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Notes
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Includes a selection of essays and artwork from the exhibition 'Interwoven' (2016), the Berndt Museum, Lawrence Wilson Art Gallery.
Contributers: Lily Bennion, Moira De Angelis, Pwoja Jilamara, Magaret Nadebaum, Vanessa Wiggin, Eve Chaloupka, and Sandy Toussaint
Contents
* Contents derived from the 2016 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- Weather Patterns, Jimadilung, single work prose (p. 10-11)
- Sap Cloti"Tender! Horror!", single work poetry (p. 12)
- The Sapling Barricades of Trugernanner, sequence poetry (p. 12-13)
- The Grey Saltbushi"'Full-blooded?'", single work poetry (p. 13)
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Calling a Warning,
single work
essay
'This article introduces Marrugeku, an intercultural-Indigenous dance theatre company based in Broome, Western Australia, and discusses one of our recent dance theatre and video works : Gudirr Gudirr (2013)...' (14)
- The Yield, single work short story (p. 27-38)
- Introduction to Mulan, single work essay (p. 39)
- My Life in Mulan, single work autobiography (p. 40-41)
- My First Game on Mulan Oval, single work autobiography (p. 42-44)
- Bella Kelly, single work autobiography (p. 45-58)
- Retrac(k)ing Country and (s)kin : Walking the Wave Hill Walk Off Track (and Other Sites of Cultural Contestation), single work essay (p. 76-82)
- Writing from the Heart, single work (p. 83-91)
- Singing Back to the Archive, single work (p. 92-104)
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From the Earth Out : Word, Image, Sound, Object, Body, Country,
single work
criticism
'In this essay we speak to the significance of Indigenous story, and for textual practices that enable Indigenous story its distinctive and multiple enunciations. We approach these questions through a discussion of our work on a new digital Indigenous Story project, which aims to make its own contribution to the wider project of developing places for the publication of Indigenous story that are shaped by the standards and practices rather than by those of European-centred editing, publishing and critical practices. What follows are our first efforts to document the ways in which we are currently thinking about story and the ethics of textual production and publication. This aims to be an ethics that does not impose itself of contributors to the site but arises in a dynamic relation with these men's and women's textual practices as they themselves enquire into the nature of story and its generative processes.. In this way, the project is potentially one in which all its contributors are in fact participants who keep pushing the project along new lines.' (105)
- Giveaway, single work autobiography (p. 118-125)
- Past Tensei"We knew without words", single work poetry (p. 126)
- My Dear Child, single work short story (p. 127-128)
- Wind Spirit : Nanna's Legacy, single work autobiography (p. 129-141)
- Truth and Consequence, single work autobiography (p. 142-150)
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Naming Rights,
single work
prose
'Memories of some of the personal and family names from the Station and Mission times of the Kimberley and beyond.'
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Go West, Young Woman
2016
single work
column
— Appears in: The West Australian , 31 August 2016; (p. 8) -
Long Live Magazines!
2016
single work
correspondence
— Appears in: Australian Book Review , October no. 385 2016; (p. 5)
-
Go West, Young Woman
2016
single work
column
— Appears in: The West Australian , 31 August 2016; (p. 8) -
Long Live Magazines!
2016
single work
correspondence
— Appears in: Australian Book Review , October no. 385 2016; (p. 5)
Last amended 11 Jan 2017 10:40:00
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