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Kamarra Bell-Wykes Kamarra Bell-Wykes i(A121683 works by) (a.k.a. Kymarra Bell-Wykes)
Gender: Female
Heritage: Aboriginal ; Aboriginal Jagara / Yuggera ; Aboriginal Butchulla/Batjala/Badtjala
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Works By

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1 3 Because the Night Kamarra Bell-Wykes , Ra Chapman , Matthew Lutton , 2021 single work drama

'Something is unfolding here in Elsinore. For weeks the strikes have been intensifying—but there’s a new mood tonight as Carnival approaches. There’s a vivid sense of an era ending—a new age opening up. The timber workers feel it… and the royals too. Inside the palace there are whispers… the King’s death, the grinning Queen, the agitated Prince… And the ancient forest is wild again, groaning—restless... It seems to me that everything is part of a broader picture—that no matter where you look, it will tell the whole wicked story.

'In a landmark production of unmissable storytelling, Malthouse Theatre launches an immersive theatre work on a scale never seen before in Australia. An entire world has been constructed for you to explore: follow the royals through the palace, roam the length of a town on the cusp of the digital age, or sift through the drawers of a single desk. Whatever you choose, a story will play out around you of a regime on the edge of collapse. You are a silent witness in the halls of power on a pivotal night in history. Move, venture deeper, listen closely, because the night will soon be lostand all its secrets with it.

'Because The Night is an immersive theatre show. The show is experienced by moving through the world of Elsinore as the story plays out around you.

'The actors cannot 'see' you, and will never touch or talk to you. You are a silent witness to the story.

'Enter the sprawling world of Elsinore from one of three entrance rooms: the Bedroom, the Gymnasium, or the Royal Office. The story commences with different characters' perspectives before you are invited to explore the expanse that awaits you.

'Follow the characters as their stories intersect, or go off the beaten track to discover the secrets of the town. Every choice you make is the right choice, for whatever path you take will uncover the mysteries of Because The Night.

'If you are experiencing Because The Night as a group, it is recommended you start at different entrances. Whether you choose to explore together, or split up to discover the world alone, your journey is yours to take as you wish.'

Source: Publisher's blurb.

1 y separately published work icon The Time Before the Time to Come Kamarra Bell-Wykes , 2020 Australia : PlayWriting Australia , 2020 19666085 2020 single work drama
1 2 Black Ties Albert Belz , John Harvey , Kamarra Bell-Wykes , Tainui Tukiwaho , 2019 single work drama

'ILBIJERRI Theatre Company and Te Rēhia Theatre present a creative development showing of BLACK TIES.

'A groundbreaking collaboration and cultural exchange between two leading First Nations theatre companies, this is your opportunity for a first look at BLACK TIES before its world premiere in 2020. Emerging out of long-standing First Nations Exchange initiatives, the development of BLACK TIES began in Melbourne as part of AsiaTOPA Creative Labs in May 2018 and brings together creatives from First Nations theatre companies in Australia and New Zealand.

'When Māori corporate hotshot Hera and Aboriginal consultancy entrepreneur Bila locked eyes at a cultural awareness session, it was love at first sight. Ambitious, career focused, and driven by their need for control, Bila and Hera have their perfect future all mapped out. But there is one thing they can’t control – their families! Relatives are arriving from both sides of the ditch for the wedding, and reality is sinking in – and sinking fast. Will this international love story bring two strong cultures together? Or will it divide their families and countries, and blow Hera and Bila’s world apart?'

Source: Yirramboi Festival

1 Crying Shame = Warang Dungi-mi Kamarra Bell-Wykes , 2017 single work short story
— Appears in: Woman's Way : A Collection of Stories, Poems and Short Essays by First Nations' Women 2017;
1 North West of Nowhere Kamarra Bell-Wykes , 2016 single work drama

'Wyatt and Nella are 16 and from the middle of nowhere. Wyatt’s in love with a girl who doesn’t love him back and Nella just wants to escape from the small town gossip. Enter Cuz. He’s just got out of jail and knows a good time when he sees one. Desperate to fit in, Wyatt tags along with Nella and Cuz and together they pile into Cuz’s ute headed one way for Sydney. Nella’s got her heart set on the big smoke and a whole new life, Cuz has other ideas and Wyatt can’t help thinking they should all just turn back now.' (Source: Ilbijerri Threatre Company website)

1 The Arc, the Tension, the Payoff : Experiencing Dramaturgy Kamarra Bell-Wykes , 2012 single work prose
— Appears in: RealTime , October-November no. 111 2012; (p. 10)
'My most successful, enjoyable, educational, frustrating, painful, stick-a-fork-in-a-toaster dramaturgical relationship has been with John Romeril and not just because he is such a talented and experienced writer (though of course this helps), but because he recognised my internal creative source and helped me to find a way to tap it. He has helped me to harness my raw style and unpack the thoughts that well up from the ground, through my body and around my head and which I struggle to put on paper in a way that is interesting and watchable for the ever elusive "captive audience".'

1 1 Body Armour Kamarra Bell-Wykes , 2010 single work drama humour young adult 'Meet Dannii, Harley and Rose. Three teenagers. Three individuals. Three modern-day warriors on a quest for identity; fuelled with attitude and armed with ink and steel. When their paths cross unexpectedly, they realise that they might have found more than they were looking for. And that sometimes, the best way to look forward is by looking back ... Fresh, sassy and razor-sharp, Body Armour has been specifically designed for high school audiences, to raise awareness of hepatitis C in the Indigenous community and beyond. The story follows the journey of three teenagers as they experiment with at-risk activities such as piercing, tattooing and blood sharing. Timely comparisons to ancient body modification rituals gently remind us of the importance of history and culture in the search for identity and the need to belong. Vibrant, funny and non-judgemental, the show's power lies in its ability to open minds, discussions and possibilities.' (Ilbijerri Theatre Company website)
1 1 Mother's Tongue Kamarra Bell-Wykes , 2010 single work drama '"Mother's Tongue" is a contemporary Indigenous story about David and Ngala, a brother and sister trying to find their way in life after the death of their grandmother, the keeper of secrets and last custodian of the knowledge of a whole language group. After her death, David is the only person left alive that can speak his mother’s tongue. With Ngala wanting to learn the language, David wanting to move on with his life and a sexy new female arrival in town starting to stir things up, life for David and Ngala just got complicated. What follows is a tale of trust and betrayal, love and lust.' Source: www.yirrayaakin.com.au (Sighted 23/09/2010).
1 3 Chopped Liver Kamarra Bell-Wykes , 2006 single work drama 'The Blak comedy show you can't liver without! After huge success in 2006 & 2007, "Chopped Liver" is hitting the road again, launching a massive national tour with its first ever visit to regional NSW. Told through the stories of Lynne and Jim, the play uses comedy to humanise the experience of Hepatitis C and to break down social boundaries surrounding the virus, raising awareness and opening opportunities for discussion, prevention and support. It's about knowing that people with Hepatitis C are so much more than chopped liver. Source: http://www.regionalartsnsw.com.au/ebulletin/2008/july_e.html (Sighted 23/09/2010).
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