:38
Settings:
  • Western Australia,
Newspapers:
    Powered by Trove
    X