AustLit logo

AustLit

Issue Details: First known date: 2003... 2003 The Mandala of the Return : Narration and Identity in Christopher Cyrill's The Ganges and Its Tributaries
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

The authors argue that 'In his construct of the world, the narrator of Ganges and its Tributaries employs three interrelated components: 1) the concept of the Trinity, 2) the concept of the mandala, and 3) the metaphor of the river Ganges' (425).

Notes

  • Includes reference to the influence of Joseph Conrad's Heart of Darkness on Cyrill's novel.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Austral-Asian Encounters : From Literature and Women's Studies to Politics and Tourism Cynthia Van Den Driesen (editor), Satendra Nandan (editor), New Delhi : Prestige Books , 2003 Z1141845 2003 anthology criticism prose

    'This collection of papers signals the emergence of innovative developments in Australian Studies. In the area of cultural theory, some of the brightest talents from Australia, New Zealand and India theorize the fresh insights emerging through exploration of the commonalities of the shared colonial and postcolonial experience of these regions.' (Publication summary)

    New Delhi : Prestige Books , 2003
    pg. 422-429
Last amended 12 Oct 2004 14:24:15
422-429 The Mandala of the Return : Narration and Identity in Christopher Cyrill's The Ganges and Its Tributariessmall AustLit logo
X