AustLit

'Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.

'Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.' (Publication summary) 

'On a sultry summer's day in 1980, five friends stumble upon an abandoned lakeside cottage hidden deep in the English countryside. For Kat and her friends, it offers an escape; a chance to drop out for a while, with lazy summer days by the lake and intimate winter evenings around the fire. But as the seasons change, tensions begin to rise and when an unexpected visitor appears at their door, nothing will be the same again ...

'Three decades later, Lila arrives at the same remote cottage. With her marriage in crisis, she finds solace in renovating the tumbledown house. Little by little she wonders about the previous inhabitants. How did they manage in such isolation? Why did they leave in such a hurry, with their belongings still strewn about? Most disturbing of all, why can't she shake the feeling that someone might be watching her?' (Publisher's blurb)

'“‘Oh! How adorable! I didn’t know you had a cat!’ she exclaimed. I am always surprised how many people make this observation. Why should His Holiness not have a cat? ‘If only she could speak,’ continued the actress. ‘I’m sure she’d have such wisdom to share.’ And so the seed was planted . . .

'I began to think that perhaps the time had come for me to write a book of my own—a book that would convey some of the wisdom I’ve learned sitting not at the feet of the Dalai Lama but even closer, on his lap. A book that would tell my own tale . . . how I was rescued from a fate too grisly to contemplate to become the constant companion of a man who is not only one of the world’s greatest spiritual leaders and a Nobel Peace Prize Laureate but also a dab hand with a can opener.”

'Starving and pitiful, a mud-smeared kitten is rescued from the slums of New Delhi and transported to a life she could have never imagined. In a beautiful sanctuary overlooking the snow-capped Himalayas, she begins her new life as the Dalai Lama’s cat. Warmhearted, irreverent, and wise, this cat of many names opens a window to the inner sanctum of life in Dharamsala. A tiny spy observing the constant flow of private meetings between His Holiness and everyone from Hollywood celebrities to philanthropists to self-help authors, the Dalai Lama’s cat provides us with insights on how to find happiness and meaning in a busy, materialistic world. Her story will put a smile on the face of anyone who has been blessed by the kneading paws and bountiful purring of a cat.'

Source : publisher's blurb

'Every family has its secrets. Some are small, like telling a white lie or snooping through a private drawer. Others are more serious, like infidelity and betrayal. And some secrets are so terrible they must be hidden away in a deep, dark place, for if they ever came to light, they would surely tear a family apart.

'The Tides are a family full of secrets. Returning to Clifftops, the rambling family house perched high on the Dorset coastline, youngest daughter Dora hopes for a fresh start, for herself and the new life she carries. But can long-held secrets ever really be forgiven? And even if you can forgive, can you ever really learn to love again?' (From the publisher's website.)

'In this touching novel for ages 10+, Lucy Christopher explores the remarkable bond between a young girl, a boy and a damaged wild bird - a relationship that will affect everyone who reads it.

'While visiting her father in hospital, thirteen-year-old Isla meets Harry, the first boy to understand her and her love of the outdoors. But Harry is ill, and as his health fails, Isla is determined to help him in the only way she knows how.

'Together they watch a lone swan struggling to fly on the lake outside Harry's window. Isla believes that if she can help the damaged swan, somehow she can help Harry. And in doing so, she embarks upon a breathtakingly magical journey of her own.' (From the publisher's website.)

'Cameron Wolfe's life gets very complicated when he falls for his brother's girlfriend in this winning, wise novel from the dynamic author of FIGHTING RUBEN WOLFE. Cameron Wolfe is the quiet one in his family, not a soccer star like his brother Steve or a charming fighter with a new girl every week like his brother Rube. Cam would give anything to be near one of those girls, to love her and treat her right. He especially likes Rube's latest, Octavia, with her brilliant ideas and bright green eyes. But what woman like that would want a loser like him? Maybe Octavia would, Cam discovers. Maybe he'd even have something to say. And those maybes change everything: winning, loving, losing, the Wolfe brothers, and Cameron himself.'

Source: Publisher's blurb (Push ed.).

'Strangers did not, as a rule, find their way to Chez Dom, a small, rundown Tunisian cafe on Paris' distant fringes. Run by the widow Houria and her young niece, Sabiha, the cafe offers a home away from home for the North African immigrant workers working at the great abattoirs of Vaugiraud, who, like them, had grown used to the smell of blood in the air. But when one day a lost Australian tourist, John Patterner, seeks shelter in the cafe from a sudden Parisian rainstorm, the quiet simplicities of their lives are changed forever.

John is like no-one Sabiha has met before - his calm grey eyes promise her a future she was not yet even aware she wanted. Theirs becomes a contented but unlikely marriage - a marriage of two cultures lived in a third - and yet because they are essentially foreigners to each other, their love story sets in train an irrevocable course of tragic events.

Years later, living a small, quiet life in suburban Melbourne, what happened at Vaugiraud seems like a distant, troubling dream to Sabiha and John, who confides the story behind their seemingly ordinary lives to Ken, an ageing, melancholy writer. It is a story about home and family, human frailties and passions, raising questions of morals and purpose - questions have no simple answer.

Lovesong is a simple enough story in many ways - the story of a marriage, of people coming undone by desire, of ordinary lives and death, love and struggle - but when told with Miller's distinctive voice, which is all intelligence, clarity and compassion, it has a real gravitas, it resonates and is deeply moving. Into the wonderfully evoked contemporary settings of Paris and Melbourne, memories of Tunisian family life, culture and its music are tenderly woven.' (From the publisher's website.)

'An epic new novel as memorable as the scent of lavender, from one of Australia's most compelling storytellers.

''Nothing is wasted, Simone. the love we give never dies.'

'At fourteen, Simone Fleurier is wrenched from her home on a Provencal lavender farm and sent to work in Marseille. Her life there is hard and impoverished, but Simone discovers the music hall and a dream: to one day be a famous dancer and singer. But when war threatens, Simone makes a decision that will lead to great danger - yet ultimately prove that love, just like wild lavender, can grow in the least likely of places ...

'Belinda Alexandra has created a tale of passion and courage that moves from the backstreets of Marseille to the grand music theatres of Paris, from the countryside of Provence to decadent pre-war Berlin and jazz-age New York. Wild Lavender is a feast for the senses that will live on in the imagination long after the book is closed.' (Publication summary)