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AbstractHistoryArchive Description
'Chris Leeton is tormented but also sustained by his growing need to cross over the landscape of his Aboriginal ancestors... In the struggle to keep the family together in Sydney's grim commission housing, schoolboy Chris is tender witness to poverty and despair. In time he comes to understand that they are exiles in their own land. He senses that it is his generation that must cross the bridge back to that landscape which defines his people's existence.' (Source: Publisher's blurb)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Also sound recording.
Works about this Work
-
Indigenous Australian Texts in European English Departments : A Fence, a Bridge and a Country as an Answer to the Debate Over Multiculturalism
2013
single work
criticism
— Appears in: ELOPE , Autumn vol. 10 no. 2 2013; (p. 69-81) 'Though non-canonical Anglophone courses in the curriculum of European English departments are no longer seen as oddity, they are often regarded as “marginal” in comparison to the British and American canon. However, courses focusing on the cultural output of postcolonial voices, moreover of the most marginal of postcolonial voices, do not only challenge the extent to which we have managed to shift from Eurocentrism in literary theory, but also reveal the complexities of the current cultural trends, such as the frequently evoked policy of multiculturalism. The paper argues that courses which include texts by Indigenous Australian authors reveal the story of survival in a country that is literally multicultural, and stress the importance of one’s own place of utterance, which is as local as it is global. The above issues are exemplified by the works of the famous Aboriginal writers Doris Pilkington/Nugi Garimara (Follow the Rabbit-Proof Fence, 1996), John Muk Muk Burke (Bridge of Triangles, 1994) and Alexis Wright (Carpentaria, 2006).' (Publication abstract) -
'That Migloo Shit' : The Clash of Cultures in Aboriginal Short Fiction
2006
single work
criticism
— Appears in: Zeitschrift fur Australienstudien , no. 20 2006; (p. 3-13) -
Untitled
2001
single work
review
— Appears in: World Literature Today , Summer-Autumn vol. 75 no. 3-4 2001; (p. 131-132)
— Review of Bridge of Triangles 1994 single work novel -
Paperbacks
2000
single work
review
— Appears in: The Sydney Morning Herald , 15 April 2000; (p. 12)
— Review of Bridge of Triangles 1994 single work novel ; Half a Lifetime 1999 single work autobiography -
Untitled
1997
single work
review
— Appears in: Ulitarra , no. 11 1997; (p. 131)
— Review of Bridge of Triangles 1994 single work novel
-
Black Marks, White Pages
1995
single work
review
— Appears in: Boardwalk , Autumn vol. 1 no. 2 1995; (p. 21-22)
— Review of Oodgeroo 1994 single work biography ; Cattle Camp : Murrie Drovers and Their Stories 1994 anthology prose ; Bridge of Triangles 1994 single work novel -
Untitled
1995
single work
review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 9 no. 1 1995; (p. 10)
— Review of Bridge of Triangles 1994 single work novel -
A Bridge Too Far
1994
single work
review
— Appears in: Australian Book Review , November no. 166 1994; (p. 16-17)
— Review of Bridge of Triangles 1994 single work novel -
Forecasts
1994
single work
review
— Appears in: Australian Bookseller & Publisher , July vol. 74 no. 1049 1994; (p. 53)
— Review of Bridge of Triangles 1994 single work novel -
Restless Journey
1994
single work
review
— Appears in: The Weekend Australian , 24-25 September 1994; (p. rev 6)
— Review of Bridge of Triangles 1994 single work novel -
'That Migloo Shit' : The Clash of Cultures in Aboriginal Short Fiction
2006
single work
criticism
— Appears in: Zeitschrift fur Australienstudien , no. 20 2006; (p. 3-13) -
John Muk Muk Burke
Mark Davies
(interviewer),
1994
single work
interview
— Appears in: Northern Perspective , Wet Season vol. 17 no. 2 1994; (p. 1-8) -
Indigenous Australian Texts in European English Departments : A Fence, a Bridge and a Country as an Answer to the Debate Over Multiculturalism
2013
single work
criticism
— Appears in: ELOPE , Autumn vol. 10 no. 2 2013; (p. 69-81) 'Though non-canonical Anglophone courses in the curriculum of European English departments are no longer seen as oddity, they are often regarded as “marginal” in comparison to the British and American canon. However, courses focusing on the cultural output of postcolonial voices, moreover of the most marginal of postcolonial voices, do not only challenge the extent to which we have managed to shift from Eurocentrism in literary theory, but also reveal the complexities of the current cultural trends, such as the frequently evoked policy of multiculturalism. The paper argues that courses which include texts by Indigenous Australian authors reveal the story of survival in a country that is literally multicultural, and stress the importance of one’s own place of utterance, which is as local as it is global. The above issues are exemplified by the works of the famous Aboriginal writers Doris Pilkington/Nugi Garimara (Follow the Rabbit-Proof Fence, 1996), John Muk Muk Burke (Bridge of Triangles, 1994) and Alexis Wright (Carpentaria, 2006).' (Publication abstract) -
[Review Essay] Bridge of Triangles
1994
single work
essay
— Appears in: Australian Aboriginal Studies , no. 2 1994; (p. 93-94)'John Muk Muk Burke was born in Narrandera, New South Wales, in 1946. His mother was Wiradjuri and his father was Irish. He left school, aged 15, and worked at several jobs before entering the Auckland Teachers College in New Zealand in 1967. In 1992 he joined the Centre for Aboriginal and Islander Studies at the Northern Territory University, as lecturer in history and English literature' (Introduction)
Awards
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