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Contents
* Contents derived from the 1994 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- Enright's `Mongrels' as Intervention in the Canon of Contemporary Australian Drama, single work criticism (p. 5-22)
- Rocket to Rome (Homage to the Ramones) Things to Do in Rome / Homage to the Ramonesi"Read about the Goliard poets", single work poetry (p. 23)
- Roman Poemi"The rhythms of the Italian language", single work poetry (p. 24)
- Homesicknessi"the Ancients thought we lived", single work poetry (p. 25)
- Europe, Endless-i"fair hair", single work poetry (p. 26)
- The Harbour Bridei"sunlight on", single work poetry (p. 26)
- Gamelan Rehearsal, Jogjakartai"ribbons of sensuality perfumes", single work poetry (p. 27)
- Kaisekii"Every thing", single work poetry (p. 28-29)
- Dinner at the Savoyi"Desert lurid decor", single work poetry (p. 30)
- The Day's March, single work short story (p. 31-41)
- The Year of Something to be Done, single work short story (p. 42-46)
- Away from the Gaze, Into the Maze: Marion Campbell's `Not Being Miriam', single work criticism (p. 47-57)
- And Looking Through the Window (to the Memory of Ilya Rubin)i"And looking up through the window, with tea, on a morning in March,", Peter Porter (translator), single work poetry (p. 58)
- With Vicious Force the Stormi"With vicious force the storm has slammed", Peter Porter (translator), single work poetry (p. 59)
- A Love Poem about Taming Wordsi"Not from great need, but from great self-esteem", Petar T. Boskovski , Ilija Casule , Thomas Shapcott , single work poetry (p. 60-61)
- Drumi"You struck our veins", Petar T. Boskovski , Ilija Casule , Thomas Shapcott , single work poetry (p. 62)
- Moon Over Melbournei"a night without time", single work poetry (p. 63-64)
- Rites for the Dead, single work short story (p. 65-76)
- A Platypus, Her Diamond Ring, single work short story (p. 77-81)
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"The Green Singer": Neilson's Pastoral Poetry,
single work
criticism
Gaffney examines John Shaw Neilson's poetry in terms of the poet's loss of faith in a harmonious universe. Shaw Neilson constantly turned to Spring as an inspirational source and this was inevitably connected to God. However, Shaw Neilson was troubled by the dualism of God and nature, making the search for harmony confused and the vision fragmented. Nevertheless, the poet's continued search influenced rare moments of mystical insight, fostering his belief in its importance.
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