AustLit

'A sophisticated literary thriller in the vein of Le Carré and William Boyd involving the disappearance of a nuclear scientist in Oxford.

'When John Dyer returns to Oxford from Brazil with his young son, he doesn't expect to find them both in danger. His time living on the edge as a foreign correspondent in Rio is over.

'Yet the rainy streets of this English city turn out to be just as treacherous as those he used to walk in the favelas. Leandro's schoolmates are the children of influential people, among them an international banker, a Russian oligarch, an American CIA operative and a British spook. As they congregate round the sports field for the weekly football matches, the network of alliances and covert interests soon becomes clear to Dyer. But it is a chance conversation with an Iranian nuclear scientist, Rustum Marvar, father of a friend of Leandro, that sets him onto a truly precarious path.

'When Marvar and his son disappear, several sinister factions seem acutely interested in Marvar's groundbreaking research at the Clarendon Lab, and what he might have told Dyer about it - especially as Dyer was the last person to see Marvar alive.' (Publication summary)

'A charming story of a young boy and his dog adventuring through the outback. Prequel to the bestselling Red Dog.

'When a family tragedy means Mick is sent to the outback to live with his Granpa, it looks as if he has a lonely life ahead of him. The cattle station is a tough place for a child, where nature is brutal and the men must work hard in the heat and dust. However, after a cyclone hits, things change for Mick. Exploring the flood waters, he finds a lost puppy covered in mud and half-drowned. Mick and his dog immediately become inseparable as they take on the adventures offered by their unusual home, and the business of growing up, together.

'In this charming prequel to the much-loved Red Dog, Louis de Bernières tells the moving story of a young boy and his Granpa, and the charismatic and entertaining dog who so many readers hold close to their hearts.' (Publication summary)

'A Guide to Berlin” is the name of a short story written by Vladimir Nabokov in 1925, when he was a young man of 26, living in Berlin.

'A group of six international travellers, two Italians, two Japanese, an American and an Australian, meet in empty apartments in Berlin to share stories and memories. Each is enthralled in some way to the work of Vladimir Nabokov, and each is finding their way in deep winter in a haunted city. A moment of devastating violence shatters the group, and changes the direction of everyone's story.

'Brave and brilliant, A Guide to Berlin traces the strength and fragility of our connections through biographies and secrets. ' (Publication summary)

'Nicholas Shakespeare's collected stories take us across oceans and continents into the intimate lives of his characters and the dilemmas and temptations they face. The opening novella, ‘Oddfellows', tells the little-known history of horrifying events that occurred on 1 January 1915 in the Australian outback town of Broken Hill, where, on the citizens' annual picnic outing, the only enemy attack to occur on Australian soil during the First World War took them by surprise.

'The other stories range through India, Africa, Argentina and Canada, and include a magnificent tale of civic folly which sees an unreliable young councillor from the Bolivian mining town of Oruro lose himself in the seductions of Paris while trying to commission a bronze statue of his local hero. All of them showcase Shakespeare's talent for insight and drama, and his fascination with connection and disconnection and cultural misunderstanding. ' (Publication summary)

'A fascinating dialogue on the human inclination to make up stories between a Nobel Prize-wining writer and a psychotherapist.

'The Good Story is an exchange between a great writer with a long-standing interest in human psychology and a distinguished psychotherapist who has long been passionate about literature.

'Arabella Kurtz and J.M. Coetzee consider psychotherapy and its wider social context from different perspectives, but at the heart of both their approaches are language and story. Working alone, the writer is in sole charge of the story he or she tells. The therapist collaborates with the patient on the story of their life. Are they seeking an absolute truth or a fiction that will help the patient to overcome their distress?

'The authors discuss both individual psychology and the psychology of the group: the school classroom, the gang, the settler nation where the brutal deeds of the ancestors several generations back have to be accommodated into the national story. They draw on the work of great writers like Cervantes and Dostoevsky as well as canonical writers on psychoanalysis such as Freud and Melanie Klein. Their discussion provides an illuminating insight into the stories we tell of our lives.' (Publication summary)

'“Okay, tell me which you want: To be able to fly or to be invisible.”

Alek, 7

'And so begins the tale of a family finding itself, told by each of its members as they discover powers they never thought possible, from the author of the acclaimed Things We Didn’t See Coming.' (Publication summary)

J. M. Coetzee's trilogy of fictionalised memoir comprises Boyhood, Youth and Summertime. Although each part has been published separately, they have been collected and revised for publication in this version under the title Scenes from Provincial Life, the sub-title of the component works.

We have decided to list this as a novel, thought it might also have been called autobiography.

'Andy Larkham is late. He is due at the funeral of his favourite school teacher, who once told him: "It's hard work being anyone." It's especially hard for Andy - stuck in a dead-end job, terminally short of cash and with a fiancée who is about to ditch him. When the funeral leads to unexpected consequences, Andy has to ask himself: how far will he go to change his life?

'From early-twentieth-century Turkey to modern day London, Nicholas Shakespeare takes us on an extraordinary journey that explores the temptations of unexpected wealth, the secrets of damaged families and the price of being true to oneself. At once a love story spanning many decades and a tragedy of betrayal and missed opportunities, it is a romance for our times.' (From the publisher's website.)

Nine connected stories, ' Things We Didn't See Coming follows a man over three decades as he tries to survive - and to retain his humanity - in a world savaged by successive cataclysmic events.

Opening on the eve of the millennium, when the world as we know it is still recognisable, we meet the then nine-year-old narrator fleeing the city with his parents, just ahead of a Y2K breakdown of the grid which signals the world's transformation and decline. In the wake of this develop strange, sometimes horrific, sometimes unexpectedly funny circumstances as he goes about the no longer simple act of survival: trying to protect squatters against floods in a place where the rains never stop; harassed (and possibly infected) by a man wracked with plague; functioning as a salaried embezzler of 'the state'; escorting the gravely ill on adventure trips.

Yet despite the violence and brutality of these days, we learn that even as the world is spinning out of control essential human impulses still hold sway - that we never entirely escape our parents, envy the success of those around us and, chiefly, that we crave love' (Harvill Secker website).

After years teaching Romantic poetry at the Technical University of Cape Town, David Lurie, middle-aged and twice divorced, has an impulsive affair with a student. The affair sours; he is denounced and summoned before a committee of inquiry. Willing to admit his guilt, but refusing to yield to pressure to repent publicly, he resigns and retreats to his daughter Lucy's isolated smallholding. For a time, his daughter's influence and the natural rhythms of the farm promise to harmonise his discordant life. But the balance of power in the country is shifting. He and Lucy become victims of a savage and disturbing attack which brings into relief all the faultlines in their relationship.' (Publisher's blurb)

'A young English biographer is working on a book about the late writer, John Coetzee. He plans to focus on the years from 1972 - 1977 when Coetzee, in his thirties, is sharing a run-down cottage in the suburbs of Cape Town with his widowed father. This, the biographer senses, is the period when he was finding his feet as a writer. Never having met Coetzee, he embarks on a series of interviews with people who were important to him: a married woman with whom he had an affair, his favourite cousin Margot, a Brazilian dancer whose daughter had English lessons with him, former friends and colleagues. From their testimony emerges a portrait of the young Coetzee as an awkward, bookish individual with little talent for opening himself to others. Within the family he is regarded as an outsider, someone who tried to flee the tribe and has now returned, chastened. His insistence on doing manual work, his long hair and beard, rumours that he writes poetry evoke nothing but suspicion in the South Africa of the time.

Sometimes heartbreaking, often very funny, Summertime shows us a great writer as he limbers up for his task. It completes the majestic trilogy of fictionalised memoir begun with Boyhood and Youth.' (Provided by the publisher.)

'On a family sheep station in western New South Wales, a brother and sister work the property while their reclusive brother, Wesley Antill, spends years toiling away in one of the sheds, writing his philosophy.

'Now he has died. Erica, a philosopher, is sent from Sydney to appraise his life's work. Accompanying her is Sophie, who needs distracting from a string of failed relationships. Her field is psychoanalysis.

'The pages Wesley wrote lie untouched in the shed, just as he left them. What will they reveal? Was he a genius? These turn out to be only a couple of the questions in the air. How will the visit change the lives of Erica and Sophie?' (Publisher's blurb)

In this collection of 21 essays introduced by Derek Attridge, most of which have been published in the New York Review of Books, Coetzee reveals his skill as a literary critic in his own right.