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Bronwyn Fredericks Bronwyn Fredericks i(A119699 works by)
Gender: Female
Heritage: Aboriginal
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Works By

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1 ‘More Than a Thought Bubble…’ : The Uluru Statement from the Heart and Indigenous Voice to Parliament Bronwyn Fredericks , Abraham Bradfield , 2021 single work essay
— Appears in: M/C Journal , vol. 24 no. 1 2021;

'In 2017, 250 Indigenous delegates from across the country convened at the National Constitution Convention at Uluru to discuss a strategy towards the implementation of constitutional reform and recognition of Aboriginal and Torres Strait Islander peoples (Referendum Council). Informed by community consultations arising out of 12 regional dialogues conducted by the government appointed Referendum Council, the resulting Uluru Statement from the Heart was unlike any constitutional reform previously proposed (Appleby & Synot). Within the Statement, the delegation outlined that to build a more equitable and reconciled nation, an enshrined Voice to Parliament was needed. Such a voice would embed Indigenous participation in parliamentary dialogues and debates while facilitating further discussion pertaining to truth telling and negotiating a Treaty between Indigenous and non-Indigenous peoples.' (Introduction)

1 Food Insecurity in Uncertain Times : Ways Forward Post-­pandemic Bronwyn Fredericks , Abraham Bradfield , 2021 single work essay
— Appears in: Griffith Review , January no. 71 2021;
'‘COOKALINGEE’, BY QUANDAMOOKA poet Oodgeroo Noonuccal, tells the story of fragmenting relationships within colonial frontiers. Working as a kitchenhand, Cookalingee, an Aboriginal woman, finds herself having to leave behind the ‘old free ways’ in hope of attaining the so-­called ‘safety’ and ‘civility’ that white society has ‘trained’ and ‘blessed’ upon her. It portrays a time when Aboriginal peoples were increasingly beholden to white resources and rations because of colonial dispossession and threats of violence. Cookalingee appears to adopt the ‘white man’s way’ in order to survive, but it comes at a cost. Entering the realm of the colonisers, Cookalingee cries – she is not only removed from kin, but also knows that in the eyes of the colonisers, she will remain something ‘other’.' (Introduction)
1 We Don’t Want to Go Back To ‘Normal’, When ‘Normal’ Wasn’t Good for Everyone Bronwyn Fredericks , Abraham Bradfield , 2020 single work essay
— Appears in: Axon : Creative Explorations , December vol. 10 no. 2 2020;

'Alongside the disruptions caused by the spread of COVID-19 we have heard discourses reflect the theme of normality. Preventative measures employed to ‘flatten the curve’ and stop the spread of disease are often spoken of as creating a temporary ‘new norm’, while a post-COVID-19 world is seen as marking a return to ‘normality’. Positioned within a context defined by heightened uncertainty, anxiety and an urgency to respond to arising health, economic, and other social crises, in this paper we consider what a pre-COVID-19 normal means for Aboriginal and Torres Strait Islander peoples and whether it is something we aspire to return to. Unpacking topics relating to Black deaths in custody and the Black Lives Matter movement we consider the systemic failure of dominant White systems of governance that continuously prove themselves incapable of addressing and responding to the Indigenous voices they claim to represent. Throughout our paper we encourage a deeper consideration of the need to create to a lasting new norm that protects, is informed by, represents, and directly involves Indigenous peoples and their representative bodies. Exemplified by the Uluru Statement from the Heart, we argue that a new norm — which is not characterised by Indigenous socio-economic disadvantages and disparities between Indigenous and non-Indigenous populations — must be one where an Indigenous voice is enshrined within the parliamentary process. A new norm must build on the foundation created by the countless Indigenous activists, past and present, who have laid the tracks leading towards meaningful reforms that engages Indigenous sovereignty and self-determination. No longer are tokenistic or symbolic gestures of recognition acceptable. The time for a new normal is now.' (Publication abstract)

1 Research Collaborative Scholarly Creative Writing: Two Poems About Quantitative Research and Two About Qualitative Research Bronwyn Fredericks , Roxanne Bainbridge , Marlene Longbottom , Michael Adams , Dawn Bessarab , Len Collard , Karen Martin , Patrice Harald , Carolyn Daniels , Kathleen Clapham , Clair Andersen , Rowena Ball , Lauren Crook , Jenni Judd , 2017 single work
— Appears in: Journal of Australian Indigenous Issues , December vol. 20 no. 4 2017;
'This paper presents four poems collaboratively developed and performed at an intensive research-writing workshop held by members of the Health Node of the National Indigenous Research and Knowledges Network (NIRAKN). The workshop encouraged participants to develop scholarly publications through collaboration between Indigenous and non-Indigenous researchers who worked together through mutual respect and a range of creative writing processes. The poem-writing practice was a positive, stimulating experience for participants. It demonstrated the value of using creative practice as part of scholarly research. The poetry writing helped to explore participants' underlying views about research, kick-started the writing process, and supported Indigenous, collaborative, non-competitive approaches to research.'
1 Of Old and New : Messages Conveyed by Australian Universities Bronwyn Fredericks , 2015 single work criticism
— Appears in: Courting Blakness : Recalibrating Knowledge in the Sandstone University 2015; (p. 78-87)
'On arriving at the University of Queensland, I walked from where the taxi dropped me off towards the Great Court. As I walked I could see the carvings in the sandstone on the facade of the building in from of me...'
1 Earth Song as Storywork : Reclaiming Indigenous Knowledges Bronwyn Fredericks , Frances Wyld , 2015 single work criticism
— Appears in: Journal of Australian Indigenous Issues , June vol. 18 no. 2 2015; (p. 2-12)

'Is it possible for Indigenous ways of knowing, which draw on earth song and storywork, to find a place within the academy? Indigenous peoples recognise that the earth has a song, which we can listen to as story. In return, we can sing our story to the world and of the world. In this paper, the authors explore their own stories and songs. They explain the ways that listening to the earth’s song and working with stories can inform their work in the academy – as teachers who support younglings to hear their voices and develop their own songs, and as the writers and tellers of curriculum. The authors ask whether it is possible for Indigenous academics to combine their academic work with Indigenous ways of knowing. They argue that, not only is the combination possible, it can be used to create a harmonious voice that will help them to reclaim their power as Indigenous academic women.' (Publication abstract)

1 Thoughts Flow from Mind to Hands i "Hands – gnarled, yet robust", Doseena Fergie , Bronwyn Fredericks , Leanne King , Chelsea Watego , Marlene Longbottom , Raeline Ward , Judy Gould , Robyn Sandri , Machellee Kosick , Patrice Harald , 2014 single work poetry
— Appears in: TEXT Special Issue Website Series , October no. 27 2014;
1 ‘… Souvlaki and a Bit of Lemon’: An Aboriginal Australian Greek Story Bronwyn Fredericks , 2014 single work prose
— Appears in: TEXT Special Issue Website Series , October no. 27 2014;

Research background :

'This work is written as creative non-fiction which moves from autobiographical to biographical through food, relationships and creative expression and reflects the relationship between Indigenous Australians and Greek migrants and where their cultures have influenced each other. '

1 I Now Know I Can do This Now : Indigenous Women and Writing in the Australian Higher Education Sector Bronwyn Fredericks , Kyly Mills , 2014 single work criticism
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 18 no. 1 2014;

'This paper explores the challenges of writing and publishing faced by Indigenous women who works in the Australian higher education sector...'

1 40 Years Ago, 40 Years Since : The Tent Embassy i "1972", Bronwyn Fredericks , 2012 single work poetry
— Appears in: TEXT Special Issue Website Series , October no. 15 2012;
1 What'em with the Apology : The National Apology to the Stolen Generations Two Years on Bronwyn Fredericks , 2010 single work criticism
— Appears in: Journal of Australian Indigenous Issues , March vol. 13 no. 1 2010; (p. 19-29)

'Prime Minister Kevin Rudd’s Apology to Australia’s Stolen Generations, delivered on 13 February 2008, is both personal and political to me just as the people who talk about it make it political and personal through their actions. This paper represents my attempt to turn the gaze through articulating some of my thoughts on the Apology, policy statements (Close the Gap) and the inconsistencies within the leadership of the present governments. I have endeavoured to do this through exploring the articulations of others and by sharing examples and personal experiences. In bringing forth some analysis to the literature, examples and experiences, I reveal the relationships between oppression, white race privilege and institutional privilege and the epistemology that maintains them. In moving from the position of being silent on the Apology, and my political experiences, to speaking about them, I am able to move from the position of object to subject and to gain a form of liberated voice (hooks 1989:9). Furthermore, I am hopeful that it will encourage others to examine their own practices within political parties and governments and to challenge the domination that continues to subjugate Indigenous peoples. It is only through people enacting their responsibilities and making changes in their daily lives and through the institutions and organisations to which they belong (the personal and political), can the Apology move beyond symbolic to action.' (Publication abstract)

1 So, You Want To Do Oral History with Aboriginal Australians Bronwyn Fredericks , 2008 single work essay
— Appears in: Oral History Association of Australia Journal , no. 30 2008; (p. 22-24)
1 Hear My Cries... i "Called a big fish,", Bronwyn Fredericks , 2008 single work poetry
— Appears in: Stylus Poetry Journal , October no. 31 2008;
1 Earth i "I squint...", Bronwyn Fredericks , 2008 single work poetry
— Appears in: Stylus Poetry Journal , October no. 31 2008;
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