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Winnie Siulolovao Dunn Winnie Siulolovao Dunn i(12171941 works by)
Gender: Female
Heritage: Tongan ; Australian
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Works By

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1 3 y separately published work icon Racism : Stories on Fear, Hate and Bigotry Winnie Siulolovao Dunn (editor), Stephen Pham (editor), Phoebe Grainer (editor), Parramatta : Sweatshop , 2021 22104848 2021 anthology life story

'Are we a nation of racists? Thirty-nine writers confront our darkest truths in this fearless collection of short stories, poems and essays from the margins of Australia.

'Featuring Tyree Barnette, Meyrnah Khodr, Adam Phillip Anderson, Guido Melo, Janette Chen, Riley Ingersole, Sydnye Allen, Chris Tupouniua, Rizcel Gagawanan, Amani Haydar, Christine Shamista, Krisneth Paddy, Ting Huang, Heikmah Napadow, Mark Mariano, Daniel Nour, Monikka Eliah, Shirley Le, Kabien Parker, Ayoub Jama, Ferdous Bahar, Ayusha Nand, Pamela Asare, Natalia Figueroa Barroso, Sara Saleh,  Nellie Tapu Nonumalo Mu, Cassandra Taylor, Noor Abuzamaq,  Dezheen Shivan, Fiti Fainifo, Elisha Toese, Mahran Asghari, Lara Ahmed, Sopanha Chea, Yash Bab, Zoyal Dahal, Cleveland Brown, Max Edwards & Sarah Ayoub. Edited by Winnie Dunn, Stephen Pham & Phoebe Grainer.'(Publication summary)

1 y separately published work icon Cordite Poetry Review Brownface no. 100 Winnie Siulolovao Dunn (editor), Roberta Joy Rich (editor), 2021 21050962 2021 periodical issue

'This issue of Cordite Poetry Review in particular focuses on the racist act of Brownface, especially in Australia. Brownface stems from the dehumanisation of Black people in the form of Blackface. Award-winning Afro-Caribbean-Australian author Maxine Beneba Clarke writes that Blackface was created when ‘White performers liberally applied black greasepaint or shoe polish and used distorted dialogue, exaggerated accents and grotesque movements to caricature people of African descent’ in the name of ‘art’.' (Winnie Siulolovao, from Editorial introduction)

1 1 Sex, Drugs and Pork Rolls Winnie Siulolovao Dunn , Stephen Pham , Shirley Le , Omar Sakr , 2021 single work drama multimedia

'On the day that Donald Trump was elected president of the United States in 2016, four hood-rats clash in a string of violence, substance abuse and sexual encounters. This is a vivid and compelling portrait of life growing up in Western Sydney. 

'Experienced as a multi-screen installation Sex, Drugs & Pork Rolls is an oral storytelling experience from the heartland of multicultural Australia. The four-part monologue weaves together a portrait of young people of colour (POC) growing up in the Western suburbs of Sydney. Presented across four screens, live audiences will experience the work from the comfort of a socially-distanced chair while enjoying a complimentary Bánh mì. 

'Sex, Drugs & Pork Rolls has been created by a team of extraordinary artists and technicians, all of whom are from a Culturally and Linguistically Diverse background, infusing the work with depth and authenticity. The work resonates with an astute sense of place, connection and shared experiences of those traversing the tensions and challenges of mixed cultural mores and behaviours with empathy, humour and uncompromising clarity of truth. 

'Written by Winnie Dunn, Stephen Pham, Shirley Le and Omar Sakr, with script editing and dramaturgical support from acclaimed author Michael Mohammed Ahmad, Sex, Drugs & Pork Rolls has been crafted for the screen by Helpmann Award winner S.Shakthidharan and performers Hazem Shammas, Emily Havea, Aileen Huynh and Henry Vo.' (Production summary)

1 Flesh i "The hum of the packed-out Parra Westfield food court is", Winnie Siulolovao Dunn , 2020 single work poetry
— Appears in: Australian Poetry Journal , vol. 10 no. 1 2020; (p. 100-101)
1 Stitches i "The knife cuts into my upper-left arm,", Winnie Siulolovao Dunn , 2020 single work poetry
— Appears in: Australian Poetry Journal , vol. 10 no. 1 2020; (p. 99)
1 Cramps i "The blood clot passes through me", Winnie Siulolovao Dunn , 2020 single work poetry
— Appears in: Australian Poetry Journal , vol. 10 no. 1 2020; (p. 98)
1 God in the Margins Winnie Siulolovao Dunn , 2020 sequence poetry
— Appears in: Australian Poetry Journal , vol. 10 no. 1 2020; (p. 98-101)
1 Leah Jing McIntosh, Cher Tan, Adalya Nash Hussein, Hassan Abul (eds), Collisions Winnie Siulolovao Dunn , 2020 single work review
— Appears in: The Saturday Paper , 21-27 November 2020;

— Review of Collisions : Fictions of the Future : An Anthology of Australian Writers of Colour 2020 anthology short story
1 [Review] Song of the Crocodile Winnie Siulolovao Dunn , 2020 single work review
— Appears in: Kill Your Darlings [Online] , October 2020;

— Review of Song of the Crocodile Nardi Simpson , 2020 single work novel
1 Palangi Boy Winnie Siulolovao Dunn , 2020 single work poetry
— Appears in: Australian Poetry Anthology 2020; (p. 90)
1 Cath Moore, Metal Fish, Falling Snow Winnie Siulolovao Dunn , 2020 single work review
— Appears in: The Saturday Paper , 22-28 August 2020;

— Review of Metal Fish, Falling Snow Cath Moore , 2020 single work novel

'How does one interpret the world after their mother has died? Through this question, Cath Moore makes a brilliant debut with her magical-realist novel, Metal Fish, Falling Snow. On a cross-country drive to the coast, mixed-race protagonist Dylan witnesses signs that tell her to take her mother’s spirit back to Paris by boat. For Dylan’s caretaker, Pat, each kilometre only deepens his guilt. He knows there is no boat waiting at the ocean for Dylan, only her paternal Guyanese–Australian family – their connection having been severed by her estranged father almost a decade before.' (Introduction)

1 A Mixture of Tongan and English Winnie Siulolovao Dunn , 2020 single work short story
— Appears in: Voiceworks , Winter no. 119 2020; (p. 8-13)
1 Theatre-maker and Multidisciplinary Artist Anchuli Felicia King Winnie Siulolovao Dunn , 2020 single work column
— Appears in: The Saturday Paper , 25-31 July 2020;

'After a whirlwind 2019, in which three of her plays debuted around the world, Anchuli Felicia King is showing no signs of slowing down. The Thai–Australian playwright and multidisciplinary artist speaks about language, learning from other Asian women and how storytelling can make a difference. “I’m drawn towards muscular political storytelling, art that has a clear politics and an ethical framework it’s trying to impart. That feels especially vital in a world lacking humane moral leadership.” By Winnie Siulolovao Dunn.' 

1 Australia in Three Books Winnie Siulolovao Dunn , 2020 single work review
— Appears in: Meanjin , June vol. 79 no. 2 2020; (p. 14-17)

— Review of Always Another Country : A Memoir of Exile and Home Sisonke Msimang , 2018 single work autobiography ; The White Girl Tony Birch , 2019 single work novel
1 3 y separately published work icon Sweatshop Women : Volume Two Winnie Siulolovao Dunn (editor), Parramatta : Sweatshop , 2020 19656133 2020 anthology poetry prose

'Sweatshop Women is an exciting and contemporary collection of prose and poetry written by women from Indigenous, migrant and refugee backgrounds. In this second volume, Australia’s most urgent new voices return to reclaim their stories of culture, sovereignty and diaspora.

'Featuring: Christine Afoa, Sydnye Allen, Maryam Azam, Ferdous Bahar, Flordeliz Bonifacio, Shankari Chandran, Janette Chen, Cindy El Sayed, Phoebe Grainer, Aseel Harb, Amani Haydar, Sheree Joseph, Meyrnah Khodr, Shirley Le, Abeny Mayol, Jessicca Wendy Mensah, Gayatri Nair, Lieu-Chi Nguyen, Sara Saleh, Christine Shamista, Mary Anne Taouk, Divya Venkataraman and Diane Wanasawek.' (Publication summary)

1 ‘A Way of Breathing Together’ : Winnie Dunn Interviews Merlinda Bobis Winnie Siulolovao Dunn (interviewer), 2020 single work interview
— Appears in: Cordite Poetry Review , May no. 96 2020;

'Merlinda Bobis is a poet first and foremost but her extensive body of work has transpired across novels, plays, performances, essays, and works for radio. A single dialogue between us can in no way capture her incredible writing, which is able to transcend borders in all their myriad and sometimes devastating forms. Yet, what I have aimed for in this interview is to showcase the mind of one of Australia’s most brilliant writers to date writing through her Filipino-Australian heritage in a time where the Filipino-Australian community has been vastly ignored and undervalued. As we live, love, and strive to survive together in a time of a global pandemic, I hope this dialogue reminds us how poetry moves through us and can be used as a tool to keep us together.' (Introduction)

1 All of Tonga Winnie Siulolovao Dunn , 2019 single work short story
— Appears in: Going Down Swinging , no. 40 2019; (p. 49-56)
1 5 y separately published work icon Sweatshop Women : Volume One Winnie Siulolovao Dunn (editor), Parramatta : Sweatshop , 2019 16090625 2019 anthology short story poetry

'Sweatshop Women is an exciting and contemporary collection of prose and poetry written by women from Indigenous, migrant and refugee backgrounds. In the first volume of this urgent new series, the diverse women of Western Sydney reclaim their stories of love, faith, home and history.'

Source: Publisher's blurb.

1 Island Life : Working the Field Winnie Siulolovao Dunn , 2018 single work essay
— Appears in: Meanjin Online 2018;
1 Wanting to Be White Winnie Siulolovao Dunn , 2018 single work short story
— Appears in: Southerly , December vol. 78 no. 3 2018; (p. 110-119)

'The lebs, filos, bogans and fobs of 2770 surround me. i can hear them, yelling out yullah, kuya, maaaaate and toks as they pack out Starbucks. They’re not angry—everyone here is just ethnic or povo or both. it’s 8 pm on a Tuesday night. Starbucks is the spot, cause after Westfield closes there’s nowhere else to go. (Publication summary)

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