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Joanne Faulkner Joanne Faulkner i(20904249 works by)
Gender: Female
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1 ‘I Can’t Stand the Noise of It’ : the Figure of the Child and the Critique of Colonialism in Jennifer Kent’s the Nightingale Joanne Faulkner , 2020 single work criticism
— Appears in: Studies in Australasian Cinema , vol. 14 no. 1 2020; (p. 23-34)

'The presence in Jennifer Kent’s The Nightingale of children, and of violence against them, has so far been little commented upon, as much commentary has focused on the film’s depiction of rape and colonial gender relations. Yet key plot points are articulated through violence against a child — and the exclamations at these points by the film’s antagonist, Lt. Hawkins, of “shut it up” and “I can’t stand the ... noise of it,” indicates a critical role played by representations of children that may be turned against colonial power. This article examines the-role of the child as a site of immanent critique of colonial violence in The Nightingale, in the context of the use of representations of childhood in settler-colonial film and culture more broadly.' (Publication abstract)
1 1 y separately published work icon Young and Free : [Post]colonial Ontologies of Childhood, Memory and History in Australia Joanne Faulkner , London New York (City) : Rowman and Littlefield , 2016 22904705 2016 multi chapter work criticism

 'Tracing the complex yet intimate relationship between a present-day national obsession with childhood and a colonial past with which Australia as a nation has not adequately come to terms, Young and Free draws on philosophy, literature, film and testimony. The result is a demonstration of how anxiety about childhood has become a screen for more fundamental and intractable issues that vex Australian social and political life. Joanne Faulkner argues that by interpreting these anxieties in their relation to settler-colonial Australia's unresolved conflict with Aboriginal people, new ways of conceiving of Australian community may be opened. The book engages with philosophical and literary characterizations of childhood, from Locke and Rousseau, to Freud, Bergson, Benjamin Agamben, Lacan, Ranciere and Halbwachs. The author's psychoanalytic approach is supplemented by an engagement with contemporary political philosophy that informs Faulkner's critique of the concepts of the subject, sovereignty and knowledge, resulting in a speculative postcolonial model of the subject. Cover artist credit: Lyndsay Bird Mpetyane Artwork title: Ahakeye (Bush Plum)' (Publication summary)

 
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