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Issue Details: First known date: 2006... 2006 Afghan Women's Dobaiti Poetry : A Community Cultural Development Project
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AbstractHistoryArchive Description

This book explores the complexities of community cultural development (CCD) in working with emerging communities and groups in a language other than English. It is intended as a resource for CCD workers, artists, artsworkers in the field and other key stakeholders, as well as the broader arts and community cultural development constituencies. We hope this book contributes to discussions which forground the possibilities for effective and respectful cross-cultural CCD work. -- Back cover.

Notes

Contents

* Contents derived from the Bankstown, Bankstown area, Sydney Southwest, Sydney, New South Wales,:Bankstown Area Multicultural Network , 2006 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Introduction, Paula Abood , Rukhshana Sarwar , single work criticism (p. 11-13)
The Community Development Framework, Loretta Vieceli , single work criticism (p. 15-19)
A Time for Poetry, Rukhshana Sarwar , single work criticism
'Dobaiti has travelled across the seas with the Afghan people. The tradition lives on in the lives of refugee and migrant Afghans living in Australia. Mothers and grandmothers are now creating Dobaiti in contemporary settings around community centre tables in the mild winter nights of southwest and Western Sydney' (p. 24).
(p. 21-24)
An Overview : Community Cultural Development (CCD), Paula Abood , single work criticism
Paula Abood responds to cuts in Australia Council funding in 2004 for the Community Cultural Development Board.
(p. 25-28)
CCD : View from Within, Rukhshana Sarwar , single work criticism
Along with the author's explanation of the Community Cultural Development Dobaiti project are responses from many of the Afghan women involved.
(p. 30-35)
Context for a CCD Project, Paula Abood , single work criticism (p. 36-37)
Developing Dobaiti : A Process of Creation, Rukhshana Sarwar , single work criticism (p. 39-42)
Methodology : Unpacking Process, Paula Abood , single work criticism (p. 43-46)
Feminist Praxis : Cross-Cultural CCD Work, Paula Abood , single work criticism (p. 47-49)
Conclusion, Rukhshana Sarwar , Paula Abood , single work criticism (p. 51-53)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Language: English

Works about this Work

Archive of the Displaced Paula Abood , 2011 single work criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-6)
'Paula Abood's 'Archive of the Displaced' presents a related lacuna in the present institutionalised account of the nation. Abood writes of a current community cultural development program working to provide refugee women with the means to record the 'living repository' of war, displacement, racism and resistance through collective storytelling. Her account and the project itself provide a mindful response to the fleeting nature of the present and its traces in the face of official records.' (Source: Introduction : Archive Madness, p. 2)
Introduction Paula Abood , Rukhshana Sarwar , 2006 single work criticism
— Appears in: Afghan Women's Dobaiti Poetry : A Community Cultural Development Project 2006; (p. 11-13)
Introduction Paula Abood , Rukhshana Sarwar , 2006 single work criticism
— Appears in: Afghan Women's Dobaiti Poetry : A Community Cultural Development Project 2006; (p. 11-13)
Archive of the Displaced Paula Abood , 2011 single work criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-6)
'Paula Abood's 'Archive of the Displaced' presents a related lacuna in the present institutionalised account of the nation. Abood writes of a current community cultural development program working to provide refugee women with the means to record the 'living repository' of war, displacement, racism and resistance through collective storytelling. Her account and the project itself provide a mindful response to the fleeting nature of the present and its traces in the face of official records.' (Source: Introduction : Archive Madness, p. 2)
Last amended 20 Aug 2009 08:51:14
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