AustLit logo

AustLit

Dženana Vucic Dženana Vucic i(16053220 works by)
Gender: Female
Heritage: Bosnian
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 A Teleology of Folding, and of Dying Dženana Vucic , 2021 single work essay
— Appears in: Overland , Winter no. 243 2021; (p. 14-31)
'For years, nobody called me by my name. In Brisbane. I was jen; in Melbourne people called me ana. It was a neat split, my name folded into a recognisable shape, the unnecessary syllables and foreign letters turned in against themselves and shushed. It is a recent thing to have claimed the full breadth of myself. Dzenana. That's what people call me now: in Bosnia. my place of birth; in Glasgow, where I'm studying; increasingly, back home in Melbourne, in Brisbane. I stopped offering the folded envelope of my identity months ago and yet still, to hear my name said aloud is a particular thrill; almost sensual, like new touch. The intimacy of it takes my breath away. I glow at its gentle syncopation, the shallow sigh of its vowels. My name is Persian for beloved. Where I am from, it identifies me : Bosniak, and : Muslims.'  (Introduction)
 
1 Total Global Collapse i "There is, of course, the fact of total global collapse which I am inclined to take too seriously or", Dženana Vucic , 2021 single work poetry
— Appears in: Australian Poetry Journal , vol. 11 no. 1 2021; (p. 63)
1 Dženana Vucic Reviews Case Notes by David Stavanger Dženana Vucic , 2021 single work review
— Appears in: Cordite Poetry Review , August no. 102 2021;

— Review of Case Notes David Stavanger , 2020 selected work poetry

'Experience of mental illness presents a paradox that feels impossible for representation in language: it is at once both too personal and yet too universal for easy translation. Everyone has a measure for how it can be done; from Sylvia Plath to My Chemical Romance to Robin Williams, if we have not experienced mental illness ourselves, we have seen a multitude of others grapple with it and have become (we think) discerning arbiters of the real. For the most part, and particularly in pop culture, there seems to be two somewhat incommensurable ways to render the experience legible: earnestly or through humour. In unskilled hands, both options are rife with pitfalls.' (Introduction)

1 Natural Sciences Trivia i "Qs.", Dženana Vucic , 2021 single work poetry
— Appears in: Cordite Poetry Review , August no. 102 2021;
1 [Trigger Warning] i "and what I’m saying is sometimes you don’t get a trigger", Dženana Vucic , 2021 single work poetry
— Appears in: Cordite Poetry Review , 1 May no. 101 2021;
1 My Fathers Tell Me of Water Dženana Vucic , 2021 single work poetry
— Appears in: Meanjin , Autumn vol. 80 no. 1 2021;
1 Dženana Vucic Reviews Echoes by Shu-Ling Chua Dženana Vucic , 2020 single work review
— Appears in: Mascara Literary Review , no. 26 2020-2021;

— Review of Echoes Shu-Ling Chua , 2020 selected work essay

'I raced through Echoes the first time I read it. Raced through it the second time, too. At under 85 pages it’s a short book—a chapbook, almost—and easily inhaled over an idle afternoon. If you can resist, the three essays can be spread over a few idle afternoons. But it’s hard to resist—Shu-Ling Chua’s writing is compelling, the kind of simple but lyrical language that propels you through the text at pace. It’s not exactly sparse prose, but unadorned, elegant like a figure-hugging structured dress from Cue. Chua is economical with her words, and direct. She avoids heavy description or lapsing into discursive commentary and instead, she takes the concrete and mundane—clothing, songs, water—as the loci from which to gently probe her broader concern, crystallised in the book’s blurb as ‘what does one unknowingly inherit?’' (Introduction)

1 Lemma i "My maternji jezic is split three ways and if I ever want to sound smart", Dženana Vucic , 2020 single work poetry
— Appears in: Rabbit , no. 32 2020; (p. 4-5)
1 500 Words Towards Feeling, or: All My Poems Become War Poems i "i write notes in my phone and hope to be profound. i have examples. you see, i am the", Dženana Vucic , 2020 single work poetry
— Appears in: Poetry in Lockdown 2020;
1 Krenuli Su Vuci i "I want to write a poem that explains the algorithmic slides that turned Karadžiću, vodi Srbe svoje into", Dženana Vucic , 2020 single work poetry
— Appears in: Cordite Poetry Review , October no. 97 and 98 2020;
1 Unutra i "in the aureole life is shimmer and wait", Dženana Vucic , 2020 single work poetry
— Appears in: Australian Multilingual Writing Project , 22 June no. 4 2020;
1 Trusina, Bosna i Hercegovina i "i had the antipodean notion that if it snowed", Dženana Vucic , 2020 single work poetry
— Appears in: Stilts , April no. 7 2020;
1 Antinatalism in the Anthropocene i "you can’t say much good about climate change and don’t get me wrong it’s not like i think it’s", Dženana Vucic , 2019 single work poetry
— Appears in: Plumwood Mountain : An Australian Journal of Ecopoetry and Ecopoetics , August vol. 6 no. 2 2019;
1 Gaj's Latin Alphabet i "this year i go home and", Dženana Vucic , 2019 single work poetry
— Appears in: Rabbit , no. 27 2019; (p. 40-41)
1 Gore Gore Gore Gore i "our equivalent of the grammatical joke", Dženana Vucic , 2019 single work poetry
— Appears in: Australian Multilingual Writing Project , May no. 2 2019;
1 Grammar i "while we are in love i date a series of beautiful men &", Dženana Vucic , 2018 single work poetry
— Appears in: Australian Poetry Journal , vol. 8 no. 2 2018; (p. 46)
X