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y separately published work icon Meanjin periodical issue  
Issue Details: First known date: 2020... vol. 79 no. 1 Autumn 2020 of Meanjin est. 1940 Meanjin
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Contents

* Contents derived from the , 2020 version. Please note that other versions/publications may contain different contents. See the Publication Details.
The Watch, Nick Robinson , single work short story
Here Be Lions, John Kinsella , single work short story
Letter to the Australians, Jessica Gildersleeve , single work review
— Review of Damascus Christos Tsiolkas , 2019 single work novel ;

'In an interview that followed the publication of his 2013 novel Barracuda, Christos Tsiolkas declared that he ‘learnt to feel Australian by travelling to Europe’.¹ It’s a sentiment perhaps best expressed in Dead Europe (2005), a novel in which to be Australian is repeatedly compared to naivety or childishness. Such expressions suggest that for Tsiolkas, we can only understand Australian national identity in relief, an idea hearkening back to the earliest definitions of the nation made by its colonisers and continuing throughout Australia’s migrant and multicultural history.' (Introduction)

Telling Tune, Simon Ryan , single work review
— Review of Earworm Colin Varney , 2018 single work novel ;

'Unusual narrators in fiction demonstrate how a willing suspension of disbelief touches every aspect of the reading experience. After a few pages of Ian McEwan’s Nutshell, we are reconciled to the fact that the narrator is a foetus. In Tibor Fischer’s The Collector Collector, we grow comfortable under the guidance of a narrator that is a 6000-year-old Mesopotamian bowl. Likewise, in Alice Sebold’s The Lovely Bones, we accept a narrator who is dead. Fiction is replete with narrators that are atoms, horses, bees and death itself. Colin Varney’s Earworm adds a song to this list of unusual narrators.'  (Introduction)

Two Surveys, Two Milestones : One Premature Death, Martin Langford , single work review
— Review of The Gang of One : Selected Poems of Robert Harris Robert Harris , 2019 selected work poetry ; Birth Plan L. K. Holt , 2019 selected work poetry ; Empirical Lisa Gorton , 2019 selected work poetry ; Crow College : New and Selected Poems Emma Lew , 2019 selected work poetry ;

'In 2017 Alan Wearne quite rightly decided that the work of Robert Harris deserved to be more widely available than through a scattering of individual volumes, and crowd-sourced funding for a selected—which may be an example of Australian poets taking a bad situation into their own hands, but which should never have been necessary if the rest of the country was even remotely aware of the achievements of its writers. Judith Beveridge came on board as editor, and the result is this very handsome and user-friendly edition.'  (Introduction)

Australian Filmsi"Years ago when I was in Shanghai", Yu Ouyang , single work poetry
Over the Mountains and Far Awayi"Only women are sik bun grandmother says", Emily Sun , single work poetry
Two Figures at a Windowi"We’re in all the papers—between us and young Liz,", Jarad Bruinstroop , single work poetry
Passionfruiti"I separated them today", Suneeta Peres da Costa , single work poetry
Between the Pen and the Roundabouti"Ear-tagged, matted coats drenched by rain", Brendan Ryan , single work poetry
The Jaguari"It shone like an insect in the driveway:", Sarah Holland-Batt , single work poetry
Fish Marketi"At 1 am, the alarm sounds.", Marija Pericic , single work poetry
The Cloud, the Tree, and the South Windi"A cloud leans one way and plays", Jenny Pollak , single work poetry
Rodent Brain Slicesi"One must be dead drunk to consult", Gershon Maller , single work poetry
Until Javai"Into the hotel room floats", Mike Ladd , single work poetry
Medical Developmentsi"The stainless steel instruments, as shiny", Andrew Sant , single work poetry
Aviationi"A bird died yesterday and made me think of those two nights", Ella Fox-Martens , single work poetry
So White. So What., Alison Whittaker , single work essay

'Somewhere before White Fragility became the lingo du jour of anti-racism workshops, white people stopped telling me out loud that they were ‘one of the good ones’. They chuckled and said ‘Oh, I’m so white’. They offered me a conspiring wink. It’s not as suave when I reciprocate. I can only blink, or hold my hand over one eye like an optometrist, testing just what it is I’m meant to be seeing.' (Introduction)

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