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Marie O'Rourke Marie O'Rourke i(9512577 works by)
Gender: Female
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Works By

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1 Metamorphosis i "Gloss-brown bovine bulk squeezes onto wrong-sized prayer rug. It is too", Marie O'Rourke , 2021 single work poetry
— Appears in: Westerly , vol. 66 no. 1 2021; (p. 118)
1 Suturing Marie O'Rourke , 2018 single work prose
— Appears in: Westerly , vol. 63 no. 1 2018; (p. 95-97)
1 Soft Focus Marie O'Rourke , 2017 single work short story
— Appears in: Meniscus , June vol. 5 no. 1 2017; (p. 88-91)
1 ‘An Ambiguous Genre’ : Thoughts on Creative Non-fiction and the Exegesis Rachel Robertson , Daniel Juckes , Marie O'Rourke , Reneé Pettitt-Schipp , 2017 single work criticism
— Appears in: TEXT Special Issue Website Series , no. 44 2017;

'The requirement for separate creative and exegetical components by universities offering creative doctoral programmes is a largely accepted model in Australia. The Research Question Model adopted by Curtin University in Western Australia is an example of this. The parallel, ‘independent’ articulation of creative and academic responses is explored in this article by a supervisor and three PhD candidates all writing in the genre of creative non-fiction. We suggest that the boundaries between the scholarly and creative in creative non-fiction works are far from clear and that this reflects both contemporary non-fiction publishing and new movements in scholarly writing. We propose that Barthes’s ‘ambiguous genre’, the essay, may be one useful way of conceptualising the non-fiction creative doctorate.'  (Publication abstract)

1 First Cake Method Marie O'Rourke , 2017 single work short story
— Appears in: New Writing , vol. 14 no. 3 2017; (p. 424-428)

'A mosaic of lyric fragments, ‘First Cake Method’ is a short piece of experimental memoir working within the lyric essay form to explore the complexity of a father/daughter relationship. Shifting between first and third person narrative, from the child narrator to adult, it sketches a story that is both personal and universal, exploring the human need for love and acceptance while hinting at the specifics of this family’s dysfunction. Relating moments of intimacy and distance, at different stages of life, cooking and food is the central motif for an exploration of the narrator’s determination to master the ‘recipe’ for connection. Thus the structure and content of the essay work to embody the complexity of familial relationships. The use of fragmentation and repetition also mimics memory’s tendency to ‘snapshots’, thematic grouping and revision.' (Abstract)

1 Aqua Profunda Marie O'Rourke , 2017 single work essay
— Appears in: TEXT Special Issue Website Series , no. 39 2017;
1 Review : 'Music and Freedom' by Zoë Morrison Marie O'Rourke , 2016 single work review
— Appears in: Australian Book Review , August no. 383 2016; (p. 48)

— Review of Music and Freedom Zoë Morrison , 2016 single work novel
1 Review : That Devil's Madness Marie O'Rourke , 2016 single work review
— Appears in: Australian Book Review , April no. 380 2016; (p. 59)

— Review of That Devil's Madness Dominique Wilson , 2016 single work novel
1 Lessons in the Domestic Arts : A Sampler Marie O'Rourke , 2016 single work prose
— Appears in: Westerly , vol. 61 no. 2 2016; (p. 37-45)
1 A Mystery Memoir Marie O'Rourke , 2016 single work prose
— Appears in: Westerly : New Creative , 26 September 2016; (p. 13-18)
1 y separately published work icon Westerly : New Creative Westerly : Online Special Issue 26 September Josephine Taylor (editor), Marie O'Rourke (editor), David Thomas Henry Wright (editor), Rashida Murphy (editor), 2016 10493085 2016 periodical issue
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