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Notes
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Includes reference to the influence of D. H. Lawrence on Katharine Susannah Prichard.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Leaving the Party : Dorothy Hewett, Literary Politics and the Long 1960s
2012
single work
criticism
— Appears in: Southerly , vol. 72 no. 1 2012; (p. 36-50)'What political, cultural and rhetorical changes occurred between the publication of Dorothy Hewett's nostalgic essay on Kylie Tenant in Westerly in late 1960 (Hewett, "How Beautiful Upon the Mountains") and her strikingly negative literary obituary of Katherine Susannah Prichard in Overland in late 1969 (Hewett, "Excess of Love: The Irrecon - cilable in Katharine Susannah Prichard")? The first of these essays offered a forthright series of criticisms about Tenant's interest in stylistic experimentation and the decline of her rather more interesting socialist realism. The second essay delivered an equally forthright assessment of Prichard, Hewett's much-loved fellow West Australian woman writer and Communist, strongly condemning her deforming and persistent allegiance to the Communist Party in Australia and the Soviet Union and the socialist realist aesthetics mandated by them. Separated by only nine years, these two pieces of non-fiction present the contradictory literary and political positions that book-end Hewett's turbulent and productive Cold War 1960s, and indicate the nature and importance of the repudiation of Prichard as a springboard for Hewett's writing in the 1970s. Approached chronologically, Hewett's essays of the 1960s demonstrate the imbrication of politics and literary aesthetics in her work. Initially reproducing the partisan contours of the relationship between politics and literature familiar from the Left cultural debates of the 1930s, Hewett finds increasingly different answers for this debate's foundational questions about the function of art, the role of the socially engaged artist, the importance of realism and what to do or think about modernism.' (Author's abstract)
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In the Hewett Archive
Dorothy Green Memorial Lecture : In the Hewett Archive
2011
single work
criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-14) 'This paper is, circuitously, all about my mother, and me: my formal, legal role as Dorothy Hewett's literary executor (along with my brother, Tom Flood); the experience of growing up in the archive and of being, in a sense, part of the archive; and the task of curating a part of that archive as the editor of the new Selected Poems of Dorothy Hewett published by the University of Western Australia Press.' (p. 10)
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Katharine Susannah Prichard : "Excess of Love"? Some Comments : R.P. Throssell (Canberra, ACT)
1970
single work
correspondence
— Appears in: Overland , Winter no. 44 1970; (p. 25-26) -
Katharine Susannah Prichard : "Excess of Love"? Some Comments : John Clements (WA)
1970
single work
correspondence
— Appears in: Overland , Winter no. 44 1970; (p. 27) -
Katharine Susannah Prichard : "Excess of Love"? Some Comments : Helen Palmer (NSW)
1970
single work
correspondence
— Appears in: Overland , Winter no. 44 1970; (p. 27)
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In the Hewett Archive
Dorothy Green Memorial Lecture : In the Hewett Archive
2011
single work
criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-14) 'This paper is, circuitously, all about my mother, and me: my formal, legal role as Dorothy Hewett's literary executor (along with my brother, Tom Flood); the experience of growing up in the archive and of being, in a sense, part of the archive; and the task of curating a part of that archive as the editor of the new Selected Poems of Dorothy Hewett published by the University of Western Australia Press.' (p. 10)
-
Leaving the Party : Dorothy Hewett, Literary Politics and the Long 1960s
2012
single work
criticism
— Appears in: Southerly , vol. 72 no. 1 2012; (p. 36-50)'What political, cultural and rhetorical changes occurred between the publication of Dorothy Hewett's nostalgic essay on Kylie Tenant in Westerly in late 1960 (Hewett, "How Beautiful Upon the Mountains") and her strikingly negative literary obituary of Katherine Susannah Prichard in Overland in late 1969 (Hewett, "Excess of Love: The Irrecon - cilable in Katharine Susannah Prichard")? The first of these essays offered a forthright series of criticisms about Tenant's interest in stylistic experimentation and the decline of her rather more interesting socialist realism. The second essay delivered an equally forthright assessment of Prichard, Hewett's much-loved fellow West Australian woman writer and Communist, strongly condemning her deforming and persistent allegiance to the Communist Party in Australia and the Soviet Union and the socialist realist aesthetics mandated by them. Separated by only nine years, these two pieces of non-fiction present the contradictory literary and political positions that book-end Hewett's turbulent and productive Cold War 1960s, and indicate the nature and importance of the repudiation of Prichard as a springboard for Hewett's writing in the 1970s. Approached chronologically, Hewett's essays of the 1960s demonstrate the imbrication of politics and literary aesthetics in her work. Initially reproducing the partisan contours of the relationship between politics and literature familiar from the Left cultural debates of the 1930s, Hewett finds increasingly different answers for this debate's foundational questions about the function of art, the role of the socially engaged artist, the importance of realism and what to do or think about modernism.' (Author's abstract)
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Katharine Susannah Prichard : "Excess of Love"? Some Comments : Bill Wannan (Vic)
1970
single work
correspondence
— Appears in: Overland , Winter no. 44 1970; (p. 26) -
Katharine Susannah Prichard : "Excess of Love"? Some Comments : Mena Calthorpe (NSW)
1970
single work
correspondence
— Appears in: Overland , Winter no. 44 1970; (p. 26) -
Katharine Susannah Prichard : 'Excess of Love'? Some Comments : Dymphna Cusack (WA)
1970
single work
correspondence
— Appears in: Overland , Winter no. 44 1970; (p. 27)