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Issue Details: First known date: 2000... 2000 The Cambridge Companion to Australian Literature
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Contents

* Contents derived from the Melbourne, Victoria,:Cambridge University Press , 2000 version. Please note that other versions/publications may contain different contents. See the Publication Details.
The Cambridge Companion to Australian Literature : Introduction, Elizabeth Webby , single work criticism

'In 1898, Henry Gyles Turner, a banker and litterateur, and Alexander Sutherland, a schoolteacher and journalist, both from Melbourne, published The Development of Australian Literature. This opened with the first of many attempts to provide "A General Sketch of Australian Literature", which devoted forty-seven pages to poetry, about thirty to fiction and eighteen to "general literature": mainly history, biography, and works of travel and exploration. The bulk of Turner and Sutherland's book, however, consisted of biographies of the three Australian writers whom they thought were of greatest significance: poets Adam Lindsay Gordon and Henry Kendall and novelist Marcus Clarke.' (Introduction)

(p. 1-18)
Indigenous Texts and Narratives, Penny Van Toorn , single work criticism

'The Aboriginal and Torres Strait Islander peoples of Australia have been telling stories since time immemorial. Although Indigenous oral cultures were once believed to be dying out, it is clear today, in Australia and elsewhere, that many aspects of these ancient cultures have survived in Indigenous communities, and are now thriving as a living, evolving part of contemporary life. Oral songs and narratives are traditionally an embodied and emplaced form of knowledge. Information is stored in people's minds in various narrative forms which, at the appropriate time, are transmitted from the mouths of the older generation to the ears of the young. Many narratives are connected to specific sites, and are transmitted in the course of people's movements through their country. Certain songs and stories are only transmitted in specific ceremonial contexts, while others circulate in the informal settings of everyday life. For oral traditions to survive, then, "the learning generation" must be in direct physical proximity to "the teaching generation". People must also have access to significant sites in their country, and be free to perform their ceremonies, speak their languages, and carry out their everyday cultural activities.' (Introduction)

(p. 19-49)
Colonial Writers and Readers, Elizabeth Webby , single work criticism
Contains the following sections: Representing a New World; Australian Readers: Books, Magazines and Newspapers; Some Early Poets; Charles Harpur; Later Poets; Historical and Adventure Fiction; Henry Lawson and the Short Story; Writing for Children; Fiction by Women.
(p. 50-73)
Poetry from the 1890s to 1970, Michael Ackland , single work criticism
Contains the following sections: Poets of the 1890s; J.S. Neilson and Christopher Brennan; Early Twentieth-Century Verse; Kenneth Slessor and Modernism; Poets of the 1930s and 1940s; Poets of the 1950s; James McAuley and Harold Stewart; Judith Wright; Women Poets of the 1960s.
(p. 74-104)
Fiction from 1900 to 1970, Kerryn Goldsworthy , single work criticism
Contains the following sections: Around Federation; Historical Fictions; Writing the Wars; Women and Fiction; Realisms; Aboriginal Representations; Patrick White; Other Voices.
(p. 105-133)
Theatre from 1788 to the 1960s, Richard Fotheringham , single work criticism
Contains the following sections: The Theatre of Authority; Mapping Australian Theatre; The English Theatre in Australia; Towards an Australian Drama.
(p. 134-157)
Contemporary Poetry : Across Party Lines, David McCooey , single work criticism
Contains the following sections: '68 - '79 - '99; Material Changes; Developments; Conclusions.
(p. 158-182)
New Narrations : Contemporary Fiction, Delys Bird , single work criticism
Contains the following sections: Established Writing; Early Experimentation / New Directions; Later Contemporaneity and Diversity; Regional Publishing / Writing; White Anglo-Celtic Male No More; Feminism and "Women's Writing"; New Realism; Fictionalising Asia; Genre Fiction; The New Professionals.
(p. 183-208)
New Stages : Contemporary Theatre, May-Brit Akerholt , single work criticism
Contains the following sections: The Shaping of a Theatre; Changes in Infrastructure: Institutions, Theatre Companies; Putting a Country on the Stage; The Second Surge; Towards the Bicentenary: Multicultural Theatre, Aboriginal Theatre, Classics, Translations; Towards the Millennium; Conclusion.
(p. 209-231)
From Biography to Autobiography, Gillian Whitlock , single work criticism
Contains the following sections: Grand Portraits; Caution: Biographer at Work; Equatorial Zones: Where Louisa Meets Poppy and Rita; The Flawed Glass; Self-Portraits: "Opening My Heart".
(p. 232-257)
Critics, Writers, Intellectuals : Australian Literature and Its Criticism, David Carter , single work criticism
David Carter 'describes the background to [the] "theoretical turn" in Australian literary studies: the struggle to establish Australian literature in the university: the institutionalisation of Australian literary studies... the emergence of counter currents: and the belated impact of post—structuralist theories—not least via the rapid impact of cultural studies since the early 1980s.' Source: Modern Australian Criticism and Theory (2010)
(p. 258-293)
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